【台北·敦仁】【上海·外滩】 Neo-Baroque 血液裡的浪漫 – Thierry Feuz 西瑞‧菲兹 台北·上海双城个展 6.1-7.11

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Neo Baroque ⾎液里的浪漫

— Thierry Feuz 西瑞.菲兹 上海.台北双城个展


浪漫基因彷彿存在于Thierry Feuz的⾎液中,他期待曾经拥有的美好瞬间,可以透过艺术凝结成「⾒⼀花、成就⼀世界」的概念,并点出每个⼈都能在⾃⼰过去的⽣命经验对应到美好的瞬间,记忆永恒依然。艺术对Feuz⽽⾔,是每个⼈的魔幻时刻,也呼应⼈类⽣命中的普遍性。这样的深刻体验,在Feuz作品中幻化成为⾃然中的花朵与⽣物,在稍纵即逝的⽣命维度中,毫无⽌境的蔓延。⼤⾃然中⽣命的本质是出⽣与死亡,这样脆弱⽽美丽的平衡,是每个⼈都必经的旅程,为了对抗摧毁性的命定悲剧,抓住这样美好⽽绚烂的瞬间,⽽珍惜每个活著的时刻,是作品中欲传达的意念。
 
从创作技法及媒材上来说,Thierry Feuz是个喜好探索技法的艺术家,他的作品混合多种绘画基因:古典时期的静物画、抽象表现主义的滴流技法及超现实主义的象徵意义,在创作过程中,他也必须精准地在画⾯上控制每个流体颜料的位置与层次表现。⾃然、风景、花朵与⽣命,作为几种通俗的绘画主题,从艺术史上来看,19世纪荷兰艺术家Vincent Van Gogh透过花与风景来表现情感;20世纪美国艺术家Georgia Totto O’Keeffe则以微观花卉及植物、静物、风景,带入丰富的抽象性及複杂度,在当时更带有女性⾃我意识的展现;1990年代时美国当代抽象艺术家Cy Twombly也热衷于以花卉为主题进⾏创作,画⾯中⼤量的垂直线条,在视觉上扮演著花茎的⾓⾊给花朵以⽀撑,同时寓意著⽣命轮迴中万物转瞬即逝的本质;近期,英国当代艺术家Damien Hirst也推出Cherry blossom系列作品,引⾃⽇本精神的八种美德,他认为花是美丽⽽脆弱,⽽美丽是疯狂、容易消逝的,这样的美提醒著在悲观主义的环境下,⼈们试著从⽣活中得到意义。⽽Thierry Feuz从⽣命经验及⾃然风景中取材,将具体之物放入虚实之间,轻易跨越了⽂化及抽象的界线,也提⽰著⽣命充满希望,并以艺术纪录这样的美好瞬间。

本次Bluerider ART在台北与上海两座城市,同步展开Thierry Feuz的作品之旅。综合性展出近年来精彩的系列作品,包含注⽬度相当⾼的代表系列作品Silent Winds,他曾表⽰此系列的灵感来源是儿时与祖⽗躺在乡野中的回忆,欢愉地展现了缤纷绚烂的⼩宇宙,漫游漂浮及持续动态的有机⽣命体,铭记著⽣命美好的时光。⽽作品Psychotropical系列则在朦胧的空间氛围带出迷幻感,彷彿服⽤精神药物带来不同以往的疯狂梦景。作品Supernatural系列则局部聚焦在花朵花蕊本⾝,以缤纷纹理展现有机⽣命体的活⼒。Instant Karma则展现此刻当下与永恆的⽣命轮迴意义。Rain Garden系列巧妙地利⽤喷雾滴流技法及流体颜料相斥原理,赋予花朵透明光晕层次感。最新系列作品Hyperboreal则融合⾊彩及光线的迸发,展现强悍的⽣命⼒,更加狂放。

在不同的⾃然情境变化下:⽩昼与⿊夜、现实与梦境、前世与今⽣,⽣命的微⼩与巨⼤,在此展现。层次丰富⽽平衡的构图、⼤胆的⾊彩、灿烂⽽诗意的存在美学,Thierry Feuz藉由绘画为深刻的情感创造不凡的印记,开启⽇常⽣活静谧的纹理,转为记忆及时间的洪流,凝望⾝边的个⼈宇宙,探问⼈们存在的意义,并给予浪漫⽽隽永的答案。
 

Neo-Baroque 血液里的浪漫 
– Thierry Feuz 西瑞.菲兹 台北.上海双城个展 
展期:2021.6.1 – 2021.7.11 
台北 : 
Bluerider ART 台北敦仁 
Tue.-Sun. 10am-7pm 
台北市大安区大安路一段101巷10号一楼 
上海: 
Bluerider ART, Shanghai 
Tue.-Sun. 10am-7pm 
上海黄浦区四川中路 133 号

看作品


Hyperboreal Miltonia

2021 | 200×160 cm| Lacquer, oil and glitter on canvas

Hyperboreal Arcadia

2021 | 200×160 cm| Lacquer, oil and glitter on canvas

Silver Agartha Belladone

2021 | 200×130 cm| Lacquer and chrome on canvas

Silver Agartha Serpentine

2021 | 200×130 cm|Lacquer and chrome on canvas

Psychotropical Purple Anima

2021 | 130 x 160 cm | Lacquer and acrylic on canvas

Raingarden Floris

2021 | 130 x 160 cm| Lacquer and acrylic on canvas

Soundgarden Breeze

2021 | 140×170 cm| Lacquer, gold and acrylic on canvas

Blosson Frost Agartha

2021 | 130×160 cm|2021| Lacquer and acrylic on canvas

Floating Valley Panorama

2021|130×200 cm| Lacquer and acrylic on canvas

Purple Atlas Sirocco

200×160 cm|2021|Lacquer, oil and glitter on canvas

Golden Atlas Seraphin

200×160 cm | 2021 | Lacquer, oil gold and glitter on canvas

Golden Winds Amaris

2021 | 200 x 160 cm | Lacquer and acrylic on canvas

Silent Winds Moreno

100 x 160 cm | 2020 | Lacquer, oil, acrylic and glitter on canvas

Silver Atlas Majestic

2021 | 200 x 160 cm | Lacquer and acrylic on canvas

Blue Monsoon

2021 | 200 x 130 cm | Lacquer and acrylic on canvas

Golden Atlas Victoria

2021 | 170 x 140 cm | Lacquer and acrylic on canvas

After the Rain

2021 | 170 x 140 cm | Lacquer and acrylic on canvas

Silent Winds Oasis

2021 | 100 x 200 cm| Lacquer and acrylic on canvas

Raingarden Sunbow

2021 | 130 x 160 cm | 2021 | Lacquer and acrylic on canvas

Raingarden Pachua

2021 | 130 x 160 cm | Lacquer and acrylic on canvas

Psychotropical Amber Monteverde

2021 | 130 x 160 cm | Lacquer and acrylic on canvas

Silent Winds Zenith

2021 | 160 x 130 cm|Lacquer and acrylic on canvas

Psychotropical Panorama Coralia

2018 | 130x200cm | lacquer and acrylic on canvas

Supernatural Xenia IX

2018 |130 x 200 cm | lacquer and acrylic on canvas

Supernatural Diva Nuclea

130x200cm | 2019 | Lacquer and acrylic on canvas

Instant Karma Sunrise

2018 | 190 x 130 cm | Lacquer and acrylic on canvas

After the Rain III

2016 | 160 x 190 cm | Lacquer and acrylic on canvas

艺术家Artist


Thierry Feuz 西瑞・菲兹

 (Switzerland, b. 1986)

艺术家Thierry Feuz西瑞・菲兹,出⽣于维也纳,拥有瑞⼠⽇内瓦艺术与设计⼤学硕⼠ (Haute École d’Art et de Design),⽬前以⽇内瓦为创作据点。在他的艺术世界中,艺术、科学、哲学是相遇的,他关⼼⼈类普世间共有的「存在」(Existence)之意义,并⽤独有的绘画技术呈现未曾可⾒之境域。Thierry Feuz 西瑞・菲兹作品亦获重要机构与美术馆收藏,包含瑞⼠历史与艺术博物馆(Musée d’Art et d’Histoire, Neuchâtel)、新加坡艺术基⾦会(Singapore Art Foundation)、瑞⼠银⾏(UBS)、美国萨克斯第五⼤道精品百货(Saks Fifth Avenue)以及微风集团、⽟⼭银⾏等企业收藏。

收藏纪录 Collection

从创作技法及媒材上来说,Thierry Feuz西瑞.菲兹 是个喜好探索技法的艺术家,他的作品混合多种绘画基因:古典时期的静物画、抽象表现主义的滴流技法及超现实主义的象徵意义,在创作过程中,他也必须精准地在画⾯上控制每个流体颜料的位置与层次表现。知名瑞士策展人和艺术评论家Oliver Orest Tschirky指Thierry Feuz 西瑞.菲兹作品:「用后现代时代精神的哲学与主题认知,将古典、中世纪、巴洛克、印象派、超现实主义、与抽象表现主义等元素整合统一。」Thierry Feuz西瑞.菲兹从⽣命经验及⾃然风景中取材,将具体之物放入虚实之间,轻易跨越了⽂化及抽象的界线,也提⽰着⽣命充满希望,并以艺术纪录这样的美好瞬间。Oliver Orest Tschirky并提到Thierry Feuz 西瑞.菲兹的画作:「不仅可以看到色彩、形式、层次或主题中那明亮、闪耀、且欢乐的情绪交织,也能感受深刻且令人回味的意义。」

媒体报导 Press

Thierry Feuz

Swiss, b.1968

Education

Université de Neuchâtel, Neuchâtel

Ecole Supérieure des Beaux-Arts, Geneva & Universität der Künste

Master of Arts. – University of Art and Design / Haute Ecole d’Art et de Design / HEAD

Selected Solo Exhibitions

2021   Neo Baroque, Bluerider ART, Shanghai and Taipei

2021   A kind of Eden , Rasson Contemporain, Tournai & Knokke, Belgium

2020   Substrat , CdAC – Club d’Art Contemporain, Lausanne, Switzerland

2020  Golden Atlas  Rasson Contemporain, Knokke, Belgium

2019   Instant Karma, Galleri Christoffer Egelund, Copenhagen

2018   Geometry of Miracles, Leonhard’s Gallery, Antwerp

2018   Silent Winds, Bluerider ART, Taipei, Taiwan

2018   Full Bloom, Etienne Gallery, Oisterwijk

2017   Thierry Feuz, Galleri Christoffer Egelund, Copenhagen

2017   Supernatural, Rasson Art Gallery, Tournai

2017   Rausch, Galerie Zetter bei der Albertina, Albertina ,Wien

2016   Thierry Feuz, Galerie Lange + Pult, Auvernier

2016   Recent paintings, Galleri Christoffer Egelund, Copenhagen

2015   A Cosmology of Nature, Etienne Gallery, Oisterwijk

2014   Thierry Feuz, Johyun Gallery, Seoul

2014   Xanadu, Galerie Lange + Pult, Auvernier

2014   Thierry Feuz, Gerhard Braun Gallery, Palma de Mallorca

2014   Natural High, Downtown Gallery, Busan

2014   Volta NY, Gallery Christoffer Egelund, New York

2013   Cosmic Dust, Galleri Christoffer Egelund, Copenhagen

2013   Thierry Feuz, Schaulager, Galerie Feurstein, Feldkirch

2013   Babylone, Rasson Art Gallery, Tournai

2013   Atlas, Galerie Feurstein, Feldkirch

2012   Silent Winds, Etienne Gallery, Oisterwijk

2012   Motifs et reliefs de la couleur, (with Ien Lucas) Galerie La Ferronnerie, Paris

2012   Thierry Feuz – Neue Bilder, Galerie Siegel Springmann, Freiburg im Breisgau

2011   Thierry Feuz – Paintings & Sculptures, Galerie Lange + Pult, Zürich

2011   Thierry Feuz – Paintings, Hyun Gallery, Changwon

2011   Thierry Feuz – Paintings and Sculptures, Johyun Gallery, Seoul

2011   Thierry Feuz, Johyun Gallery, Busan

2011   Farbraum I, Schaulager Galerie Feurstein, Feldkirch

2010 Substrat, Galerie Une, Auvernier

2010 Beyond the hurricane, Galleri Christoffer Egelund, Kopenhagen

2010 Thierry Feuz, Galerie Feurstein, Feldkirch

2010 Feuz – Rembold,(with Marc Rembold), Jacana Gallery, Vancouver

2010 Flowers, (with Crystel Ceresa), Galerie Laleh June, Basel

2009 Neue Arbeiten – Thierry Feuz, Schaulager Galerie Feurstein, Feldkirch

2009 Into the Wild, Etienne Gallery, Oisterwijk

2009 Monsoon, Samuel Freeman Gallery, Santa Monica, CA

2009 Microworlds and Macrovisions, Carbon 12 Gallery, Dubai

2008 Thierry Feuz – Recent Work, Rosenbaum Contemporary, Boca Raton, FL

2008 Thierry Feuz, Galerie Une, Auvernier

2008 Rausch, Galerie Feurstein, Feldkirch

2008 Second Nature, Jacana Gallery, Vancouver

2008 Pushing Daisies, Galleri Christoffer Egelund, Kopenhagen

2008 Radiant Days, Etienne Gallery, Oisterwijk

2007 El Dorado, LIMN Gallery, San Fransisco

2007   Thierry Feuz – Second Nature, Rosenbaum Contemporary, Boca Raton, FL

2007 Oasis, Jacana Gallery, Vancouver

2007 Mirages, Galerie Kashya Hildebrand, Zürich

2006 Everglades – Recent paintings, Kashya Hildebrand Gallery, New York

2006 Psychotropical, Galerie Jérôme Ladiray, Rouen

2006 Equateur, Galerie Une, Auvernier

2006 Thierry Feuz – Supernatural, National Academy of Sciences, Washington, D.C.

2005 Gulfstream, Kashya Hildebrand Gallery, New York

2005 Closer than paradise, Galerie Kashya Hildebrand, Zürich

2004 Thierry Feuz, Galerie Une, Auvernier

2003 Thierry Feuz – Psychotropical, Kashya Hildebrand Gallery, New York

2003 Psychotropical, Galerie Une, Neuchâtel

2001 Hyper Naturel, Galerie Une, Neuchâtel

Selected Collective Exhibitions

2021 « Neuheiten im Frühling », Galerie bei der Albertina, Wien (AT)

2020 Xmas20 , Galleri Christoffer Egelund, Copenhagen (DK)

2020 Equinokks , Rasson Contemporain, Knokke (BE)

2020 S.P.R.A.Y.  Fondation WRP, Genève, (CH)

2020 Collection , Musée d’Art et d’Histoire, Neuchâtel (CH)

2020 Sundown , Etienne Gallery, Oisterwijk (NL)

2020 Summer20 , Galleri Christoffer Egelund, Copenhagen (DK)

2020 Modern , Galerie bei der Albertina, Wien (AT)

2019 Driving Forces : Contemporary Art from Pizzuti Collection », Columbus Museum of Art, Columbus,OH (US)

2019 Next , Bluerider ART, Taipei, Taiwan (TW)

2019 Xmas19 , Galleri Christoffer Egelund, Copenhagen (DK)

2019 Neuheiten im Frühling », Galerie bei der Albertina, Wien (AT)

2019 Spectrum , Leonhard’s Gallery, Antwerp (BE)

2018 Kunstkammer, Quartier Général, La Chaux-de-Fonds (CH)

2018 Collection D.R. Brollier, Fondation Fernet-Branca, Saint Louis (FR)

2018 Elixir, (avec Crystel Ceresa), Galerie Au Virage, Séprais, Jura (CH)

2017 Thierry Feuz & Richard Müller, Galerie Mera, Schaffhausen (CH)

2017 My art goes Boum,Villa Dutoit, Genève (CH)

2017 Utopic Park, Fonderie Kugler, Genève (CH)

2017 N.O.E.L, Club d’art Contemporain, Lausanne (CH)

2017 Xmas17, Galleri Christoffer Egelund, Copenhagen (DK)

2017 Kunst auf Papier, Galerie Feurstein, Feldkirch (AT)

2017 Chaos & Order, Laurent Marthaler Contemporary, Montreux (CH)

2017 Neuheiten im Herbst, Galerie Zetter bei der Albertina, Wien (AT)

2017 Ouverture, Club d’art Contemporain, Lausanne (CH)

2016 SPRAY, Opéra Gallery, Genève (CH)

2016 Xmas16, Galleri Christoffer Egelund, Copenhagen (DK)

2016 Summer never ends, Laurent Marthaler Contemporary, Montreux (CH)

2016 Aux sources de l’inspiration, Fondation Arnaud, Lens (CH)

2016 Un certain regard, Galerie Varenne, Genève (CH)

2016 Crystel Ceresa & Thierry Feuz, Galerie Artvera’s, Genève (CH)

2015 Un regard sur la collection, Musée d’Art et d’Histoire, Neuchâtel (CH)

2015 Xmas15, Galleri Christoffer Egelund, Copenhagen (DK)

2015 Outremer, Fonderie, Usine Kugler, Genève (CH)

2015 Plastic Days, Museo Fico, Torino (IT)

2015 Farbenwahnsinn, Galerie Feurstein, Feldkirch (AT)

2015 Take me to the sun, Laurent Marthaler Contemporary, Montreux (CH)

2015 Opposition des paradigmes, Laurent Marthaler Contemporary, Montreux (CH)

2015 Summertime, Galleri Christoffer Egelund, Copenhagen (DK)

2015 Show Chaud, Galerie Lange + Pult, Auvernier (CH)

2015 Map of the New Art, Fondazione Giorgio Cini, Venezia (IT)

2014 Neugierig, Galerie Feurstein, Feldkirch (AT)

2014 Paintings & Sculptures, Galerie Lange + Pult, Zürich (CH)

2014  Neuheiten im Frühling, Galerie an der Albertina, Wien (AT)

2014 Summertime’14″, Galleri Christoffer Egelund, Copenhagen (DK)

2014 Psychotropical – New Paintings, Etienne Gallery, Oisterwijk (NL)

2014 Utopie Picturale 2, Fonderie Kugler, Genève (CH)

2014 S.P.R.A.Y. –  painting now, Galerie Laurent Marthaler, Montreux (CH)

2014 S.P.R.A.Y, Galerie Artvera’s, Geneva (CH)

2014 Farbkörper – Bildobjekte, Galerie Feurstein, Feldkirch (AT)

2013 Hotchpotch, Galleri Christoffer Egelund, Copenhagen (DK)

2013 7 chez Varenne, Galerie Daniel Varenne, Genève (CH)

2013 Flowers, Etienne Gallery, Oisterwijk (NL)

2013 La beauté sauvera le monde (du Greco à Richter), Musée des Beaux-Arts, Tournai (BE)

2013 Melissa Morgan Fine Art Gallery, Palm Desert, CA (US)

2013 Kunststücke 2013, Galerie Feurstein, Feldkirch (AT)

2013 Frühling übt sich, Galerie Mera, Schaffhausen (CH)

2013 Utopie picturale, Villa Dutoit, Genève (CH)

2012 Iles au trésor, Galerie La Ferronnerie, Paris (FR)

2012 Yet Projects, Yet Projects, Genève (CH)

2012 Xmas, Galleri Christoffer Egelund, Copenhagen (DK)

2012 Cosmotopia, BAC, Bâtiment d’art contemporain, Genève (CH)

2012 Gallery Collection, Johyun Gallery, Busan (KR)

2012 Summer special exhibition, Lausberg Contemporary, Toronto (CA)

2012 Les annales de la Galerie Une, Galerie Une, Auvernier (CH)

2012 Summer show, Johyun Gallery, Seoul (KR)

2012 Rasson Art Gallery, Tournai (BE)

2012 Summertime, Galleri Christoffer Egelund, Kopenhagen (DK)

2012 Galerie Pierrick Touchefeu, Sceaux (FR)

2011 Thierry Feuz – Günther Holder – Willi Kopf, Galerie Feurstein, Feldkirch (AT)

2011    Xmas, Galleri Christoffer Egelund, Copenhagen (DK)

2011    Little Absurdities, -TINA B. – The Prague Contemporary  Art Festival, Prague (CZ)

2011 Résonnances – Dissonnances, Villa Dutoit, Genève (CH)

2011 Murs Exquis, Art en Ile, Genève (CH)

2011    Group show, Galerie Pierrick Touchefeu, Sceaux (FR)

2011 A celebration of Colors, Jacana Gallery, Vancouver (CA)

2011 Farbkörper, Galerie Feurstein, Feldkirch (AT)

2010    Xmas, Galleri Christoffer Egelund, Copenhagen (DK)

2010 Papier, Galerie Feurstein, Feldkirch (AT)

2010 Summer show, Joyhun Gallery, Seoul (KR)

2010 Dessins à perte de vue, Halle Nord, Geneva (CH)

2010 Etienne Gallery, Osterwijk (NL)

2009 Galerie Jérôme Ladiray, Rouen (FR)

2009 WALL – TABLE – CHAIR, Galerie Kenworthy-Ball, Lange + Pult, Zürich (CH)

2009 Best of Lausberg Contemporary, Lausberg Contemporary, Toronto (CA)

2009 Aquisitions 2008-2009 – La collection de la Poste suisse, PROGR, Bern (CH)

2009 Lost Paradise, Espace Cheminée Nord, Genève (CH)

2009 Summer abstractions, LIMN Gallery, San Francisco (US)

2009 Kunst – Stücke, Galerie Feurstein, Feldkirch (AT)

2009 Floating details, La Pinacotèque, Genève (CH)

2009 Donation Jeunet – Aquisition 2003-2009, Musée d’Art et d’Histoire, Neuchâtel (CH)

2009 Summertime, Galleri Christoffer Egelund, Kopenhagen (DK)

2009 Flower Power, Centro Ricerca Arte Attuale Villa Guilia, Verbania (IT)

2009 MIX, Jacana Contemporary Art, Vancouver (CA)

2008 Sneak preview, Carbon12 Gallery, Dubai (AE)

2008 All colors in mind, Rosenbaum Contemporary, Boca Raton, Florida (US)

2008 Summertime, Galleri Christoffer Egelund, Kopenhagen (DK)

2008 Schaulager – Lagerschau, Galerie Guenter Feurstein, Feldkirch (AT)

2008 Botanical transforms, Vejle Kunstmuseum, Vejle (DK)

2008 Blackout, Art en Ile, Genève (CH)

2007 Xmas, Galleri Christoffer Egelund, Copenhagen (DK)

2007 Bestial, Espace Arlaud, Lausanne (CH)

2007 Summer reflections 2007, Rosenbaum Contemporary, Boca Raton (US)

2007   Summershow, Galleri Christoffer Egelund, Kopenhagen (DK)

2007 Swissmade, Kunstraum Wedding, Berlin(DE)

2007  Group show, Etienne & Van den Doel, Oisterwijck (NL)

2007    Da Capo, Lausberg Contemporary, Toronto (CA)

2007 PINK, Arena1 Gallery, Santa Monica (US)

2006 Xmas, Galleri Christoffer Egelund, Copenhagen (DK)

2006   Fire and Ice, Rosenbaum Contemporary, Boca Raton (US)

2006   Here we go, Galerie Une, Auvernier (CH)

2006   Kaléidoscopique, Villa Dutoit, Genève (CH)

2005 Finissage, Galerie Kashya Hildebrand, Genève (CH)

2005    About flowers, Galerie Elisabeth Staffelbach, Aarau (CH)

2005   Shining stars for a shining art, Galerie Une, Auvernier (CH)

2005 After Nature, Aeroplastics Contemporary, Bruxelles (BE)

2005 Théodore Stravinsky et l’art contemporain, Atelier Picasso, CNES, Paris (FR)

2005 Invito, Galerie Une, Lugano (CH)

2005 Lines and curves, LIMN Gallery, San Francisco (US)

2004 Wonderland, Galerie artone, Zürich (CH)

2004 10 artistes neuchâtelois contemporains, Musée des Beaux-Arts, La Chaux-de-Fonds (CH)

2004 Jet d’eau, Kunsthalle Palazzo, Liestal (CH)

2004 Spectrum, Galerie Kashya Hildebrand , Genève (CH)

2004 Heaven’s gonna burn your eyes, Cartelle Gallery, Los Angeles (US)

2004 Solaris, Kashya Hildebrand Gallery, New York (US)

2004 Swiss Art Awards, Halle 3, Messe, Basel (CH)

2004 LASKO, un panorama du wall painting en Suisse, Centre d’art, Neuchâtel (CH)

2004 Question de couleurs, bh9, Genève (CH)

2003    Donation Jeunet, une collection d’art contemporain, Musée d’Art et d’Histoire, Neuchâtel (CH)

2003 66è Biennale de la SAA, Musée des Beaux-Arts, La Chaux-de-Fonds (CH)

2003 Objectif Une, Galerie Une, Auvernier (CH)

2003 Galerie artone, Zürich (CH)

2003 Swiss Art Awards, Halle 3, Messe, Basel (CH)

Public and corporate collections

Pizzuti Collection, Columbus Ohio (US)

Musée d’Art et d’Histoire, Neuchâtel (CH)

Fonds Municipal d’Art Contemporain, Genève (CH)

Veijle Kunstmuseum, Veijle, (DK)

Singapore Art Foundation, Singapore (SG)

Musée de la Communication, Bern (CH)

Museo Ettore Fico, Torino (IT)

Sal. Oppenheim Collection, Zürich (CH)

Donation Jeunet, MAH, Neuchâtel (CH)

Bank Julius Bär, Basel (CH)

Hopital communal du Locle, Le Locle (CH)

Wellington Management Company Collection, London (GB)

ASP Consulting, Wien (AT)

Crédit Suisse, Zürich (CH)

Collection David R. Brollier, Geneva (CH)

nufnuf-art Foundation, Semsales / Genève (CH)

Computer Associates, New York (US)

Bank Julius Bär, Basel (CH)

KBL (Switzerland) LTD, Geneva (CH)

Saks Fifth Avenue Enterprises, New York (US)

Mediterranean Bank Plc, Valetta (MT)

Nordea, Copenhagen, (DK)

Lego Group, Billund, (DK)

Winterthur Assurance, Lausanne (CH)

Crédit Agricole, Neuchâtel (CH)

Crédit Suisse, Basel (CH)

Clariden Leu Banc, Zürich (CH)

UBS, Genève (CH)

UBS, Bex & Porrentruy (CH)

Meeschaert Asset Management, Paris (FR)

FinansDanmark, Denmark (DK)

Grants and Awards 

2018 Fondazione Schiaredo, Barbengo, Lugano (CH)

2016 Fondazione Schiaredo, Barbengo, Lugano, Switzerland

2011 Atelier Visarte Schweiz, Cité des Arts, Paris, France


2006 Atelier de Neuchâtel, Berlin, Germany

2003/06 Atelier pour plasticiens de la Ville de Genève, Genève, Switzerland

2003 Prix Théodore Strawinsky, France 

2001 Universität der Künste, Berlin (Klasse Marwan), Germany

2001 Prix de la SAA – Prix du Musée des Beaux-Arts, Biennale de la Chaux-de-Fonds, Switzerland

1997 Atelier Le Corbusier, Cité des Arts, Paris, France

Bibliography / Press (selection)

2014 Severine Cattin, « Quand l’alchimie règne en maître », in, L’Express-L’Impartial, 13.10.2014, Neuchâtel

2014 Jenny Do, « Collectif SPRAY », in TRIBU Magazine 3 « Men of Art », pp.71-88, June 2014, Geneva

2014  Nils Dupont, « De droites Lignes à grands coup de pinçeaux », in GoOut !, Feb 2014, Geneva

2012 Simone Simon, « Devergezichten van Thierry Feuz » in Tableau-Fine Arts Magazine, pp.94-99, Amsterdam

2010  Lorette Cohen, « Mouvements Irrationnels », in Supplément Arts, Le Temps, 17 nov. 2010

2009  Lorette Cohen, « Usine à image », in Le Temps, octobre, 2009

2009 Roberta Carretta, « Il regno di Flora », in Flower Power, Andrea Busto, Silvana Editoriale SPA, Milano

2009  Christopher Lord, « Within you without you », in Time Out Dubai, March 19-26 2009, Dubai 

2009 Farrah Pochkahanawala, « Reality Check Carbon12 goes abstract » in Kaleej Times – W. review, 13. 03. 2009, Dubai

2009 Shweta Parida, « Interview with Swiss artist Thierry Feuz at the opening of his exhibition at Carbon 12 Gallery » in DE51GN, Art Profile, 11 March 2009, Dubai

2008  Dominique Bossard, « Des gâteaux qui auraient fondu au soleil », in L’Express, 17 septembre 2008, Neuchâtel

2008 Marie Kirkegaard, « The visible / invisible stratum of reality », in Pushing Daisies, Cat. Galleri Egelund, April 08, Copenhagen

2006  Sophie Bourquin, « L’alchimiste du minuscule », in L’Express, 19 octobre 2006, Neuchâtel 

2006 JD Talasek, « Supernatural, paintings by Thierry Feuz, in Washingtonian, october 2006, Washington DC

2005  Gautier Huber, « News aus Neuenburg », in Kunstbulletin, 1/2.2005

2004 Gregoire Praz, « Lasko, un panorama du wall painting en Suisse , » in Art Press, pp.76-77, sept. 2004, Paris

2003 Edmond Charrière, « A l’aune de Pierre-Eugène Bouvier – Dix artistes neuchâtelois contemporains, Catalogue d’exposition, Musée des Beaux-Arts de la Chaux-de-Fonds, Ed. Virages, Neuchâtel

2004  Nadia Lutz, « Freipass für genfer Künstler ; Jet d’eau » in Basler Zeitung, 30 août 2004

2003 Phedra Jost, « Psychotropical, Malereien von Thierry Feuz », in Helvetissimo d., mars-avril 2003

2003 Walter Tschopp, « Rigueur et liberté » in  Donation Jeunet, une collection d’art contemporain, Catalogue d’exposition, Ed. Musée d’art et d’histoire de Neuchâtel

2003 Sonia Graf, « Biennale : La jeunesse et la figure humaine donnent le ton », in L’Impartial, 3.12. 2003

2003 Marino Buscaglia, « A propos de Technicolor total panorama 1 » in 66è Biennale de la Société des amis du Musée des beaux-arts de la Chaux-de-Fonds, Catalogue d’exposition, La Chaux-de-Fonds

2003 Nicole Rudick, « Psychotropical » Catalogue d’exposition, Kashya Hildebrand Gallery, New York

2001 Christian Sester, « Thierry Feuz », in Etats d’art, bulletin de la Société des amis des arts de la Chaux-de-Fonds, La Chaux-de-Fonds

艺评Art Critique


Oliver Orest Tschirky

Oliver Orest Tschirky 为知名独立策展人和艺术评论家,现居于瑞士苏黎世。曾于瑞士最古老的伯恩美术馆、Kunsthaus Langenthal 当代艺术美术馆担任策展人,并曾任欧洲顶尖大学之一圣加仑大学艺术设计学院院长。他也曾担任巴塞尔艺术展、迈阿密海滩展会副总监、日内瓦Artvera 画廊总监。

身为一位艺术史学家,Oliver Orest Tschirky 专精研究现代和当代艺术,擅於採用各种永续及跨领域的研究方法。他拥有圣加仑大学的国际关係硕士学位,以及洛桑大学、伯恩大学的艺术史、哲学及电影研究硕士学位。Oliver Orest Tschirky 在美术馆、实验性展览场域皆有丰富经歷。同时,他也编撰展览目录等出版物,并组织各项文化项目及活动,精通英文、德文、法文、西文及义大利文等多种语言。

Thierry Feuz-内在真理的永恆之旅

Oliver Orest Tschirky

愤懣与理想

Thierry Feuz的画作与物件是受后现代启蒙时代的新巴洛克旅程。称之为新巴洛克式,因为其作品充满了丰裕、动感、与情感。称之为旅程,因为相关的主题围绕着从恆星与星系的宇宙、到实物大小与特写的花朵、再到微型宇宙和奈米世界。称之为后现代,因为艺术概念中混合着分裂解构的记忆与文化元素。最后,称之为启蒙是因为画作透过聚焦的理性开启视野,进而到达新的互补现实。

平凡普遍的场景

完美而平衡的构图、激动人心且大胆的色彩组合、使用强烈且纯净的色料、结构的清晰与清洁度、单一绘画元素的精心设计、以及缺乏古典视角与透过模糊化某些描绘元素来获得聚焦深度是所有作品固有的部份。图像总是在抽象与具象之间来回摆盪,因此虽没有直接的叙述,却留有极大的解释空间。儘管如此,明亮的色彩像烟火那般散佈在画布上并產生了生物形态,或在其他系列的画作中產生了几何水平线。其令人著迷且带有色彩爆炸与迷幻的画作,无论第一眼是否理解画作想表达的意境,让观者留下了深刻的印象。

过去五年以来,Theirry Feuz创作了一系列让人印象深刻且丰富的画作。大部份的图像被解读为花朵、静物、风景、放大镜下的大量微生物、华丽且不规则的图腾、或繁星点点的夜空。色彩丰富的Gulfstream系列作品是以大西洋暖流命名,看起来像是充满迷人花海或热带花园的大自然作品。而相关的Psychotropical系列作品可能是植物聚落中一丛植物或一束鲜花的近观画作。这些作品就像是服用了迷幻药物,被猛然冲刷的疯狂、超载、失控与不可思议。在Atlas系列作品中,植物或多或少有规律地分佈于画布上,就像无尽作品中的一部份或像植物繁殖网络那般。Supernatural系列可能是特定花朵的特写镜头与人造世界的代表。Levante系列就像单一花朵的肖像,于头部周围散发出神秘的光芒。Technicolor系列作品是带有各种水平色带的条形画,呈现出像是流动景色的印象,像彩色电影中假想穿越风景那般。这些画作甚至可能诉说着一些平凡但模煳且难以理解的故事。最后,Andromeda系列的画作主要以黑色为背景,上面带有白色或彩色的圆点,这可以被解读为夜空中仰望繁星与行星的图像,也是艺术家创作系列之一。

神圣幻影

为了创作出这些璀璨夺目的画作,Thierry Feuz发展出个人的创作方法、风格、与技巧。他利用湿的压克力顏料与亮漆进行湿涂处理,这意味著他将液体顏料涂加在液体底漆上。处理单色重点漆料时,画布必须水平放置於桌上。因此,他主要使用白色,鲜少使用黑色或其他强烈的基色。接下来,在顏料乾掉之前,他需要立即将其他顏色加於潮湿的底漆上并以刷子、小棍、髮梳、刮刀、刀子、喷雾器、气刷等其他工具或器材进行绘画。这其中的巨大挑战是保持表面的光滑均匀性,并将可控和不可控的高流动性顏料整合成一个实体。

他必须非常仔细且精准地作画,因为作品没有办法进行修正;一旦画上了就是永久留存。他的挑战目标是在最低干预的情况下达到设计与色彩组合的完美。就像一位指挥家想要掌握音乐家所释放出来的动能以呼唤出完整的声响;Thierry Feuz希望以准确的动能将适量的顏料涂至完美的位置,同时使顏色的融合具有其自身的动态与规律。这些顏色通过自然且不可控的扩散方式混合,產生色彩共振、活力、节奏、以及合谐的调性。此外,他还必须保持一种精神上流动的特殊心态来完成他的艺术品。

演化与革新

如今,在悠久且令人印象深刻的藝術層面上,Thierry Feuz絕對是位多元文化的環球旅行者,而他仍然在日內瓦這個大都會城市中保有自己的據點。在大學期間,他就已經開始參與各種展覽、獲得獎學金與獎項、並在刊物中發表成果。他於1968年誕生於奧地利充滿巴洛克風且迷人的維也納,在當地長大並就學。在愜意的瑞士納沙泰爾市完成藝術史與歷史的學術研究後,他成為日內瓦藝術與設計學院美術系的學生。他的專長是繪畫,而且在充滿生機與活力的柏林藝術大學度過了一年的交換學生生涯,最後完成了他的藝術教育並獲得了藝術碩士學位。

溶解

第一眼欣赏Thierry Feuz那些充满欢乐气息的作品,可能感觉画作的主题是自然,尤其是其中的花朵与风景,甚至感觉其作品都是在具象、饰品、与抽象之间摆盪。从单一花朵到一串鲜花、从漂浮著的植物到匍匐前行的微生物、从苍穹到线性景观,你能够从画作中找出各式各样的图示与典故。但是细心的观察家不仅可以看到色彩、形式、层次或主题中那明亮、闪耀、且欢乐的情绪交织,也能感受深刻且令人回味的意义。理智与肤浅的美之间似乎是矛盾的,但是实际上并非如此。Thierry Feuz利用后现代时代精神的哲学与主题认知,将古典、中世纪、巴洛克、印象派、超现实主义、与抽象表现主义等元素整合统一。

邪恶之花

Thierry Feuz的花朵与风景画作的歷史渊源,可以在带有理想主义之花园与公园的拉丁壁画中、或阿拉伯风格中花捲云装饰的建筑元素中找到。之后追随著1410年间,不知名大师的宗教中世纪天堂花园、以及Juan Sánchez-Cotán或Juan van der Hamen y Leon那具有灵魂性且极富意义的巴洛克式Bodegones静物画。随后,印象派画家试图透过花卉来表达情感,例如Claude Monet的睡莲 (Water Lilies) 与Vincent van Gogh 的向日葵 (Sunflowers)。Max Ernst的超现实风景作品也让人联想到相似之处。抽象表现主义者之间存在著最多的类比,他们争辨著Jackson Pollock的行动绘画与滴淋法或Sam Francis云朵作品的能量、对Mark Rothko的色域绘画或Ellsworth Kelly的结构单色產生沉思,以及探讨Cy Twombly的歷史画作或Willem de Kooning的抽象风景画所隐含的典故。但是,当Thierry Feuz画出可媲美的花卉与花园时,他便囊括了这所有的主题。

Thierry Feuz的作品既诱人又讨厌。「透过艺术,我能够更加敏锐地生活,却也同时消耗了我许多精力」,在谈到自己的生活与工作时,Thierry Feuz坦白地说著。绘画中的矛盾对敏感的观察家来说是显而易见的,因为壮丽且充满诗意的画作中所呈现的主题是美、爱、与死亡、是生命与自然的腐败、或者是与创造、传播、与凋零相干的戏剧性过程。就像巴洛克式画作透过动态构图与模糊技法来表现欢欣鼓舞的力量,Thierry Feuz理解并提升观者的感知与认知范围、打破界限、并为深刻情绪和感知、秘密、与寓意创造更深层的意义。他试图以情感的活力、强度、与即时性微妙地引发交流,艺术只能使观者產生模糊的感动,毕竟艺术终究只能引发混乱却无法提供确切答案。

Oliver Orest Tschirky

Lives and works in Zurich, Switzerland. Works as an independent curator and art critic. Oliver has held positions as Curator at the Kunsthaus Langenthal, Vice Director at Art Basel and Art Basel Miami Beach, Gallery Director at Artvera’s, Geneva, and Director of the Art Academy of St. Gallen and assistant Curator at the Museum of Fine Art Bern. Oliver Orest Tschirky specializes in modern and contemporary art, he holds a Master degree in International Relations from the Universities of St. Gallen, Switzerland, as well as a Master of Art History, Philosophy and Film Studies from the Universities of Lausanne and Bern, in Switzerland.

As art historian, Oliver Orest Tschirky has extensive experience with museums and experimental exhibition spaces as well as writing and editing exhibition catalogues and other publications and organizing cultural projects and events. He specializes in modern and contemporary art, prefers sustainable and interdisciplinary approaches and communicates in English, German, French, Spanish and Italian.

Thierry Feuz – Eternal Journey to Inner Truth

Spleen and Ideal 

The paintings and objects by Thierry Feuz are a neo-baroque journey in times of post-modern enlightenment. It is neo-baroque because the works are full of opulence, movement and emotions; it is a journey because the associated themes circle from the universe with stars and galaxies to life-size flowers and zoomed blossoms to micro-cosmoses and nano-worlds; it is post-modern because the artistic concept plays with fragmented and deconstructed elements of memory and culture; and finally it is enlightenment because the pictures open the view through a focused rationality to new and complementary realities.

Universal Scenes

The perfect and balanced compositions, the thrilling and audacious color combinations, the use of strong and pure paints, the clarity and cleanness of the structures, the elaborated design of the single painted elements, and the lack of classical perspective, the depth of focus by means of the blurring of some depicted elements are inherent parts of all works. Because the images always oscillate between abstraction and figuration, there is no direct narration but a lot of space for interpretation. Nevertheless the bright colors are spreading out on the canvas like a firework and are generating either biomorphic shapes or, in another series of paintings, geometric horizontal lines. The fascinating pictures with its color explosions and psychedelic plays of colors leave a deep impression without the understanding at first sight what is going on. 

In the last five years Thierry Feuz has developed an impressive and rich bunch of series of paintings. Most of the images will be read as flowers, still lifes, landscapes, a crowd of microorganisms under a magnifier, opulent and irregular patterns with blooms or starry night skies. The paintings of the colorful series “Gulfstream” are named after the warm water current of the Atlantic and seem like nature pieces, enchanting flower fields or tropical gardens. The related works “Psychotropical” represent maybe a closer look on vegetation such as a small group of plants or a bouquet of flowers. They express the crazy, the excessive, the uncontrolled and the inconceivable during the flush after having taken hallucinogenic drugs. In the group “Atlas” the plants are more or less regularly distributed on the canvas like a part of an endless pattern or a proliferating network of plants. The “Supernatural” are probably close-ups of particular blossoms and the representation of an artificial world. “Levante” are like portraits of isolated flowers with an mysterious light around its head. The “Technicolor” series are strip paintings with various horizontal color bands what create the impression of a passing landscape like a color movie with a fictive ride through a landscape. They even may tell a little unspectacular but unclear and incomprehensible story. 

Finally, the “Andromeda“ images with mainly a black background and small white or colored dots can probably be construed as the view upward to the night sky with its stars and planets and are one of the latest inventions by the artist. 

Devine Illusion

To create these brilliant and shining paintings, Thierry Feuz has developed his own practice, style and technique. He works with wet on wet acrylic paint and lacquer what means that he puts fluid paint on a liquid ground coat. The canvas has to be located horizontally on a table while he puts the monochrome key lacquer. Therefore, he mostly applies a white, more rarely a black or another very strong base color. Immediately, and before the paint starts to dry, he needs to add the other colors onto the wet ground coat and starts to draw and paint with brushes, little sticks, hair combs, scrapers, knifes, sprays and air brushes as well as other instruments and tools. The great challenge is to keep the smooth homogeneity of the surface and to bring together to an entity the controllable with the uncontrollable of the extremely fluid paints.

He has to work very carefully and precisely because there is no possibility of correction. What once has been painted is meant to stay forever. His challenging goal is to reach perfection in design and color combinations with minimal interventions. Like a conductor wants to manage the momentum of the musicians and to evoke the complete sound, Thierry Feuz wants to give the right amount of the paint with the accurate movement to the perfect position while the amalgamation of the colors has its own dynamic and rules. They mix themselves a little by natural and uncontrollable diffusion. The result leads to color resonance and vibrancy, rhythm, and harmonic tonalities. Additionally, he also has to be in a special mood to do his artistic work, in a kind of mental flow. 

Evolution and Revolution 

Today, Thierry Feuz definitely is a multicultural world traveler in the matter of art with a very long and impressive curriculum while he still holds his base in the little cosmopolitan city of Geneva. Already during university he started to participate in various exhibitions, received grants and awards and was published in publications. Originally, he was born in 1968 in baroque and glamorous Vienna, Austria, where he grew up and went to school. After his academic studies in art history and history in the cozy city of Neuchâtel, Switzerland, he became student of the Department of Fine Arts at the Geneva University of Art and Design. He specialized in painting, spent an exchange year at the University of Arts in vibrant and dynamic metropolis Berlin and finished his art education finally with a Master of Arts. 

Dissolution

At first glance at the joyous paintings by Thierry Feuz the topic is nature, especially flowers and landscapes, even the works are oscillating between figuration, ornament and abstraction. From single blossoms to entire bouquet of flowers, from floating parts of plants to crawling microorganisms, from firmament to linear landscapes, you find all different kinds of illustrations and allusions in the canvases or drawings. But the attentive observer not only sees the bright, shining and joyful play with colors and forms or layers and tomes but also senses the deep and evocative meanings. What seems to be a contradiction between intellect and superficial beauty, in reality is not. Thierry Feuz unifies classical, medieval, baroque, impressionistic, surrealistic and abstract-expressionistic elements with post-modern spirit-of-the-time philosophy and topical cognition.

Flowers of Evil 

The historic origin of Thierry Feuz’ flower and landscape pictures can be found in the Latin wall paintings with idealistic gardens and parks or in the architectural element of the arabesque, the decorative flower cirrus. Later follow around 1410 the religious medieval garden of paradise by an unknown master and the spiritual and meaningful baroque Bodegones still lifes by Juan Sánchez-Cotán or Juan van der Hamen y Leon. The impressionist painters like Claude Monet with the water-lilies and Vincent van Gogh with the sunflowers tried to express emotions through flowers. Also the surrealistic landscapes by Max Ernst evoke similarity. The most analogies exist with the abstract expressionists. They contend the energy of Jackson Pollock’s action paintings and drippings or Sam Francis’ clouds, the contemplation of Marc Rothko’s color fields or Ellsworth Kelly’s structural monochromes, as well as the allusion of Cy Twombly’s history paintings or Willem de Kooning’s abstract landscapes. However, when Thierry Feuz paints something comparable to flowers and gardens, then he includes all these topics. 

Both seductive and repulsive at the same time are the paintings by Thierry Feuz. “By making art I can live more sensitively but it also costs me a lot of energy”, Thierry Feuz confesses by speaking about his life and work. The ambivalence in the painting is obvious and pervasive for the sensitive observer as in the splendid and poetic images are the existential themes such as beauty, love and death, the decomposition of life and nature, the dramatic process of creation, propagation and decay coherent. Like baroque paintings are expressing triumphant power through dynamic composition and ambiguity, Thierry Feuz is fathoming and sharpening the scope of perception and cognition of the beholder, is breaking boundaries and is creating significance for deep emotions and sensations as well as secret and hidden meanings. With emotive dynamism, intensity and immediacy he tries to communicate something in a subtle way because art should move the observer without being completely clear since art cannot give definite answers but only evoke disturbance. 

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