Works
Exhibition
2026 北京當代藝術博覽會
Dates: May 21–May 24, 2026
展位 B12
VIP Preview（僅限邀請）
May 21(Thur) 13:00–19:00
May 22(Fri) 11:00–19:00
Public Days
May 23(Sat) 11:00am–19:00
May 24(Sun) 11:00–18:00
Venue
北京全國農業展覽館11號館 展位B12
Installation View
Exhibition Video
Bluerider ART
2026北京當代藝術博覽會 #B12
藍騎士藝術Bluerider ART 上海‧外灘榮幸宣佈將首度參與北京當代藝術博覽會 （Beijing Dangdai Art Fair），呈獻6國21位東西方當代藝術家近40件作品，深入探討在全球數字化的技術浪潮下，藝術家如何透過多樣的媒材從具象到抽象，賦予感官與心靈一份純粹的共鳴。
焦點作品包括：西班牙藝術家喬瑟普‧里埃拉‧伊‧阿拉貢（Josep Riera i Aragó）以其經典的機械符號，在現實與抽象轉換間探索生命與內心的旅程; 中國藝術家曹吉岡在極簡山水中，以坦培拉溫潤的光暈，如一抹淡痕在時光中悠然回蕩; 德國藝術家魯普雷希特‧馮‧考夫曼（Ruprecht von Kaufmann）透過反復厚塗模糊影像，在疏離的場景中增加情感的重量; 瑞士藝術家馬克（Marck）以動態雕塑將感官帶入流動的虛實世界; 蒙古族青年藝術家青格樂圖透過揮灑礦物岩彩，替草原遊牧的自然遼闊增添朦朧的神秘美感; 青年藝術家張蒙以柔軟的墨色，詮釋內心感受到的自然世界中那莫可名狀的動態與輪廓。我們誠摯邀請您蒞臨欣賞交流。
Participatipating artists:：
威利‧希伯 Willi Siber （德）
喬瑟普‧里埃拉‧伊‧阿拉貢 Josep Riera i Aragó（西班牙）
曹吉岡 Cao Jigang（中）
克里斯蒂安‧格琳 Christiane Grimm（德）
艾伯哈德‧羅斯 Eberhard Ross（德）
迪爾克‧薩爾茲 Dirk Salz（德）
Marck（Switzerland）
斯芬‧杜爾Sven Drühl（德）
西瑞‧菲茲 Thierry Feuz（瑞）
弗朗索瓦‧邦內爾François Bonnel（法）
安格拉‧格萊扎 Angela Glajcar（德）
邁可‧克雷克 Michael Craik（蘇格蘭）
魯普雷希特‧馮‧考夫曼 Ruprecht von Kaufmann（德）
沃夫岡‧福拉德 Wolfgang Flad（德）
青格樂圖 Chingltu（中）
嬰野賦 Ying Yefu（中）
Dai Yinglun (China)
吳華衡 Wu Huaheng（中）
張蒙 Zhang Meng（中）
湯嘉欣 Bay Tang Jiaxin（中）
李梁晨 Li Liangchen（中）
Artist
Willi Siber
(Germany, b. 1949）
Willi Siber (Germany, b.1949) studied Art History at the University of Stuttgart and continues to live and work in Upper Swabia, Germany. Drawing upon the Baroque heritage and pastoral landscape of Upper Swabia, Siber distills the ornamental colour and rhythm of the Baroque, together with his profound communion with nature, into abstract works that continuously explore the plasticity of matter; interrogating form, colour, and texture, and unsettling the viewer’s visual perception. Major career retrospectives have been held at Kunsthalle Weishaupt (2026) and Museum Villa Rot (2019), establishing critical milestones in his artistic trajectory. In 2023, he received the Oberschwäbischer Kunstpreis, Germany’s prestigious cultural award. His works are held in the permanent collections of the Deutscher Bundestag, Staatsgalerie Stuttgart, Städtisches Kunstmuseum Singen, the German Embassy in Argentina, Deutsche Bank, Kunstwerk private museum, and Museum Ritter, among others.
More information
Josep Riera i Aragó
(Spain , b. 1954)
Josep Riera i Aragó (b. 1954, Spain), a graduate of the Sant Jordi Royal Academy of Fine Arts and currently based in Barcelona, is among Spain’s most internationally acclaimed contemporary artists. His work explores voyages between sky and sea, employing mechanical elements such as propellers, submarines, and airplanes to construct a poetic narrative of time, space, and life. His solo exhibitions include the Städtisches Museum Heilbronn (Germany), the Fondation Vincent van Gogh Arles (France), and the Fundació Joan Miró in Barcelona. Permanent collections including the Fondation Vincent van Gogh, the Fundació Joan Miró, and the Boeing Company headquarters in Chicago.
Cao Jigang
(China, b.1955）
Cao Jigang (China, 1955), graduated from the Oil Painting Department of the Central Academy of Fine Arts in 1984. In 2000, he completed the Material Expression Research Program at the same academy. He has previously taught at the Basic Department of the Sculpture School at the Central Academy of Fine Arts and currently resides and works in Beijing. Cao Jigang's artistic journey has evolved through various phases, initially depicting the ruins of the Great Wall in oil paintings. Over the years, he has explored different mediums such as pencil and acrylic, ultimately delving into the Egg Tempera technique to create large-scale works like the seven-metre-long Guangling Melody and the series Barren Cold. His works are characterised by a unique semi-transparency, a warm, porcelain-like texture reminiscent of jade, achieved through deliberate layering. Expressing the concept of "emptiness" through intentional application, Cao Jigang has recently transitioned towards a minimalist style, opening up a space for contemplation on the connection between heaven and humanity. He received the Silver Award at the 9th National Art Exhibition of China in 1999 and has participated in numerous exhibitions at institutions such as the China National Art Museum and internationally. His works are permanently collected by prestigious institutions like National Art Museum of China, Shanghai Art Museum, as well as by numerous collectors from both sides of the Taiwan Strait.
Christiane Grimm
(Germany, b. 1957)
Christiane Grimm (Germany, b. 1957) was born in Stuttgart, Germany, and graduated from the University of Stuttgart's architecture department, currently lives and works in Heidelberg. Christian Grimm focuses on the sensual effect conveyed by special materials like acrylic glass, emerges from the interplay between colours, composition, space, material, and lighting. Her work allows physical light to influence the specificity of the image, revealing three-dimensional gradients painted by light. Exhibited at the Museum Ritter and the Wilhelm Hack Museum in Germany and awarded the public's choice award, permanently collected by institutions such as the City Government of Heidelberg, Deutsche Bank, Das Kleine Museum and Kunsthalle Würth, as well as private institutions like PwC's Assurance Services.
Eberhard Ross
（Germany, b. 1959)
Eberhard Ross (Germany, b. 1959) currently lives and works in Mülheim an der Ruhr and Frankfurt, Germany. He studied at Folkwang-University Of Arts Essen with László Lakner and Friedrich Gräsel. For decades, Ross has dedicated himself to painting and drawing, combining Zen Buddhist philosophy with minimalist aesthetics. His meditative working process responds to the order and rhythm found in nature. His works are held in numerous public and corporate collections, including Deji Art Museum (Nanjing, China), Royal Bank of Canada, Art Collection NRW (North Rhine-Westphalia, Germany), and Museum of Art Alte Post (Mülheim, Germany).
Dirk Salz
(Germany, b. 1962）
Dirk Salz (Germany, b. 1962) developed a deep appreciation for painting and art history at a young age. Currently based in Mülheim an der Ruhr, Germany, Salz’s creative process abandons traditional tools like brushes and canvases. Instead, he uses paint rollers and the gravitational force of resin to break free from minimalist conventions, exploring transparency, color dynamics, and the interplay between light and space. His works are part of the Akzo Nobel Art Foundation’s collection and numerous private collections worldwide.
Marck
(Switzerland, b. 1964）
Marck (Switzerland, b.1964) is internationally recognized for his video sculptures. Based in Zurich, he is an atypical artist: he dropped out of art school, unable to accept rigid academic structures, and instead worked in fields as varied as auto dismantling, electrical engineering, rock music, and design for technological installations. These unconventional experiences shaped a distinctive artistic vocabulary—blending imagination, reality, and the playful ambiguity of perception. In 2019, he received the International Culture Award from the Accademia Culturale Internazionale Cartagine in Italy. His works have been exhibited at Kunst(Zeug)Haus Rapperswil and are held in major collections including the Museum of Fine Arts, Boston; ArtCenter Istanbul; and ZKM Zentrum für Kunst und Medien, as well as numerous private collections worldwide.
Pascal Dombis
(Frence, b. 1965)
Pascal Dombis (France, b.1965), a Paris-based visual artist who focuses as much on language as on perception. He is noted for his excessive use of simple algorithmic rules. It was in the early 90s, while finishing his studies in Boston, that he encountered digital artistic tools, prompting a transition from painting to algorithms upon returning to France. Since then, he has created environments marked by excess, repetition and the unpredictability of technological processes, in which he aims to engage the viewers by questioning perception in relation to space, time and language. He develops multi-referential works which play with spatial environments and promote multiple interpretations. Recent exhibitions include Artists & Robots at the Grand Palais in Paris (2018), Cybernetic Consciousness at Itaú cultural in São Paulo (2017) and the Venice Biennale (2013). In 2020, he achieved the creation of a permanent public artwork, Double Connection, nearly one hundred metres long in the centre of Shanghai. In 2022, he got a monographic exhibition Post-Digital at the Museum of Contemporary Art Sorocaba in Brazil.
Thierry Feuz
(Swiss, b. 1968)
Graduated from Geneva University of Art and Design (Haute École d'Art et de Design), Feuz currently lives and works in Geneva. In his artistic realm, art, science, and philosophy converge as he explores the universal meaning of "existence" and presents unseen realms through his unique painting techniques. Thierry Feuz's works have been collected by significant institutions and museums, including Musée d'Art et d'Histoire in Neuchâtel, Singapore Art Foundation, UBS Bank, Saks Fifth Avenue in the United States, as well as the Breeze Crop. and E.Sun Commercial Bank, among other corporate collections.
François Bonnel
(France, b.1968)
François Bonnel (France, b.1968) is a French abstract artist currently based in Toulouse, France. Bonnel approaches art creation in an improvisational manner, infusing musicality into his work. Throughout his artistic journey, he continuously explores various techniques and media, including digital media, photography, and collage. With different musical styles serving as inspiration, his artworks are characterized by straightforward lines, shapes, and colors, exuding a high level of recognition and releasing his passion for art freely and purely. His works are permanently collected by the Harvard Art Museums in the United States and are also featured in international luxury brands such as Louis Vuitton in New York, L'Oréal and Longchamp in Paris, as well as numerous private collections.
Angela Glajcar
(Germany, b.1970）
Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.
Michael Craik
(Scotland, b.1972)
Michael Craik was born in Edinburgh in 1972 and has worked as an artist in Scotland for over 25 years. He studied Fine Art at Gray’s School of Art in Aberdeen before completing an MA in European Fine Art in Barcelona. A recipient of several awards, Craik’s work has been widely exhibited internationally and is represented by galleries in Scotland, Germany, The Netherlands, Spain and the USA. Michael Craik lives and works in Fife, Scotland. His coastal studio is surrounded by an expanse of sky and the endlessly shifting colours of the sea as they vanish into the distant horizon of the Forth Estuary. The uninterrupted ebb and flow of these waters form a subconscious backdrop to Craik’s daily studio routine, a metronome to his unhurried and deliberate artistic practice.
Ruprecht von Kaufmann
(Germany , b. 1974)
Ruprecht von Kaufmann (Germany, b. 1974) was born in Munich, Germany, and earned his BFA at the ArtCenter College of Design in Los Angeles. He has taught at Berlin University of the Arts and the Academy of Fine Arts Leipzig, and currently lives and works in Berlin. Kaufmann is renowned for his emotionally charged and narrative paintings, blending figurative art with a dreamlike atmosphere that often evokes a sense of unease. His work explores various aspects of the human condition, using the visual language of contemporary painting to present critical narratives and parallel realities. He has exhibited in major cities such as London, Berlin, Stuttgart, Oslo, New York, and at renowned institutions such as the Georg Kolbe Museum in Berlin and the Böttcherstraße Museum in Bremen. His works are held in prestigious collections, including the Hort Family in New York, the Stelline Foundation in Milan, the United Nations Headquarters in New York, Sammlung Philara Museum in Germany, and the Deutsche Bundesbank in Frankfurt.
Wolfgang Flad
(Germany, b. 1974)
Wolfgang Flad (Germany, b. 1974) graduated from the State Academy of Fine Arts Stuttgart and currently lives and works in Berlin. Renowned for his distinctive sculptural language, Flad departs from the weight and monumentality traditionally associated with sculpture. Employing wood, metal, glass, and recycled materials, he creates sinuous, irregular forms that embody organic vitality and tension. His solo exhibition at Tampa Museum of Art，his works by permanent collected the Staatsgalerie Stuttgart, Kunsthaus Zürich, Centraal Museum Utrecht.
Chingltu
（China, b.1985）
Chingltu (China, b. 1985) graduated with a Master of Fine Arts from the Art Academy of Inner Mongolia University and currently lives and works in Shanghai. His creative process is profoundly influenced by his childhood memories of the pastoral lands, with recurring themes of contrast and tension: the city and the grasslands, the natural and the artificial, passion and rationality. After the pandemic, Chingltu turned his focus to the nomadic legend of the “Three Stones,” exploring the essence and truth of contemporary life. His work draws from religious philosophy but ultimately reflects back on the earth we inhabit, contemplating urban civilization through the lens of nomadic traditions. He seeks to uncover the commonalities and conflicts between urban life and nomadic culture, as well as the balance between reality and imagination. His works have been exhibited in the National Art Museum of China, Shaanxi History Museum, Today Art Museum, and Xi’an Art Museum.
Ying Yefu
( China, b.1985 )
Ying Yefu graduated from the China Academy of Art with a degree in Visual Communication Design and currently lives and works in Xianyang, Shaanxi. Committed to breaking conventions, he builds a bridge between nostalgia and surrealism, applying the traditional gongbi outline technique (baimiao)—inflected with a slightly raw, single-line flat-colour approach—to contemporary figure painting. The result is imagery that appears uncanny yet charged with dramatic tension. His works have been exhibited at MoCA Shanghai, in San Francisco and Singapore.
Dai Yinglun
(China, b.1987）
Dai Yinglun received Master degree in Chinese Painting from the Lu Xun Academy of Fine Arts, currently lives and works in Shanghai. Deeply influenced by Zen, Buddhism and Eastern philosophy, he has developed a distinctive visual language characterised by dispersed, flattened compositions depicting the myriad conditions of human existence. Moving beyond binary oppositions, his work presents a dual perspective on the collective and the individual. His practice has garnered significant attention for its vitality and originality. Dai’s works have been exhibited and collected at institutions including the Shanghai Meibo Art Museum, Xi’an Contemporary Art Museum. Awarded the Gold Prize at the Shanghai Annual Youth Ink Exhibition, and the Artand Annual Award for Most Noteworthy Artist.
Wu Huaheng
( China, b.1988 )
Wu Huaheng received BA from the Academy of Fine Arts at Hunan Normal University and currently lives and works in Beijing. His practice embodies both Zen sensibility and a contemporary experimental spirit. Moving beyond the conventional constraints of brush-and-ink orthodoxy, Wu delves into the intrinsic material properties of ink and paper. Through the stark contrast between “ultimate black” and “hard-edge white,” he constructs a distinctive visual language that challenges the traditional boundaries of ink painting. Exhibited in the Qingdao Annual Art Documentation Exhibition, the Croatia Art Fair, and Ink Asia Hong Kong.
Zhang Meng
（China，b.1995）
Zhang Meng (China, b. 1995) PhD in Fine Arts, Graduate School, Central Academy of Fine Arts. Based in Beijing. She has studied traditional Chinese landscape painting since childhood and maintains a deep emotional connection to natural scenery. By observing moss, stones, and other minute textures on walls, she finds endless inspiration in their subtle details. Changes in environment have also influenced the evolution of her style. In her recent series “Jing·Jing” (“Environment and Scenery”), she moves beyond the abstract textures of natural landscapes, seeking to capture the most immediate emotional flows from people, events, and objects encountered in everyday life. Her works have been exhibited at Today Art Museum, the Grand Palais in Paris, and in Italy.
Bay Tang Jiaxin
（China, b.1995）
Bay Tang Jiaxin (China, b. 1995) holds a Master of Arts degree from the Royal College of Art in the UK and currently lives and works in Changsha. Influenced by her background in printmaking, the qualities of paper have become central to her artistic language, allowing the material to convey her exploration of the blurred existence between space and time. In her Pierced Paper series, Tang uses a needle to lift the fibers of paper, creating an undulating surface through repetitive actions. These acts embody the passage of time, with the resulting texture and visual-tactile resonance reflecting her state of mind during the creative process and her inquiry into subspaces. Her work The Stone of Another Mountain has been collected by the Jiangxi Art Museum.
Li Liangchen
（China, b. 1997）
Li Liangchen received his B.A. in Art History and Theory from the Central Academy of Fine Arts and Master’s degree in Fine Arts and Calligraphy from the Chinese National Academy of Arts, where he is currently pursuing a doctoral degree. His work integrates classical material language with contemporary imagery, employing the blue-green (qinglü) landscape tradition as a visual “filter.” Through textual collage and fragmented symbols, he creates multilayered pictorial spaces that invite immersive viewing—spaces that may be metaphorically “inhabited” and “traversed.” Exhibited included the National Art Museum of China, Today Art Museum, and the Hangzhou Triennial of Chinese Painting. He has been awarded the First Prize for Outstanding Work in the National Art Exhibition and permanent collections by the China Artists Association, the Modern Gongbi Painting Academy, and Tree Art Museum in Beijing.