Exhibition
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Bluerider ART 藝博 ART021 上海廿一當代藝術博覽會 E11
Bluerider ART藍騎士藝術空間將於2022年11月再度參展ART021 上海廿一當代藝術博覽會。
參展藝術家包括正於Bluerider ART上海·外灘呈現大陸首展的雷諾·奧德霍恩（Reinoud Oudshoorn）、德國紙質雕塑藝術家安格拉·格萊札（Angela Glajcar）、研究語言、算法等領域的法國藝術家帕斯卡爾·多比斯（Pascal Dombis）、錄像雕塑藝術家馬克（Marck）及中國藝術家曹吉岡、張惠文。此次參展還將推出西瑞·菲茲（Thierry Feuz）、強納森·保羅（Desire Obtain Cherish）、克裏斯蒂安·格琳（Christiane Grimm）、迪爾克·薩爾茲（Dirk Salz）、葛雷戈·艾達爾（Gregor Eldarb）、威利·希伯（Willi Siber）、楊·克拉（Jan Kaláb）、坦佳·羅切邁爾（Tanja Rochelmeyer）、斯芬·杜爾（Sven Drühl）、彼得·克勞斯科夫（Peter Krauskopf）、尼克·維西（Nick Veasey）和卡蘿·傑斯特（Caro Jost）超過20位海內外藝術家的重量級作品。
Bluerider ART創辦人Elsa Wang王薇薇表示：“藍騎士藝術空間去年以‘原力The Force’為主題攜多元作品首次參展ART021，取得了卓越的成績。今年再突破，以‘互動創新’、‘空間能量’、‘精神氣場’為主旋律，囊括幾何、雕塑、繪畫等來自20位東西方國際藝術家的精選作品，將帶給藏家驚艷有趣的藝術新體驗。同時，也預祝今年ART021圓滿度過十周年的里程！”
部分展出藝術家
中國藝術家曹吉岡（Cao Jigang, b.1955）
使用古老的西方坦培拉技法，以多層打底，以有為創造「留白」，表出中國山水文人精神上的「虛空」意境；初期以油畫描述歷史長城的生命，之後歷經不同技法及概念創新演變階段，形成個人獨特風格。近年則以西方古老的坦培拉技法，慢工細活多層打底中的有為留白、玉質感，表現中國山水文人精神最高虛空意境。
荷蘭藝術家雷诺・奥德霍恩（Reinoud Oudshoorn，b.1953）
專注透視法與空間的探索以及「視覺的模擬兩可性」，將滅點（Vanishing Point）的視覺高度統一設在1.65米，繁復精准且大膽地創造視覺空間無限反射延伸的「絕對過程」。奧德霍恩主張「雕塑應創造比作品本身更大的空間」，以「滅點」作為每件作品的開端，由線延展成面，再由面創造詩意的想象空間。
德國女性藝術家安格拉・格莱扎（Angela Glajcar，b.1970）
曾接受知名英國雕塑家Tim Scott的指導，早期以鋼鐵、⽊質或玻璃纖維等材料進行創作，近年來則專注於使用紙張作為雕塑的獨有材料。她跳脫出紙張細膩柔軟的傳統觀念，使用特殊紙打造出筆直銳利的邊緣，呈現⼏何塊⾯及延伸性畫⾯，也讓原有空間創造出新的想象。紙作為材料，吸收了周圍環境的光與⾊，因溫濕度產⽣捲曲，擁有⼀種暫時性的變化，與空間有機地結合在一起，綻放它獨有的姿態。
法國藝術家帕斯卡爾・多比斯（Pascal Dombis，b.1965）
是一位研究語言、算法等領域的視覺藝術家。他所創造的動態視覺環境和藝術作品，以它們技術過程的繁雜操作、重復性和不可預測性而著名。多比斯將AI等技術應用於繪畫中，展開一場繪畫與科技的探討，並展現科技所帶來的藝術之美。
瑞士藝術家馬克 （Marck，b.1946）
作品展現社會各階層的人在熟悉與陌生環境中的生理及心理狀態，和對時間及空間的認同。在各處層層疊疊的限制之下，當代的人們游走在生存的邊界，並做出身體的回應。馬克將這些問題藉由錄像雕塑（Videosculpture）拋向觀眾，喚起共鳴與想象。
瑞士藝術家西瑞・菲茲（Thierry Feuz，b.1968）
從⽣命經驗及⾃然風景中取材，將具體之物放入虛實之間，並巧妙地跨越⽂化及抽象的界線，用藝術的方式記錄生命的美好瞬間。作家Oliver Orest Tschirky如此評價西瑞．菲茲的畫作：「 不僅可以看到⾊彩、形式、層次以及主題中那明亮、閃耀、且歡樂的情緒交織，也能感受深刻且令⼈回味的意義。」
美國藝術家強納森・保羅（Desire Obtain Cherish，b.1975）
創作綜合了街頭藝術、波普藝術與挪用藝術的手法，並融入幽默諷刺性的商業符號，試圖喚起公眾對社會議題的關注。其棒棒糖及藥丸系列作品是對過度消費及名牌崇拜等現象進行的深入討論，以黑色幽默的方式挑戰觀看者的價值觀。他的作品常使用巨大現成物或放大扭曲的物體裝置，以直接有力的方式傳達深刻的創作觀念。
德國藝術家斯芬・杜爾（Sven Drühl ，b.1968)
對於藝術史相當著迷，風景一直是他創作的重要主題。他運用顛覆傳統繪畫的手法，利用非傳統的材料如硅氧樹酯、油彩、漆料等不同化學組成的顏料，描繪山景、樹木、火山等多樣的自然景觀。
德國藝術家彼得・克勞斯科夫（Peter Krauskopf，b.1966）
創作以抽象繪畫為主。他在創作時先將流體顏料進行反復塗抹，再用刮刀把顏料刮除，使整個畫面形成層層疊疊的效果。克勞斯科夫對這種「反復繪畫的過程」（process of overpainting）相當感興趣，他認為這是「對時間的反復書寫」(overwriting of time)，在抹去過去回憶後，再塗上一層新的歷史與記憶。
英國藝術家尼克・維西（Nick Veasey，b.1962）
國際知名的X光藝術家，借由獨特X光的穿透手段，揭示表面下隱藏的面貌，幽默而頑童式地探索人和事物的內在本質。維西的X 光創作始於一個汽水罐的成像，純粹的構造美學引起他的共鳴。在其逾二十年的創作歷程中，他曾將大型波音 747 拆解，並進行浩大的拍攝工程。維西的X光攝影所使用的設備需首先獲得國家的許可，並且輻射強度遠超出醫院的使用水平。在高度危險的環境下，藝術家憑借豐富的經驗對X光發射劑量與曝光時間進行精准調控，進而揭開我們看不見的豐富層次與內在的構成。
美國藝術家強納森・羅森（Jonathan Rosen，b.1972）
畢業於VCU Brandcenter 廣告學系，過去於廣告界擔任創意總監的經歷使他深切地感受到文字、影像和宣傳對人們產生的影響力。現為全職藝術家的他，以概念性的拼貼與挪用藝術手法創造出夢想來揭開每個人深埋心中的渴望。
Works
Artist
Cao Jigang
(China, b.1955）
曹吉岡 Cao Jigang（China, b. 1955）出生於北京，1984年畢業於中央美術學院油畫系，2000 年畢業於中央美術學院油畫系材料表現研修組。曾任教於中央美術學院造型學院基礎部。曹吉岡的作品融合東西方美學，用混生方式表現中國山水畫中的「虛空」。知名中國藝術評論家夏可君教授Ph.D 談論曹吉岡作品 :「曹吉岡的坦培拉作品乃是連接自然與生活，西方古典與中國古典，傳統與當代，現實與夢想之間的仲介，是在趙無極與朱德群的抒情風景抽象之後，華人藝術家所給出的另一個新階段，這就是古典山水畫的歷史記憶與西方古典的手法觸感，經過新的極簡主義與虛薄化轉換，更為具有東方典雅高貴的氣質與生命洗心的精神。」曾多次於中國美術館及海外展出，榮獲第九屆全國美展銀獎(1999)並由中國美術館、 上海美術館…等永久收藏。
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Reinoud Oudshoorn 雷諾‧奧德霍恩
（Netherland, b. 1953）
Reinoud Oudshoorn 荷蘭當代極簡藝術家，畢業於荷蘭阿爾特茲藝術大學(AKI)，現 居住創作於阿姆斯特丹，執教於荷蘭皇家藝術學院。Reinoud Oudshoorn 以構築空間的極簡雕塑著稱，主張「雕塑應創造比作品本身更大的空間」，「消失點」是每件作品的 開端，盡情延伸空間表述的可能，由線延展成面，再由面砌出空間的存在。展覽經歷遍 及歐美，曾於阿姆斯特丹市立博物館(Stedelijk Museum)，佛多爾美術館(Museum Fodor)展出。作品於阿姆斯特丹市立美術館(Stedelijk Musuem Amsterdam)、荷蘭 AkzoNobel Art Foundation、荷蘭銀行(ABN AMRO)、德國私人美術館(Sammlung Schroth)等永久收藏。
Angela Glajcar 安格拉·格拉札
(German, b. 1970）
Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.
Pascal Dombis 帕斯卡爾·多比斯
（French, b. 1965）
Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.
Marck
(Switzerland, b. 1964）
nternationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.
Marck 的作品看似以女性為主體，實際上則是以其作為社會縮影的代表，與框架的沖撞更探討著有形與無形的束縛，喚起觀者心中的共鳴。作品無法被單純定義為錄像與雕塑的結合，更像虛實的壹體呈現，由出演的排序、影片拍攝的精確定位，「錄像的目的不是敘述壹個故事，而是激發觀眾的情緒」，滲入我們習以為常的生活，以動態的畫面觸撥我們觀看雕塑的思維，同時也築起多媒體素材，至動力機械和雕塑的手工制作。錄像雕塑以全新的形式，揉合影像的平面表述與雕塑的空間意義，不僅辟出錄像創作的新道路，也再擴張觀者的感官體驗。
Thierry Feuz西瑞‧菲茲
(Swiss, b. 1968）
Graduated from Geneva University of Art and Design (Haute École d'Art et de Design), Feuz currently lives and works in Geneva. In his artistic realm, art, science, and philosophy converge as he explores the universal meaning of "existence" and presents unseen realms through his unique painting techniques. Thierry Feuz's works have been collected by significant institutions and museums, including Musée d'Art et d'Histoire in Neuchâtel, Singapore Art Foundation, UBS Bank, Saks Fifth Avenue in the United States, as well as the Breeze Crop. and E.Sun Commercial Bank, among other corporate collections.
Desire Obtain Cherish 強納森・保羅
(American, b. 1975）
Desire Obtain Cherish (D.O.C.), a.k.a. Jonathon Paul, is a Los Angeles, USA based artist whose works have attracted an audience worldwide. From early roots in L.A.’s street art scene, his repertoire has grown to encompass major international exhibitions such as the renowned Venice Biennale art festival in 2015. New York’s famous Saks Fifth Avenue in 2016 invited D.O.C. and his iconic Meltdown installations to take part in an art and fashion collaboration. The artist’s unique vision and fresh style have also attracted the eye of respected collectors including New York's Mandarin Oriental Hotel, The Ecclestone Collection, The Feinberg Collection, La Laliberte Collection, American DJ Diplo and NBA player Dirk Nowitzki and Andrei Kirilenko.
Sven Drühl 斯芬・杜爾
(German, b. 1968）
Sven Drühl currently lives and works in Berlin. He studied both in art and mathematics. With a PhD in art theory, he is also an author and editor of publications on contemporary art. Conceptually, Sven Drühl dissects visual shapes and types taken from every era from Romanticism to the present day, re-mounting them and combining them with his own motifs. Drühl reacts to the crisis of expression in post-modern painting with these transformed citations, but has purposefully not ceased to paint. His exploration of art history and his continual questioning of painting as a medium are at the heart of his oeuvre. He became known through his compilations of famous landscape paintings and had been exhibited throughout Europe, Asia and the United States including the St. Matthäuskirche, Berlin, Museum Villa-Rot, Neue Galerie Gladbeck, National Museum of Art of Romania, Bucharest, Kallman-Museum, Ismaning, Museum Haus am Waldsee, Berlin, ZKM | Museum für Neue Kunst, Karlsruhe. His work is in collection of Berlinische Galerie -Museum für moderne Kunst, Berlin, Allianz Forum, Deutsche Bank, E.ON Art Collection, Düsseldorf, Collection Philara, Düsseldorf.
Peter Krauskopf 彼得.克勞斯科夫
（German, b. 1966)
Peter Krauskopf studied at the Academy of Fine Arts in his birth town Leipzig and later continued as a post-graduate under Arno Rink. Known for his break with the figurative tradition of Leipzig painting, Peter Krauskopf especially interested in the process of overpainting, which he understands as an overwriting of time. All of his pieces – the intensive colored smaller plates, as well as the big monochrome color gradients, seem to be abstract at first sight, but they are all ‘concretions of a period of time’. On homogeneous, smooth grounds which either consist of an old, former abandoned painting or a monochrome under painting, Krauskopf performs one single intervention to form a new picture. In 2015 he received the Falkenrot Prize. His paintings were widely exhibited including the Mies van der Rohe-Haus, Berlin, the Forum Kunst Rottweil, the Kunsthalle Lingen and Kunsthaus Kaufbeuren, works presented in the collection of the Albertinum in Dresden, the Ludwig Forum in Aachen, the City Museum of Wrocław, the Kunstverein Ludwigshafen, the Museum Schloss Morsbroich in Leverkusen, Kupferstichkabinett and the Galerie Neue Meister in Dresden, Germanisches Nationalmuseum in Nuremberg.
Nick Veasey
(British, b. 1962）
Internationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.
Jonathan Rosen. 強納森・羅森
（USA, b.1927)
Jonathan Rosen畢業於VCU Brandcenter 廣告學系，過去於廣告界擔任創意總監的經歷使他深切地感受到文字、影像和宣傳對人們產生的影響力。現為全職藝術家的他，以概念性的拼貼與挪用藝術手法創造出夢想來揭開每個人深埋心中的渴望。以「I WANT」為主題的系列為Rosen由個人的收集品出發創作，運用大量收集的現成物拼貼與鏤空的現代感字體展現視覺衝擊，將「I WANT」作為可以隨人們慾望不斷擴張的題材，藉由作品呈現脆弱卻真實的自白，為觀者提供一個隱蔽的空間，反思自身渴求，他所收藏的不僅是物品，更是不敢與人分享的企盼。他相信這些慾望如果不被挖掘出來，它們絕不會有力量打破緘默。2015年11月底Jonathan Rosen與巴黎時尚概念品牌Colette合作發表創作，適逢巴黎遭遇恐怖攻擊，他將具有巴黎美好憧憬的明信片作排列，再搭配「I WANT PEACE」呼應巴黎人當下心聲，以創作與時事作連結，塑造成一種無形的力量。
Dirk Salz 迪爾克·薩爾茲
(German, b. 1962）
Dirk Salz lives and works in Cologne. He was born 1962 in Bochum, Germany, to an artistic family. Through his childhood and high school, he grew up painting, drawing, and studying art history. Salz’ artistic work deals in different manners with human perception or rather with the insufficiency of our mind that shapes this perception. His work can be found in a number of private collections, as well as prominent corporate collections, such as the Akzo Nobel Art Foundation.
Eunice Cheung Wai Man
( Hong Kong, b.1986 )
Eunice CHEUNG Wai Man is a Hong Kong artist. Born in 1986, she graduated from The Chinese University of Hong Kong with a Master of Fine Art. She specializes in Chinese gongbi (fine-brush) painting of animals, and her research is about the changing relationships between human and animal throughout the Chinese Art history. She is a frequent participant of different individual and joint exhibitions in Hong Kong and oversea. Her works were exhibited in Art Basel Hong Kong for 4 years. In 2015, Her work is exhibited in National Palace Museum in Taiwan and Basilica of Santa Croce in Florence. One of her work was selected for the exhibition “Hong Kong Contemporary Art Biennial Awards 2009” and many became a part of a private collection.
Jan Kaláb楊‧克拉
(Czech Republic, b.1978）
持續走在一條非傳統的藝術家之路的捷克塗鴉界先驅 Jan Kalab，畢業於布拉格 藝術學院(Academy of Fine Arts in Prague)。他的幾何塗鴉壁畫可見於紐約、 布拉格、倫敦、波哥大等城市。Kalab 以點出發，發展幾何圓形形變，以及 3D 塗鴉立體雕塑，從街頭到畫布，塗鴉的概念走入極簡純白的藝廊空間，擦出迷幻 的火花，他擁有在抽象藝術與街頭創作的雙重語彙，創造出充滿能量的抽象作品。 2010 年代表捷克在上海世界博覽會捷克館展出，於歐美有豐富展出經驗，作品 收藏於法國精品 DIOR 德國旗艦店、及眾多名人及私人收藏。
Ramiro Smith Estrada 拉米羅． 史密斯．埃斯特拉達
（Argentine, b.1984)
拉米羅． 史密斯．埃斯特拉達(1984生)，居住及創作於阿根廷布宜諾斯艾利斯。2007年，埃斯特拉達於阿根廷社會博物館德爾大學(UMSA)主修雕刻。分別於2010年和2013年參加國家雕刻美術展，並於2012年榮獲威廉姆斯獎。2014年，更獲選參與由Gachi Prieto畫廊與多位知名教授聯合主持之當代藝術實踐診所計畫（PAC，以西班牙語為首字母縮寫）。多次於阿根廷舉辦個展及群展，並於2014年邁阿密溫伍德藝術區參加阿根廷連展及2015為比利時布魯塞爾La Vallee駐村藝術家。
拉米羅． 史密斯．埃斯特拉達的作品圍繞著在現代社會中「我們如何看待自己」以及「我們如何描繪自己」的主題。描繪通過自戀的觀點，我們不斷編織一個關於自身的故事，是時尚，是當下也是最新潮的。
Tanja Rochelmeyer 坦佳·羅切邁爾
(German, b. 1975）
Tanja Rochelmeyer graduated from the Berlin University of Applied Sciences and currently lives in Berlin, Germany. Many of her creations draw inspiration from her engineering background, emphasizing attention to detail and mathematical precision. However, calculations are not the medium of creation but an intermediate step in the creative process. Her training as an engineer has contributed to a perfectionist approach to technology, creating a sharp contrast with the moments of image creation. Ultimately, she positions herself and the subject of her creation within this contrast. "Constructivism and futurism meet the latest architecture and merge into a new language of modern painting." Tanja Rochelmeyer creates maze-like, dispersed spatial configurations, introducing multiple perspectives into the concept of imagery.
Willi Siber
(German, b. 1949）
Born in Upper Swabia, the center of Baroque art history, Willi Siber studied art history at the University of Stuttgart, Germany. His creations inherited the fluidity, theatricality, and splendid visual effects of Baroque art also incorporated a contemporary perspective. Siber once said "My creations stem from change." Over the long artist career he not only excels in painting, but also known for art objects , installations, sculptures. Using wood, steel, epoxy resin, exploring the malleability of materials, focusing not just on the aesthetic expression of materials he constantly research, validation, and overturning of established perceptions, breaking through the limitations of materials. His playfulness with colors further highlights his concise style. Willi Siber's exhibitions have spanned across Europe and the United States, his works permanently collected by German Federal Parliament, the German Embassy in Argentina, Deutsche Bank, Staatsgalerie Stuttgart, Städtisches Kunstmuseum in Singen, and private art museums Kunstwerk Sammlung Klein, Museum Ritter and private collectors worldwide.