New LUXE 新奢華
藝術生活特展「New LUXE」
多面向探討藝術作品、人與空間的關系
導覽影片
Bluerider ART將於2021年7月24日在藍騎士上海藝術空間推出藝術生活特展「New LUXE」群展，透過不同視角，多面向探索藝術作品、人與空間在現代生活中的關係。
展覽聚焦於包豪斯成員德國建築師路德維希‧密斯‧凡德羅（Mies Van der Rohe）所提出的「少即是多（Less is More）」的經典理念，推出威利·希伯（Willi Siber）、強納森·保羅（Desire Obtain Cherish）、卡蘿·傑斯特（Caro Jost）等國際當代藝術家的作品。展覽將著重展示藝術的創造力如何將日常生活場域轉化為個人獨特的精神空間，藉由雕塑作品於空間中的視覺張力，激發與人的心靈對話，重新探討人與空間、生活方式的關係。
威利·希伯Willi Siber（德國，1949年生）以實驗性創作著稱，擅以木質材料、鋼與環氧樹脂，探索物質可塑性之美學，而色彩的覆蓋更玩味其簡練風格的表現。他的精神感官陶冶於豐富的表現形態中，並將浪漫主義帶出的豐沛想像傾注於自身的藝術創作，作品不僅承襲巴洛克藝術的流動性、戲劇性和華麗的視覺效果，更由當代的視角為傳統的雕塑、繪畫帶入極大的轉變。
強納森·保羅Desire Obtain Cherish（美國，1975年生）混合了街頭藝術、普普藝術與挪用的創作手法，他利用諷刺性的商業符號企圖驅動社會議題的討論。其棒棒糖及藥丸系列作品，對過度消費及名牌崇拜等進行深入討論，以黑色幽默方式挑戰觀看者的價值。他的裝置作品利用巨大現成物或放大扭曲物體的裝置，以直接有力的情感來傳達出深刻意念。
卡蘿·傑斯特Caro Jost（德國，1965年生）長期追溯以慕尼黑為大本營的抽象表現主義為主題創作。她的創作關於時間、空間及事件，從藝術史中探尋過往藝術家的故事，挪用他們最原始的文本、親自抵達原始的時空場域，輸入素材、轉化、重新編碼，直接用新的形式輸出，她向卓越的藝術成就致敬，並將精神性融入到自己的藝術作品中。使用「行動」即「藝術」的直接方式，表達一種自我發現的世界觀，作品將不受時空背景的限制。
Wood wall object｜2019｜Dimension variable｜Wood, chrome enamel Swiss Cherry Meltdown-midsize｜ed.20_25｜ 76x38x38cm｜2017｜UV cast resin NOTES W.K. June 28, 1911 (envelop to Gabriele Muenter)｜2019｜ 59x78x19 cm | epoxy,acrylic, silkscreen on shaped canvas
Bluerider Art藍騎士藝術空間執行長王薇薇（Elsa Wang）表示，「在上海和台北同時推出藝術生活特展，是希望透過藝術開創更多空間中的美好，反思藝術品在生活與空間中的角色。藝術品對設計師、業主、空間而言是否只是裝飾一環？抑或一個收藏者與創作者之間的私密對話？如何透過當代藝術作品反映個人敘事與自我獨特魅力，尋求更高的生活境界，藉由空間、人、心靈呼吸的生活場域動線，交織成凌駕於物質堆砌之上的純粹？」
上海空間特展開展同時，Bluerider ART藝術生活特展系列還包括與瑞安集團上海翠湖新天地合作推出的「水月紙境」特展、BlueriderART台北·仁愛「Mental Space 精神空間」群展。前者探索「紙」與「燈光」這兩種日常生活中極為熟悉的媒材，展示兩位藝術家安格拉·格拉札（Angela Glajcar）與漢斯·卡特（Hans Kotter）前衛精彩作品。通過紙與光的關係討論並尋找內心的自省，在物我之間探索藝術、生活的更多可能，讓空間煥發出新的生命力，跳脫出傳統思維，產生嶄新視角。「Mental Space 精神空間」群展從藝術品色彩、形狀、媒材傳達出的精神內涵角度切入，其作品從實際物體的有限性，至散髮出冥想氛圍形成一個偌大的精神空間，觀者從色彩、形狀、媒材各個特色親近感知藝術品。藝術家布萊恩·伊達（Bryan Ida）以奔放洋溢色彩堆棧起三維的視界，弭平空間界線。荷蘭雕塑家雷諾·奧德霍恩（Reinoud Oudshoorn）主張「雕塑應創造比作品本身更大的空間」，「消失點」是每件作品的開端，盡情延伸空間表述的可能，由線延展成面，再由面砌出實際空間、想象空間乃至精神空間的存在。安妮特·辛斯邁斯特（Annett Zinsmeister）則以建築圖像以牆紙裝置的形式表現，將外部空間翻轉為內部空間，也顛覆對於空間的認知。
2021 「New LUXE」參觀信息
展期開放時間：
2021.7.24 – 2021.8.21 Tue.-Sun. 10am-7pm
展覽地點
Bluerider ART, 上海·外灘（上海黃浦區四川中路 133 號）
展場照片
Works
展出藝術家
Alex Katz為美國當今最重要與備受尊崇的藝術家之一，不僅在美國的戰後藝術佔有一席之地，直至今日仍為繪畫類創作的指標性藝術家。Katz畢業於柯柏聯盟學院（The Cooper Union）與史勾西根繪畫雕塑學校（Skowhegan School of Painting and Sculpture），而近70年的藝術家創作生涯中於世界各地擁有超過200場個展與500場聯展展出，近期回顧展包含惠特尼美國藝術博物館（Whitney Museum of American Art）、泰特聖艾維斯美術館（Tate St. Ives）、泰納當代美術館（Turner Contemporary）、畢爾包古根漢美術館（The Guggenheim, Bilbao）等，並擁有117項公共收藏紀錄，如大都會博物館（The Metropolitan Museum of Art）、紐約現代藝術博物館（The Museum of Modern Art）、美國藝術暨文學學會（American Academy and Institute of Arts and Letters）與龐畢度中心（Centre Georges Pompidou）等。
Born in Upper Swabia, the center of Baroque art history, Willi Siber studied art history at the University of Stuttgart, Germany. His creations inherited the fluidity, theatricality, and splendid visual effects of Baroque art also incorporated a contemporary perspective. Siber once said "My creations stem from change." Over the long artist career he not only excels in painting, but also known for art objects , installations, sculptures. Using wood, steel, epoxy resin, exploring the malleability of materials, focusing not just on the aesthetic expression of materials he constantly research, validation, and overturning of established perceptions, breaking through the limitations of materials. His playfulness with colors further highlights his concise style. Willi Siber's exhibitions have spanned across Europe and the United States, his works permanently collected by German Federal Parliament, the German Embassy in Argentina, Deutsche Bank, Staatsgalerie Stuttgart, Städtisches Kunstmuseum in Singen, and private art museums Kunstwerk Sammlung Klein, Museum Ritter and private collectors worldwide.
Reinoud Oudshoorn 荷蘭當代極簡藝術家，畢業於荷蘭阿爾特茲藝術大學(AKI)，現 居住創作於阿姆斯特丹，執教於荷蘭皇家藝術學院。Reinoud Oudshoorn 以構築空間的極簡雕塑著稱，主張「雕塑應創造比作品本身更大的空間」，「消失點」是每件作品的 開端，盡情延伸空間表述的可能，由線延展成面，再由面砌出空間的存在。展覽經歷遍 及歐美，曾於阿姆斯特丹市立博物館(Stedelijk Museum)，佛多爾美術館(Museum Fodor)展出。作品於阿姆斯特丹市立美術館(Stedelijk Musuem Amsterdam)、荷蘭 AkzoNobel Art Foundation、荷蘭銀行(ABN AMRO)、德國私人美術館(Sammlung Schroth)等永久收藏。
曹吉岡 Cao Jigang 出生於北京，1984年畢業於中央美術學院油畫系，2000 年畢業於中央美術學院油畫系材料表現研修組。曾任教於中央美術學院造型學院基礎部。曹吉岡的作品融合東西方美學，用混生方式表現中國山水畫中的「虛空」。知名中國藝術評論家夏可君教授Ph.D 談論曹吉岡作品 :「曹吉岡的坦培拉作品乃是連接自然與生活，西方古典與中國古典，傳統與當代，現實與夢想之間的仲介，是在趙無極與朱德群的抒情風景抽象之後，華人藝術家所給出的另一個新階段，這就是古典山水畫的歷史記憶與西方古典的手法觸感，經過新的極簡主義與虛薄化轉換，更為具有東方典雅高貴的氣質與生命洗心的精神。」曾多次於中國美術館及海外展出，榮獲第九屆全國美展銀獎(1999)並由中國美術館、 上海美術館…等永久收藏。
Carol Prusa holds a Master of Fine Arts from Drake University, where she specialized in painting. She is known for her meticulous silverpoint technique, an ancient and refined grayscale technique with the silver stylus, and the use of unexpected materials from sculpted resin and fiberglass to metal leaf and LED large-scale installations. Through this precise and sophisticated method, she explores the astronomic origin of life as well as the philosophy of cosmology in her silverpoint work. Carol Prusa received a SECAC Artistic Achievement Award in 2017 and awarded for 2020 Manifest Prize. Her works have been highly regarded in historical books on Silverpoint feature. Prusa participated in 2015-2016 Miami Biennale and had exhibited in many museums and important institutions including the American Academy of Arts and Letters, Boca Raton Museum, Louisiana Museum of Art and Science, etc. Her work included in excellent public and private collections, including the Perez Museum of Art, The Museum of Arts and Design (NYC), Telfair Art Museum (Savannah), Spencer Museum of Art, and the Francie Bishop Good and David Horvitz Collection.
Internationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.
nternationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.
Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.
Graduated from the Law School and the Art School of Munich University, Caro Jost lives and creates her art in Munich. Every artist has their favorite artists, but Caro Jost takes this admiration to a whole new level, incorporating her love for Munich's abstract expressionism groups into works extensively. Her works revolve around themes of time, space, and events. In the series "Streetprints," where she traveled to over 70 locations worldwide, imprinting traces she collected from the streets onto her canvases. Her artworks were exhibited MoMA, Chelsea Art Museum in New York, and Guggenheim Collection in Venice, permanently collected by the MoMA Library Collection (The archives of MoMA, NY), Chelsea Art Museum (NY), and Museum of the City of Munich.
出生於德國巴伐利亞邦，就讀紐約藝術學院(Art Students League of New York) 畢業於慕尼黑媒體設計學院。現創作居住於柏林。 2004年被授予「德國巴伐利亞文化獎」Bavarian Culture Award, E-ON藝術建築領域獎項。 Kotter以燈光雕塑裝置創作為人所知。曾任德國斯圖加特國家藝術與設計學院講師，2014年獲得德國國際Unna燈光藝術中心的國際燈光獎項提名。德國著名藝術史學家Kai-Uwe Hemken 評論Hans Kotter 漢斯·卡特作品：「Kotter 卡特為觀者提供了作品的維度，是批判性、自我反省、與洞察導向，同時重新呈現了現代主義的基本烏托邦。」Hans Kotter 漢斯·卡特目前持續在各國博物館展出，包括德國里特博物館、英國倫敦Kinetica博物館、德國科隆應用藝術博物館、德國科隆MAKK博物館..等。作品由意大利TARGETTI光之藝術典藏、德國立陶宛博物館、德國聯邦議會等眾多機構永久收藏。
畢業於萊比錫視覺藝術學院主修繪畫，現創作居住於德國柏林，他的抽象作品以打破萊比錫畫派的具象傳統而聞名。Krauskopf 在顏料流動的不同階段，將塗料分層、混合構圖而成，他以刮刀將大量塗料於畫布上延伸，再進行長時間的乾燥，進而產生具深度又複雜的層次效果。Peter Krauskopf 為2015年Falkenrot Prize 當代藝術大獎得主，曾在柏林Mies van der Rohe-Haus藝術博物館、考夫博伊倫Kunsthaus Kaufbeuren等博物館舉辦個展，作品獲德國德勒斯登阿爾伯提努現代藝術博物館等永久收藏。
Sven Drühl currently lives and works in Berlin. He studied both in art and mathematics. With a PhD in art theory, he is also an author and editor of publications on contemporary art. Conceptually, Sven Drühl dissects visual shapes and types taken from every era from Romanticism to the present day, re-mounting them and combining them with his own motifs. Drühl reacts to the crisis of expression in post-modern painting with these transformed citations, but has purposefully not ceased to paint. His exploration of art history and his continual questioning of painting as a medium are at the heart of his oeuvre. He became known through his compilations of famous landscape paintings and had been exhibited throughout Europe, Asia and the United States including the St. Matthäuskirche, Berlin, Museum Villa-Rot, Neue Galerie Gladbeck, National Museum of Art of Romania, Bucharest, Kallman-Museum, Ismaning, Museum Haus am Waldsee, Berlin, ZKM | Museum für Neue Kunst, Karlsruhe. His work is in collection of Berlinische Galerie -Museum für moderne Kunst, Berlin, Allianz Forum, Deutsche Bank, E.ON Art Collection, Düsseldorf, Collection Philara, Düsseldorf.
Graduated from Geneva University of Art and Design (Haute École d'Art et de Design), Feuz currently lives and works in Geneva. In his artistic realm, art, science, and philosophy converge as he explores the universal meaning of "existence" and presents unseen realms through his unique painting techniques. Thierry Feuz's works have been collected by significant institutions and museums, including Musée d'Art et d'Histoire in Neuchâtel, Singapore Art Foundation, UBS Bank, Saks Fifth Avenue in the United States, as well as the Breeze Crop. and E.Sun Commercial Bank, among other corporate collections.
Wolfgang Flad is a German artist living and working in Berlin. Born in 1974, he studied textile design at Fachhochschule Reutlingen and fine arts at the Akademie der Bildenden Künste, Stuttgart. He has had numerous solo exhibitions in Germany and other European countries, and has placed his artwork in museum collections in Germany, Switzerland, and the Netherlands. Primarily a sculptor, Flad is interested in “upcycling” previously used material, and in creating unexpected associations and connections between art and the natural world.
Desire Obtain Cherish (D.O.C.), a.k.a. Jonathon Paul, is a Los Angeles, USA based artist whose works have attracted an audience worldwide. From early roots in L.A.’s street art scene, his repertoire has grown to encompass major international exhibitions such as the renowned Venice Biennale art festival in 2015. New York’s famous Saks Fifth Avenue in 2016 invited D.O.C. and his iconic Meltdown installations to take part in an art and fashion collaboration. The artist’s unique vision and fresh style have also attracted the eye of respected collectors including New York's Mandarin Oriental Hotel, The Ecclestone Collection, The Feinberg Collection, La Laliberte Collection, American DJ Diplo and NBA player Dirk Nowitzki and Andrei Kirilenko.
持續走在一條非傳統的藝術家之路的捷克塗鴉界先驅 Jan Kalab，畢業於布拉格 藝術學院(Academy of Fine Arts in Prague)。他的幾何塗鴉壁畫可見於紐約、 布拉格、倫敦、波哥大等城市。Kalab 以點出發，發展幾何圓形形變，以及 3D 塗鴉立體雕塑，從街頭到畫布，塗鴉的概念走入極簡純白的藝廊空間，擦出迷幻 的火花，他擁有在抽象藝術與街頭創作的雙重語彙，創造出充滿能量的抽象作品。 2010 年代表捷克在上海世界博覽會捷克館展出，於歐美有豐富展出經驗，作品 收藏於法國精品 DIOR 德國旗艦店、及眾多名人及私人收藏。
Graduated from the Fine Arts at the Munich Art Academy, Tim Freiwald now work and live in Berlin. Tim Freiwald's creative process involves "destruction, decomposition, and reconstruction" generating negative spaces in his works, constantly exploring the questions of whether "destruction can still be beautiful" and "what is art." Fragments, fractured lines, and delicate structures, all portrayed through intense colors, define his aesthetic style of destructiveness. Freiwald mentioned “I want the paintings to be on the verge of physical collapse so that they only become stable through the painterly attraction between their elements.” In 2011, Tim Freiwald received the BMW Brilliance Automotive Art Award. In 2014, he became a student of the artist Thomas Scheibitz. In 2018, Tim Freiwald was awarded the New Positions prize at the Art Cologne, a prestigious art exhibition in Cologne. Tim Freiwald has already held significant solo exhibitions at various European venues including Walter Storms Galerie in Munich, exhibited at the Kunsthalle Bremerhaven in Bremen.
畢業於柏林藝術大學，現居住、創作於柏林。Anklam 就讀於哈雷藝術與設計大學期間開始接觸雕塑並著墨於金屬物件，而後於2004年進入柏林藝術大學，在知名雕塑家Tony Cragg 的引導下持續鑽研雕塑並取得碩士學位。作品媒材包含金屬與不鏽鋼，Anklam 透過結合如玻璃纖維、環氧樹脂等的現代素材來增加作品的層次。軟材和硬材的結合呈現簡約、直白、清晰的語彙，他的雕塑作品透過光影與空間的交互作用構築而成。彼此跟隨並不斷流動的型態創造出視覺上獨特的感受。Anklam 也喜歡使用透明或不透明的素材，像是不銹鋼網、環氧樹脂或乳膠，以光影和環境的變化創造新的視角。
Christiane Grimm畢業於斯圖加特大學（Universität Stuttgart）建築所，創作結合層次性的幾何與色彩，將偌大空間中光影變化，透過與觀者的互動呈現。利用圖形疊合起的不明確性，Grimm 將客觀的構圖移交主觀詮釋，並傳遞幾何擴張而成的漸變美感。過去於金屬、玻璃或紙材上的繪畫，以二維的色彩和結構組織畫面，因油彩的飽和光澤及載體的物理反射特性，曖曖映出空間的深度，鮮活的色彩組合則帶出作品的脈動。近期更將創作層次推向三維的探索，疊合單色或無色的有機玻璃（plexiglass），俐落劃分空間的同時也模糊色與色的絕對區隔，作品表面的波狀處理，看似發散了感知的維度，受到環境光影連動，不插電卻為靜態作品添加了動態元素，並建起觀者與作品的連結。作品獲德國海德堡市政府、德意志銀行，資誠聯合會計事務所（PwC）以及私人美術館 Das Kleine Museum與藏家Marli Hoppe-Ritter、Reinhold Würth等永久收藏。
布萊恩•伊達(Bryan Ida，美國，1963年生)現居住及創作於美國洛杉磯，以壓克力結合環氧樹脂(Epoxy)與聚酯纖維(Polyester)的堆疊層次進行創作，由多樣的視角、色彩與城市和自然進行對話。曾多次於美國知名博物館及美術館舉辦展覽，包含蘭開斯特藝術與歷史博物館(Lancaster Museum of Art and History) 、河濱市美術館 (Riverside Art Museum)、托倫斯藝術博物館 (Torrance Art Museum)、長灘美術館 (Long Beach Museum of Art) 、洛杉磯當代藝術美術館 (Museum of Contemporary Art, Los Angeles)等。作品收藏於微軟(Microsoft)與杜邦旗下杰能科(DuPont™ Genencor® Science)等矽谷高科技產業公司。
Dirk Salz lives and works in Cologne. He was born 1962 in Bochum, Germany, to an artistic family. Through his childhood and high school, he grew up painting, drawing, and studying art history. Salz’ artistic work deals in different manners with human perception or rather with the insufficiency of our mind that shapes this perception. His work can be found in a number of private collections, as well as prominent corporate collections, such as the Akzo Nobel Art Foundation.
Annett Zinsmeister was born in Stuttgart, currently lives and works in Berlin. Annett studied visual arts, architecture, culture and media science in Berlin. Graduation from the Berlin University of Visual Arts + Design. Since 2003 she is professor at divers art schools and universities and is teaching internationally Visual Art, Photography, Design, Architecture, Culture and Media theory. Space and Architecture are central topics, the artist is dealing with in her large-scale installations, photography, drawings, collages and films. She is the author of numerous interdisciplinary books and is known for the combination of diverse disciplines such as architecture, art, and media studies. Her work has been published internationally and are part of exhibitions and art collections worldwide, e.g. at the MoMA Museum of Modern Art in New York.
畢業於維也納應用藝術大學跨媒體藝術系，以維也納與漢堡為創作據點，目前亦任教於維也納藝術大學。師事奧地利藝術家Adolf Frohner與捷克當代攝影藝術家Jiři David。自2006起積極參與維也納的展覽，2018在維也納White Cube Yellow舉辦個展，於維也納當代藝術館、維也納博物館區等多種藝術機構展出。獲奧地利超級聯賽100周年藝術競賽Art Challenge首獎。Kohlhuber以文字為題，透過繪畫、裝置、雕塑、動畫等不同形式的創作，主張藝術作品為傳遞訊息的載體，探討在溝通過程中，圖像或文字如何傳達意義，又是如何被詮釋和解讀。作品獲奧地利知名藏家 Martin Lenikus收藏機構Sammlung Lenikus收藏。
美國波爾州立大學藝術碩士，主修玻璃創作。以玻璃探索媒材和視覺互動，透過光、空間與形體的變化衝擊觀者的視覺經驗。榮獲多項國際競賽獎項、米蘭國際藝術玻璃與設計競賽創新獎、匹茲堡玻璃中心首獎等。Martinez 以玻璃為主要創作媒介，在加熱塑形與冷卻凝固之間，吹化出生動的姿態。主張作品是實驗的載體，而非追求技術表現的裝飾，運用玻璃折射及任意彎折的特性，探討不同的視覺體驗。本次展出的 Waterbags 系列作品，透過對玻璃特質的精準掌握，細緻地呈現移晃中水袋的形貌，袋緣粒粒水珠彷彿即將滑落，為其經典的代表作之一。
Mental Space 精神空間
導覽影片
藝術生活特展第二部曲，於Bluerider ART, 台北·仁愛空間呈獻「Mental Space 精神空間」群展。從藝術品色彩、形狀、媒材傳達出的精神內涵角度切入，其作品從實際物體的有限性，至散發出冥想氛圍形成一個偌大的精神空間，觀者從色彩、形狀、媒材各個特色親近感知藝術品。
展出藝術家包括以奔放洋溢色彩堆疊起三維的視界，弭平空間界線的Bryan Ida 布萊恩·伊達、主張「雕塑應創造比作品本身更大的空間」的荷蘭雕塑家Reinoud Oudshoorn 雷諾·奧德霍恩，及以建築圖像以牆紙裝置的形式表現，將外部空間翻轉為內部空間，顛覆對於空間的認知的Annett Zinsmeister 安妮特·辛斯邁斯特……等。
作為藝術生活特展第二部曲，「Mental Space 精神空間」群展透過多位顛覆空間的當代藝術作品，藉以反思藝術品、人、空間在現代生活中的相互關係。當作品引領觀者開啟想像的視野，精神空間就此存在，藝術品跳脫空間裝飾的外在印象，得以促成收藏者與創作者之間的私密對話。
2021「Mental Space 精神空間」參觀信息
展期開放時間：
2021.7.17 – 2021.9.30 Tue.-Sat. 10am-7pm
展覽地點
Bluerider ART, 台北·仁愛（台北市仁愛路四段25-1號10F）
展場照片
Works
展出藝術家
Born in Upper Swabia, the center of Baroque art history, Willi Siber studied art history at the University of Stuttgart, Germany. His creations inherited the fluidity, theatricality, and splendid visual effects of Baroque art also incorporated a contemporary perspective. Siber once said "My creations stem from change." Over the long artist career he not only excels in painting, but also known for art objects , installations, sculptures. Using wood, steel, epoxy resin, exploring the malleability of materials, focusing not just on the aesthetic expression of materials he constantly research, validation, and overturning of established perceptions, breaking through the limitations of materials. His playfulness with colors further highlights his concise style. Willi Siber's exhibitions have spanned across Europe and the United States, his works permanently collected by German Federal Parliament, the German Embassy in Argentina, Deutsche Bank, Staatsgalerie Stuttgart, Städtisches Kunstmuseum in Singen, and private art museums Kunstwerk Sammlung Klein, Museum Ritter and private collectors worldwide.
Reinoud Oudshoorn 荷蘭當代極簡藝術家，畢業於荷蘭阿爾特茲藝術大學(AKI)，現 居住創作於阿姆斯特丹，執教於荷蘭皇家藝術學院。Reinoud Oudshoorn 以構築空間的極簡雕塑著稱，主張「雕塑應創造比作品本身更大的空間」，「消失點」是每件作品的 開端，盡情延伸空間表述的可能，由線延展成面，再由面砌出空間的存在。展覽經歷遍 及歐美，曾於阿姆斯特丹市立博物館(Stedelijk Museum)，佛多爾美術館(Museum Fodor)展出。作品於阿姆斯特丹市立美術館(Stedelijk Musuem Amsterdam)、荷蘭 AkzoNobel Art Foundation、荷蘭銀行(ABN AMRO)、德國私人美術館(Sammlung Schroth)等永久收藏。
曹吉岡 Cao Jigang 出生於北京，1984年畢業於中央美術學院油畫系，2000 年畢業於中央美術學院油畫系材料表現研修組。曾任教於中央美術學院造型學院基礎部。曹吉岡的作品融合東西方美學，用混生方式表現中國山水畫中的「虛空」。知名中國藝術評論家夏可君教授Ph.D 談論曹吉岡作品 :「曹吉岡的坦培拉作品乃是連接自然與生活，西方古典與中國古典，傳統與當代，現實與夢想之間的仲介，是在趙無極與朱德群的抒情風景抽象之後，華人藝術家所給出的另一個新階段，這就是古典山水畫的歷史記憶與西方古典的手法觸感，經過新的極簡主義與虛薄化轉換，更為具有東方典雅高貴的氣質與生命洗心的精神。」曾多次於中國美術館及海外展出，榮獲第九屆全國美展銀獎(1999)並由中國美術館、 上海美術館…等永久收藏。
Carol Prusa holds a Master of Fine Arts from Drake University, where she specialized in painting. She is known for her meticulous silverpoint technique, an ancient and refined grayscale technique with the silver stylus, and the use of unexpected materials from sculpted resin and fiberglass to metal leaf and LED large-scale installations. Through this precise and sophisticated method, she explores the astronomic origin of life as well as the philosophy of cosmology in her silverpoint work. Carol Prusa received a SECAC Artistic Achievement Award in 2017 and awarded for 2020 Manifest Prize. Her works have been highly regarded in historical books on Silverpoint feature. Prusa participated in 2015-2016 Miami Biennale and had exhibited in many museums and important institutions including the American Academy of Arts and Letters, Boca Raton Museum, Louisiana Museum of Art and Science, etc. Her work included in excellent public and private collections, including the Perez Museum of Art, The Museum of Arts and Design (NYC), Telfair Art Museum (Savannah), Spencer Museum of Art, and the Francie Bishop Good and David Horvitz Collection.
Internationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.
nternationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.
Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.
Graduated from the Law School and the Art School of Munich University, Caro Jost lives and creates her art in Munich. Every artist has their favorite artists, but Caro Jost takes this admiration to a whole new level, incorporating her love for Munich's abstract expressionism groups into works extensively. Her works revolve around themes of time, space, and events. In the series "Streetprints," where she traveled to over 70 locations worldwide, imprinting traces she collected from the streets onto her canvases. Her artworks were exhibited MoMA, Chelsea Art Museum in New York, and Guggenheim Collection in Venice, permanently collected by the MoMA Library Collection (The archives of MoMA, NY), Chelsea Art Museum (NY), and Museum of the City of Munich.
出生於德國巴伐利亞邦，就讀紐約藝術學院(Art Students League of New York) 畢業於慕尼黑媒體設計學院。現創作居住於柏林。 2004年被授予「德國巴伐利亞文化獎」Bavarian Culture Award, E-ON藝術建築領域獎項。 Kotter以燈光雕塑裝置創作為人所知。曾任德國斯圖加特國家藝術與設計學院講師，2014年獲得德國國際Unna燈光藝術中心的國際燈光獎項提名。德國著名藝術史學家Kai-Uwe Hemken 評論Hans Kotter 漢斯·卡特作品：「Kotter 卡特為觀者提供了作品的維度，是批判性、自我反省、與洞察導向，同時重新呈現了現代主義的基本烏托邦。」Hans Kotter 漢斯·卡特目前持續在各國博物館展出，包括德國里特博物館、英國倫敦Kinetica博物館、德國科隆應用藝術博物館、德國科隆MAKK博物館..等。作品由意大利TARGETTI光之藝術典藏、德國立陶宛博物館、德國聯邦議會等眾多機構永久收藏。
畢業於萊比錫視覺藝術學院主修繪畫，現創作居住於德國柏林，他的抽象作品以打破萊比錫畫派的具象傳統而聞名。Krauskopf 在顏料流動的不同階段，將塗料分層、混合構圖而成，他以刮刀將大量塗料於畫布上延伸，再進行長時間的乾燥，進而產生具深度又複雜的層次效果。Peter Krauskopf 為2015年Falkenrot Prize 當代藝術大獎得主，曾在柏林Mies van der Rohe-Haus藝術博物館、考夫博伊倫Kunsthaus Kaufbeuren等博物館舉辦個展，作品獲德國德勒斯登阿爾伯提努現代藝術博物館等永久收藏。
Sven Drühl currently lives and works in Berlin. He studied both in art and mathematics. With a PhD in art theory, he is also an author and editor of publications on contemporary art. Conceptually, Sven Drühl dissects visual shapes and types taken from every era from Romanticism to the present day, re-mounting them and combining them with his own motifs. Drühl reacts to the crisis of expression in post-modern painting with these transformed citations, but has purposefully not ceased to paint. His exploration of art history and his continual questioning of painting as a medium are at the heart of his oeuvre. He became known through his compilations of famous landscape paintings and had been exhibited throughout Europe, Asia and the United States including the St. Matthäuskirche, Berlin, Museum Villa-Rot, Neue Galerie Gladbeck, National Museum of Art of Romania, Bucharest, Kallman-Museum, Ismaning, Museum Haus am Waldsee, Berlin, ZKM | Museum für Neue Kunst, Karlsruhe. His work is in collection of Berlinische Galerie -Museum für moderne Kunst, Berlin, Allianz Forum, Deutsche Bank, E.ON Art Collection, Düsseldorf, Collection Philara, Düsseldorf.
Graduated from Geneva University of Art and Design (Haute École d'Art et de Design), Feuz currently lives and works in Geneva. In his artistic realm, art, science, and philosophy converge as he explores the universal meaning of "existence" and presents unseen realms through his unique painting techniques. Thierry Feuz's works have been collected by significant institutions and museums, including Musée d'Art et d'Histoire in Neuchâtel, Singapore Art Foundation, UBS Bank, Saks Fifth Avenue in the United States, as well as the Breeze Crop. and E.Sun Commercial Bank, among other corporate collections.
Wolfgang Flad is a German artist living and working in Berlin. Born in 1974, he studied textile design at Fachhochschule Reutlingen and fine arts at the Akademie der Bildenden Künste, Stuttgart. He has had numerous solo exhibitions in Germany and other European countries, and has placed his artwork in museum collections in Germany, Switzerland, and the Netherlands. Primarily a sculptor, Flad is interested in “upcycling” previously used material, and in creating unexpected associations and connections between art and the natural world.
Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.
Desire Obtain Cherish (D.O.C.), a.k.a. Jonathon Paul, is a Los Angeles, USA based artist whose works have attracted an audience worldwide. From early roots in L.A.’s street art scene, his repertoire has grown to encompass major international exhibitions such as the renowned Venice Biennale art festival in 2015. New York’s famous Saks Fifth Avenue in 2016 invited D.O.C. and his iconic Meltdown installations to take part in an art and fashion collaboration. The artist’s unique vision and fresh style have also attracted the eye of respected collectors including New York's Mandarin Oriental Hotel, The Ecclestone Collection, The Feinberg Collection, La Laliberte Collection, American DJ Diplo and NBA player Dirk Nowitzki and Andrei Kirilenko.
持續走在一條非傳統的藝術家之路的捷克塗鴉界先驅 Jan Kalab，畢業於布拉格 藝術學院(Academy of Fine Arts in Prague)。他的幾何塗鴉壁畫可見於紐約、 布拉格、倫敦、波哥大等城市。Kalab 以點出發，發展幾何圓形形變，以及 3D 塗鴉立體雕塑，從街頭到畫布，塗鴉的概念走入極簡純白的藝廊空間，擦出迷幻 的火花，他擁有在抽象藝術與街頭創作的雙重語彙，創造出充滿能量的抽象作品。 2010 年代表捷克在上海世界博覽會捷克館展出，於歐美有豐富展出經驗，作品 收藏於法國精品 DIOR 德國旗艦店、及眾多名人及私人收藏。
Graduated from the Fine Arts at the Munich Art Academy, Tim Freiwald now work and live in Berlin. Tim Freiwald's creative process involves "destruction, decomposition, and reconstruction" generating negative spaces in his works, constantly exploring the questions of whether "destruction can still be beautiful" and "what is art." Fragments, fractured lines, and delicate structures, all portrayed through intense colors, define his aesthetic style of destructiveness. Freiwald mentioned “I want the paintings to be on the verge of physical collapse so that they only become stable through the painterly attraction between their elements.” In 2011, Tim Freiwald received the BMW Brilliance Automotive Art Award. In 2014, he became a student of the artist Thomas Scheibitz. In 2018, Tim Freiwald was awarded the New Positions prize at the Art Cologne, a prestigious art exhibition in Cologne. Tim Freiwald has already held significant solo exhibitions at various European venues including Walter Storms Galerie in Munich, exhibited at the Kunsthalle Bremerhaven in Bremen.
Christiane Grimm畢業於斯圖加特大學（Universität Stuttgart）建築所，創作結合層次性的幾何與色彩，將偌大空間中光影變化，透過與觀者的互動呈現。利用圖形疊合起的不明確性，Grimm 將客觀的構圖移交主觀詮釋，並傳遞幾何擴張而成的漸變美感。過去於金屬、玻璃或紙材上的繪畫，以二維的色彩和結構組織畫面，因油彩的飽和光澤及載體的物理反射特性，曖曖映出空間的深度，鮮活的色彩組合則帶出作品的脈動。近期更將創作層次推向三維的探索，疊合單色或無色的有機玻璃（plexiglass），俐落劃分空間的同時也模糊色與色的絕對區隔，作品表面的波狀處理，看似發散了感知的維度，受到環境光影連動，不插電卻為靜態作品添加了動態元素，並建起觀者與作品的連結。作品獲德國海德堡市政府、德意志銀行，資誠聯合會計事務所（PwC）以及私人美術館 Das Kleine Museum與藏家Marli Hoppe-Ritter、Reinhold Würth等永久收藏。
布萊恩•伊達(Bryan Ida，美國，1963年生)現居住及創作於美國洛杉磯，以壓克力結合環氧樹脂(Epoxy)與聚酯纖維(Polyester)的堆疊層次進行創作，由多樣的視角、色彩與城市和自然進行對話。曾多次於美國知名博物館及美術館舉辦展覽，包含蘭開斯特藝術與歷史博物館(Lancaster Museum of Art and History) 、河濱市美術館 (Riverside Art Museum)、托倫斯藝術博物館 (Torrance Art Museum)、長灘美術館 (Long Beach Museum of Art) 、洛杉磯當代藝術美術館 (Museum of Contemporary Art, Los Angeles)等。作品收藏於微軟(Microsoft)與杜邦旗下杰能科(DuPont™ Genencor® Science)等矽谷高科技產業公司。
Annett Zinsmeister was born in Stuttgart, currently lives and works in Berlin. Annett studied visual arts, architecture, culture and media science in Berlin. Graduation from the Berlin University of Visual Arts + Design. Since 2003 she is professor at divers art schools and universities and is teaching internationally Visual Art, Photography, Design, Architecture, Culture and Media theory. Space and Architecture are central topics, the artist is dealing with in her large-scale installations, photography, drawings, collages and films. She is the author of numerous interdisciplinary books and is known for the combination of diverse disciplines such as architecture, art, and media studies. Her work has been published internationally and are part of exhibitions and art collections worldwide, e.g. at the MoMA Museum of Modern Art in New York.
美國波爾州立大學藝術碩士，主修玻璃創作。以玻璃探索媒材和視覺互動，透過光、空間與形體的變化衝擊觀者的視覺經驗。榮獲多項國際競賽獎項、米蘭國際藝術玻璃與設計競賽創新獎、匹茲堡玻璃中心首獎等。Martinez 以玻璃為主要創作媒介，在加熱塑形與冷卻凝固之間，吹化出生動的姿態。主張作品是實驗的載體，而非追求技術表現的裝飾，運用玻璃折射及任意彎折的特性，探討不同的視覺體驗。本次展出的 Waterbags 系列作品，透過對玻璃特質的精準掌握，細緻地呈現移晃中水袋的形貌，袋緣粒粒水珠彷彿即將滑落，為其經典的代表作之一。
LAKEVILLE ╳ Bluerider ART 水月紙境
導覽影片
Bluerider ART 很榮幸宣佈，七、八月推出藝術生活特展，首發與上海翠湖天地生活藝術中心共同策劃，攜手呈獻“水月紙境”藝術生活特展，此次Bluerider ART 推出兩位來自德國的重要代理藝術家，Angela Glajcar 安格拉·格拉札的大型紙作，以及Hans Kotter 漢斯·卡特代表性燈光雕塑作品。此次合作，運用“紙”與“燈光”這兩種日常生活中極為熟悉的媒材， 展示兩位藝術家Angela Glajcar 安格拉·格拉札與Hans Kotter 漢斯·卡特前衛精彩作品。在翠湖天地生活藝術中心這個強調精緻生活的空間裡，帶來親近而多感官的觀展享受。
本次展覽的主題“水月紙境”，除了探索紙這一藝術媒介也加入了光影藝術的互動，通過紙與光的關係討論並尋找內心的自省，在物我之間探索藝術、生活的更多可能，讓空間煥發出新的生命力，跳脫出傳統思維，產生嶄新視角。”掬水月在手，弄香花滿衣”，泉水清澄明澈照見月影，將明月與泉水合而為一。凡塵的力量難以企及，但是開啟慧心，掬一捧水，月亮就會被捧在掌心。面對生活中各種紛繁複雜的問題也應有此心境，以慧心發覺詩意盎然、妙趣橫生的生活。
「水月紙境」藝術生活特展 參觀信息
展期開放時間：
2021.7.6 – 2021.8.23
觀展需預約
展覽地點
翠湖新天地 31 樓 VIP 中心
上海市湖濱路 150 號 31 樓
Installation
Works
Triple Tube | 2013 | 160 cm 50 cm x 50 cm | 1_1+1AP, Mirror, Wood, Plexiglas, LED’s color change Color Practicing｜90x90cm｜2021, AP_1+1AP (Last piece)｜Metal LED Color change, Plexiglas, 15 Arrows Colour Code | 2021 | 210x13x13cm | Unique, Polished stainless steel, Slide, Plexiglas, LED’s colour change, remote Explosion | 2014 | 60 cm x 60cm | Metal, LED, DMX-Controller and Plexiglas,8+2AP Hans Kotter｜Light Code｜40×40 cm｜2016 ｜Material Metal, LED, DMX-Controller and Plexiglas, Edition 5 + 1 AP (The AP is black) Terforation｜159x119x300cm｜2015｜Torn 400g paper, spring steel mount Terforation｜162x122x300cm｜2014｜ Torn 400g paper, metal mount Terforation｜66×45.5×20.5cm｜2019｜Torn 200g paper, matel an dplastic mount Paperwall｜56x54x10cm｜2015｜Torn 400g paper, screwed and glued Corum｜76x48x30cm｜2015｜Torn 170g glass fabric, metal mount Terforation｜30.5×24.5x19cm｜2016｜Torn 200g paper, metal and plastic mount
展出Artists
出生於德國巴伐利亞邦，就讀紐約藝術學院(Art Students League of New York) 畢業於慕尼黑媒體設計學院。現創作居住於柏林。 2004年被授予「德國巴伐利亞文化獎」Bavarian Culture Award, E-ON藝術建築領域獎項。 Kotter以燈光雕塑裝置創作為人所知。曾任德國斯圖加特國家藝術與設計學院講師，2014年獲得德國國際Unna燈光藝術中心的國際燈光獎項提名。德國著名藝術史學家Kai-Uwe Hemken 評論Hans Kotter 漢斯·卡特作品：「Kotter 卡特為觀者提供了作品的維度，是批判性、自我反省、與洞察導向，同時重新呈現了現代主義的基本烏托邦。」Hans Kotter 漢斯·卡特目前持續在各國博物館展出，包括德國里特博物館、英國倫敦Kinetica博物館、德國科隆應用藝術博物館、德國科隆MAKK博物館..等。作品由意大利TARGETTI光之藝術典藏、德國立陶宛博物館、德國聯邦議會等眾多機構永久收藏。
Triple Tube | 2013 | 160 cm 50 cm x 50 cm | 1_1+1AP, Mirror, Wood, Plexiglas, LED’s color change Color Practicing｜90x90cm｜2021, AP_1+1AP (Last piece)｜Metal LED Color change, Plexiglas, 15 Arrows Colour Code | 2021 | 210x13x13cm | Unique, Polished stainless steel, Slide, Plexiglas, LED’s colour change, remote Explosion | 2014 | 60 cm x 60cm | Metal, LED, DMX-Controller and Plexiglas,8+2AP Hans Kotter｜Light Code｜40×40 cm｜2016 ｜Material Metal, LED, DMX-Controller and Plexiglas, Edition 5 + 1 AP (The AP is black)
Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.
Terforation｜159x119x300cm｜2015｜Torn 400g paper, spring steel mount Terforation｜162x122x300cm｜2014｜ Torn 400g paper, metal mount Terforation｜66×45.5×20.5cm｜2019｜Torn 200g paper, matel an dplastic mount Paperwall｜56x54x10cm｜2015｜Torn 400g paper, screwed and glued Corum｜76x48x30cm｜2015｜Torn 170g glass fabric, metal mount Terforation｜30.5×24.5x19cm｜2016｜Torn 200g paper, metal and plastic mount