微風 ╳ Bluerider ART 當風起時
Installation
「微風 ╳ Bluerider ART 當風起時」
特展策展理念
Bluerider ART
最精品時尚與最前衛當代藝術，攜手跨界呈現生命真善美！秉持藝術生活理念，Bluerider ART 再度跨越畫廊白牆，於信義區精品地標微風信義，策展「當風起時」，創意呈現結合多元文化、媒材的前衛國際藝術家作品，碰撞時尚與藝術、玩味消費與概念、融合形體與精神，將逛精品時尚、看展覽，成為打開知性與感性的藝術探索，一場嶄新吸睛的全新美學體驗！
「微風 X Bluerider ART當風起時」，將於2022年8月26日精品界盛事微風「信義之夜」封館VIP活動盛大開幕，並於8月27日至9月25日在微風信義精品樓層一樓展出。此次特展集結各形態複合媒材之國際知名當代藝術家，分別以橘、藍、青、粉、綠、紅色六大色塊，展現六位當代藝術家作品。橘─ 美國普普藝術家強納森．保羅（Desire Obtain Cherish）、藍─ 英國 X 光攝影藝術大師尼克．維西（Nick Veasey）、青─ 法國數位藝術家帕斯卡爾．多比斯（Pascal Dombis）、粉─ 捷克塗鴉界先驅楊．克拉（Jan Kaláb）、綠─ 德國建築藝術家克里斯蒂安．格琳（Christiane Grimm）及紅─ 美國新媒體藝術家強納森．羅森（Jonathan Rosen）等，以立體雕塑、複合媒材、繪畫裝置等前衛表現形式，於微風信義精彩呈現令人眼前一亮、不同於畫廊展覽的創新型態，創造藝術文化與時尚生活結合的新生活態度。
「微風 X Bluerider ART當風起時」特展將展出一系列大小尺寸與吸睛色彩的「融化中的棒棒糖」（Meltdown）大型裝置，成為打卡熱點。新媒體數位鏡像裝置作品 「我要：夢幻機器」（I WANT: Dream Machine）則以鏡面互動猶如塔羅占卜直面心中渴望，邀請觀眾於鏡前自拍。另抽象色彩作品將大自然之美帶入室內、X光攝影作品穿透外表，直視內在真實、數位光柵混合媒材，在不插電的律動中發掘虛幻的趣味性。國際藝術家們各自以獨特風格理念的當代語彙，在後疫情時代，撫慰人心，重拾真善美的美好生活美學！
微風╳Bluerider ART當風起時 參展藝術家
強納森．保羅 Desire Obtain Cherish
Nick Veasey
Pascal Dombis
楊．克拉 Jan Kalab
Christiane Grimm
強納森．羅森 Jonathan Rosen
微風╳Bluerider ART當風起時
VIP貴賓預展： 2022.8.26 Fri. 6pm-12am 微風「信義之夜」）
展期開放時間：2022.8.26 -2022.9.25
展覽地點：微風信義（台北市信義區忠孝東路五段68號）
媒體報導Press
關於Bluerider ART
Art, the ultimate tranquility within
藝術是心靈最後一塊淨土
2013年由 Elsa Wang 王薇薇女士創立，以百年前衛藝術家 Wassily Kandinsky康丁斯基Der Blaue Reiter (The Blue Rider 藍騎士) 命名，延續以不同風格形式，共同表現心靈為上的主張，長期代理推廣前衛獨特國際當代藝術家，呈現藝術科學結合的傾向。目前設有台北市大安區［台北．敦仁］館、［台北．仁愛］館、［上海．外灘］館，以及籌設中的［倫敦］館。秉持「藝術豐富美好生活」信念，以優質策展提供專業收藏服務。Blue: 心靈，Rider: 騎士，我們相信，藝術是豐富心靈、反映當下時代最真實的聲音！
Blue: 心靈，Rider: 騎士，我們相信，藝術是豐富心靈、反映當下時代最真實的聲音！‘捍衛心靈的騎士’ 是 Bluerider ART 自始堅持不變的信念。
Works
Works
Desire Obtain Cherish 強納森・保羅
(American, b. 1975）
Desire Obtain Cherish (D.O.C.), a.k.a. Jonathon Paul, is a Los Angeles, USA based artist whose works have attracted an audience worldwide. From early roots in L.A.’s street art scene, his repertoire has grown to encompass major international exhibitions such as the renowned Venice Biennale art festival in 2015. New York’s famous Saks Fifth Avenue in 2016 invited D.O.C. and his iconic Meltdown installations to take part in an art and fashion collaboration. The artist’s unique vision and fresh style have also attracted the eye of respected collectors including New York's Mandarin Oriental Hotel, The Ecclestone Collection, The Feinberg Collection, La Laliberte Collection, American DJ Diplo and NBA player Dirk Nowitzki and Andrei Kirilenko.
More information
Nick Veasey
(British, b. 1962）
Internationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.
Jonathan Rosen. 強納森・羅森
（USA, b.1927)
Jonathan Rosen畢業於VCU Brandcenter 廣告學系，過去於廣告界擔任創意總監的經歷使他深切地感受到文字、影像和宣傳對人們產生的影響力。現為全職藝術家的他，以概念性的拼貼與挪用藝術手法創造出夢想來揭開每個人深埋心中的渴望。以「I WANT」為主題的系列為Rosen由個人的收集品出發創作，運用大量收集的現成物拼貼與鏤空的現代感字體展現視覺衝擊，將「I WANT」作為可以隨人們慾望不斷擴張的題材，藉由作品呈現脆弱卻真實的自白，為觀者提供一個隱蔽的空間，反思自身渴求，他所收藏的不僅是物品，更是不敢與人分享的企盼。他相信這些慾望如果不被挖掘出來，它們絕不會有力量打破緘默。
Pascal Dombis 帕斯卡爾·多比斯
（French, b. 1965）
Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.
Jan Kaláb楊‧克拉
(Czech Republic, b.1978）
持續走在一條非傳統的藝術家之路的捷克塗鴉界先驅 Jan Kalab，畢業於布拉格 藝術學院(Academy of Fine Arts in Prague)。他的幾何塗鴉壁畫可見於紐約、 布拉格、倫敦、波哥大等城市。Kalab 以點出發，發展幾何圓形形變，以及 3D 塗鴉立體雕塑，從街頭到畫布，塗鴉的概念走入極簡純白的藝廊空間，擦出迷幻 的火花，他擁有在抽象藝術與街頭創作的雙重語彙，創造出充滿能量的抽象作品。 2010 年代表捷克在上海世界博覽會捷克館展出，於歐美有豐富展出經驗，作品 收藏於法國精品 DIOR 德國旗艦店、及眾多名人及私人收藏。
Christiane Grimm
(German, b. 1957）
畢業於斯圖加特大學（Universität Stuttgart）建築所，Christiane Grimm 的創作由建築觀點出發，結合層次性的幾何與色彩，將偌大空間中光影變化，透過與觀者的互動呈現。現居住創作於德國作品獲德國海德堡市政府、德意志銀行，以及私人美術館 Das Kleine Museum…等永久收藏，並擁有眾多私人藏家。
利用圖形迭合起的不明確性，Grimm 將客觀的構圖移交主觀詮釋，並傳遞幾何擴張而成的漸變美感。過去於金屬、玻璃或紙材上的繪畫，以二維的色彩和結構組織畫面，因油彩的飽和光澤及載體的物理反射特性，曖曖映出空間的深度，鮮活的色彩組合則帶出作品的脈動。近期更將創作層次推向三維的探索，迭合單色或無色的有機玻璃（plexiglass），利落劃分空間的同時也模糊色與色的絕對區隔，作品表面的波狀處理，看似發散了感知的維度，受到環境光影連動，不插電卻為靜態作品添加了動態元素，並建起觀者與作品的鏈接。