【台北·微風】微風 ╳ Bluerider ART當風起時特展

Breeze ╳ Bluerider ART When the Wind Blows


展場照片

Breeze ╳ Bluerider ART When the Wind Blows

Statement
Bluerider ART

最精品時尚與最前衛當代藝術,攜手跨界呈現生命真善美!秉持藝術生活理念,Bluerider ART 再度跨越畫廊白牆,於信義區精品地標微風信義,策展「當風起時」,創意呈現結合多元文化、媒材的前衛國際藝術家作品,碰撞時尚與藝術、玩味消費與概念、融合形體與精神,將逛精品時尚、看展覽,成為打開知性與感性的藝術探索,一場嶄新吸睛的全新美學體驗!

「微風 X Bluerider ART當風起時」,將於2022年8月26日精品界盛事微風「信義之夜」封館VIP活動盛大開幕,並於8月27日至9月25日在微風信義精品樓層一樓展出。此次特展集結各形態複合媒材之國際知名當代藝術家,分別以橘、藍、青、粉、綠、紅色六大色塊,展現六位當代藝術家作品。橘─ 美國普普藝術家強納森.保羅(Desire Obtain Cherish)、藍─ 英國 X 光攝影藝術大師尼克.維西(Nick Veasey)、青─ 法國數位藝術家帕斯卡爾.多比斯(Pascal Dombis)、粉─ 捷克塗鴉界先驅楊.克拉(Jan Kaláb)、綠─ 德國建築藝術家克里斯蒂安.格琳(Christiane Grimm)及紅─ 美國新媒體藝術家強納森.羅森(Jonathan Rosen)等,以立體雕塑、複合媒材、繪畫裝置等前衛表現形式,於微風信義精彩呈現令人眼前一亮、不同於畫廊展覽的創新型態,創造藝術文化與時尚生活結合的新生活態度。

「微風 X Bluerider ART當風起時」特展將展出一系列大小尺寸與吸睛色彩的「融化中的棒棒糖」(Meltdown)大型裝置,成為打卡熱點。新媒體數位鏡像裝置作品 「我要:夢幻機器」(I WANT: Dream Machine)則以鏡面互動猶如塔羅占卜直面心中渴望,邀請觀眾於鏡前自拍。另抽象色彩作品將大自然之美帶入室內、X光攝影作品穿透外表,直視內在真實、數位光柵混合媒材,在不插電的律動中發掘虛幻的趣味性。國際藝術家們各自以獨特風格理念的當代語彙,在後疫情時代,撫慰人心,重拾真善美的美好生活美學!

微風╳Bluerider ART當風起時 參展藝術家
Desire Obtain Cherish
Nick Veasey
Pascal Dombis
Jan Kalab
Christiane Grimm
Jonathan Rosen.

Breeze X Bluerider ART When the Wind Blows
VIP Opening: 2022.8.26 Fri. 6pm-12am Breeze Night La Dolce Vita
Open to public:2022.8.26 -2022.9.25
No. 68, Section 5 of Zhongxiao East RoadSection 5 of Zhongxiao E Rd, Xinyi District, Taipei City, 110

About Bluerider ART

Art, the ultimate tranquility within
藝術是心靈最後一塊淨土

Inherit the name “Der Blaue Reiter” (The Blue Rider), a leading art group established by the pioneer avant-garde artist Wassily Kandinsky, Bluerider ART was founded by Ms. Elsa Wang in 2013. With her long experienced background in IT business, she then organized a professional team with specialities and passion in art. Over the years, Bluerider ART has expanded from one to several fine art gallery spaces located in the city center of Taipei, Taiwan, including DunRen gallery, Taipei, the two-floor RenAi gallery, and X by Bluerider, the art driven concept store. In 2021, Bluerider Shanghai had also been inaugurated at the hundred-year historical building located at No.133 Sichuan Middle Rd., and is to expand to London with the goal to build a platform connecting the East and the West. Through high quality exhibitions, artist talks, collector meeting, events, and in-depth guiding tours…we aim to provide a professional service for long lasting collection program.

“Art, the ultimate tranquility within”, we believe art is the most authentic voice to reflect the contemporary era. Blue: Spirit; Rider: Defending Knight, the “spirit-defending knight”, is where our dynamic team to defend the true voices!

Works


Works


Desire Obtain Cherish 強納森・保羅
(American, b. 1975)

Desire Obtain Cherish (D.O.C.), a.k.a. Jonathon Paul, is a Los Angeles, USA based artist whose works have attracted an audience worldwide. From early roots in L.A.’s street art scene, his repertoire has grown to encompass major international exhibitions such as the renowned Venice Biennale art festival in 2015. New York’s famous Saks Fifth Avenue in 2016 invited D.O.C. and his iconic Meltdown installations to take part in an art and fashion collaboration. The artist’s unique vision and fresh style have also attracted the eye of respected collectors including New York's Mandarin Oriental Hotel, The Ecclestone Collection, The Feinberg Collection, La Laliberte Collection, American DJ Diplo and NBA player Dirk Nowitzki and Andrei Kirilenko.

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Nick Veasey
(British, b. 1962)

Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. The artist’s work could be seen as a project that harnesses and exploits modern technology to advance the boundaries of perception and of art. By revealing the unseen details of the interior structure, material and construction, as described by London’s Victoria & Albert Museum, Veasey creates art that is redolent of a ‘forensic investigation’, which makes his work a classic example of the fusion between art and science. Nick Veasey has been exhibited internationally. His works are now in collections at V&A Museum, SFMOMA, The Museum at FIT, BMW Museum, National Science and Media Museum, Musée de Design et D’Arts Appliqués Contemporains and MOCA Taipei. He keeps broadening the possibility of his art with diverse collaboration, including projects with V&A Museum, Louis Vuitton, United Airline and Adobe.

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Jonathan Rosen. 強納森・羅森
(USA, b.1927)

Jonathan Rosen畢業於VCU Brandcenter 廣告學系,過去於廣告界擔任創意總監的經歷使他深切地感受到文字、影像和宣傳對人們產生的影響力。現為全職藝術家的他,以概念性的拼貼與挪用藝術手法創造出夢想來揭開每個人深埋心中的渴望。以「I WANT」為主題的系列為Rosen由個人的收集品出發創作,運用大量收集的現成物拼貼與鏤空的現代感字體展現視覺衝擊,將「I WANT」作為可以隨人們慾望不斷擴張的題材,藉由作品呈現脆弱卻真實的自白,為觀者提供一個隱蔽的空間,反思自身渴求,他所收藏的不僅是物品,更是不敢與人分享的企盼。他相信這些慾望如果不被挖掘出來,它們絕不會有力量打破緘默。

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Pascal Dombis 帕斯卡爾·多比斯
(French, b. 1965)

Pascal Dombis, a French visual artist who explores such fields as language, noise, control, and irrationality, currently lives and works in Paris.. He graduated with a bachelor’s degree in engineering from Insa University in Lyon, France before settling on pursuing an artistic career. His decision to focus on art led him to Tufts University where he completed a series of computer art classes in 1987. Dombis’ works have been exhibited internationally and the artist is increasingly gaining recognition worldwide. He has been exhibited around the world, including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, The Page Gallery in South Korea and also the University of Georgia in the USA. Notably, Dombis has been commissioned to create monumental public works for the City of Perth, Australia and also the Ministry of Culture in France.

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Jan Kaláb楊‧克拉
(Czech Republic, b.1978)

Jan Kaláb was born in Czechoslovakia in 1978, during a time when urban art was not seen in the Eastern world. In the 1990s, when the country began to open itself up to Western influences, Kaláb became one of the pioneers of graffiti art. Since 2007, he has focused on the abstraction of form and colour in his studio work, and studied formally at the Academy of Fine Arts in Prague. For a decade the artist has explored this depth and motion with a vibrant chromatic energy, exhibiting in institutions throughout Europe, and North and South America. His geometric murals can also be seen in the streets of Prague, London or Bogota.

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Christiane Grimm 克里斯蒂安.格琳
(German, b. 1957)

Christiane Grimm's artistic work is characterized by colors and their interrelationship. Her concept to from images is breaking through the formal stringency of abstract geometric art. In her latest pieces she is totally opening them and arranges them freely. Despite the diversity of shapes in her composition she accentuates the sensual aspect of colour. She is aiming at the process of seeing and on the movement of colours. In her objects she sets colour and form in such a way, that the one broken through the other, produces a calculated and at the same time vital image world.

Christiane Grimm's artistic work is characterized by colors and their interrelationship. Her concept to from images is breaking through the formal stringency of abstract geometric art. In her latest pieces she is totally opening them and arranges them freely. Despite the diversity of shapes in her composition she accentuates the sensual aspect of colour. She is aiming at the process of seeing and on the movement of colours. In her objects she sets colour and form in such a way, that the one broken through the other, produces a calculated and at the same time vital image world. They are poetic formations of light and floating surfaces- very rarely also achromatic. Through the use of reeded acrylic glass, Grimm achieves optical effects that are contrary to a clear spatial perception. Owing to the refraction of the color on the finely delineated ribbed glass, her work has a decidedly painterly character and seems to be less an assemblage of different materials. The artist creates the colors as simultaneous contrasts, which converge or diverge. Depending on the choice and composition of the colors, their relationship with each other is either more complementary or noncomplementary. The intuitively set colour tones appear to the viewer consonant or dissonant. The simultaneous interplay of the colors is in motion and aims at the attentive and active perception of the viewer. The reason why Grimm's pictures cannot be appreciated at a glance, is founded in the fact that light and how it is guided, is an essential part of her objects. She collages various materials such as specially colored papers and mirror surfaces, to include the ambient light in her conception. It is particularly fascinating to experience her objects in different light situations. Depending on the lighting, surfaces appear which were not noticed before; also areas, that were previously in the dark, flash up. Often certain color values are intensified so far that they appear to glow. The viewpoint plays an essential role for its perception. A step forward or backward, to the left or to the right can cause completely different or new visual impressions. With well-calculated artistic means Grimm achieves arrives, to give the static structure of her color compositions a stupendously real and virtual dynamic on different levels. The light transforms the states of the image and the perception alike. Christiane Grimm's subtle colored and non-colored picture objects often cause surprise. This generates curiosity to become acquainted with the individual piece of art closer and more intensely in all the ways it appears and the artist`s oeuvre in its various facets.

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