【藝博會】DnA SHENZHEN #A09

Exhibition


展場照

首日現場照片

Bluerider ART將於本月底參展首屆DnA SHENZHEN設計與藝術博覽會,以“Spectacular Media異媒材”為主題,推出代理歐洲藝術家馬克(Marck),漢斯・卡特(Hans Kotter),威利・希伯(Willi Siber),雷諾・奧德霍恩(Reinoud Oudshoorn),安格拉・格萊札(Angela Glajcar)等重量級作品。 Bluerider ART創始人王薇薇 Elsa Wang 表示,首屆DnA SHENZHEN設計與藝術博覽會以藝術與設計、質精為特色,在粵港澳大灣區生活圈,特別是深圳這個高度商業發展城市,會擦出什麼樣火花,令人期待。

在此次的主題策展中,Bluerider ART展示藝術家運用錄像雕塑、燈光、紙、鐵等不同媒材,對跨越傳統媒材,在視覺、感知、風格的探索,構建新的語言和介質表達,創建精神和物質的空間體驗和精神領域。這些重要而成熟的作品,將在展場為觀眾們帶來一場多元的視覺盛宴,從錄像雕塑激發的情緒共鳴,到光和紙藝術重塑的新的場域氛圍;從木材質雕塑演繹的華麗和靈動色彩,到鋼鐵幾何構件搭築的無限感知空間。 Bluerider ART希望帶領觀眾從多媒材中發掘藝術潛在的力量。

Works


Hans Kotter 漢斯・卡特|Triple tube|2013|160x50x50cm|1_1+1AP| Mirror, wood, plexiglas, LED color change

Hans Kotter 漢斯·卡特(德國, b.1966),作品中的生命力來自於自身與材料之間的對話與互動,他曾提及自己的藝術創作之路是從「繪畫」開始,經過「攝影」才進展到當下的「光之雕塑」。創作靈感來自於真實的生活,使 用油、水、壓克力、LED、有機玻璃、不銹鋼、霓虹燈等材料創作,因為這些物質對於光的反應,都不盡相同。如同一位「白晝與黑暗的光行者」,Hans Kotter漢斯·卡特運用光的結構,將觀眾的視線拓展到新的高度。在白晝中,極簡雕塑呈現著純粹、乾淨的極緻美感。而在黑暗中,是一種具世俗洞察力的隱喻。白晝與黑暗中竄流的光徑,允諾每個人勇於詮釋的自由。此次展出的作品Explosion將光物化,抓住宇宙自然起源的瞬間,也接取現實殞落的燎原星火,吸引觀眾進入空間錯覺和無限延伸的幻象。 Kotter 卡特利用光線的對比與錯動,產生閃爍、流動、旋轉、放射運動,充分展現藝術創作技術的精準度,而精心設計的光線及動態,更引導人們進入目眩神迷的精神之旅,挑戰觀者自由想像、體驗雋永的光之奇觀。

Angela Glajcar 安格拉・格萊札|Terforation|66×45.5×20.5cm|2019|Torn 200g paper, metal and plastic mount

Angela Glajcar 安格拉・格萊札(德國, b.1970),以紙為創作媒材,顛覆傳統、並透過紙作品本身的質量色系、重新構築光影變化及空間場域氛圍。做為一位前衛雕塑家,她過去以鋼鐵、木質或玻璃纖維等材料主要創作,近年則專注在使用「紙」 的材質來創作。她的創作理念,除了 探索紙這個媒材,具有顛覆傳統及其構築空間的雙重特性,透過紙作品本身,帶來的質量色系 、改變空間光影變化及氛圍。她使用特殊紙,跳脫傳統對紙細膩、柔軟的觀念,筆直銳利的邊緣,呈現幾何塊面及延伸性畫面,也讓原有空間創造出新的想像。展出的場域,不只限於美術館等公共空間,也在其它讓藝術對象具有特殊意涵的空間,像是教堂與紀念館,她的作品改變觀者在這些特別空間的觀看方式,產生奇妙的視覺體驗,雖是非宗教性的雕塑,卻能從空間中產生嶄新的視角觀點、令雕塑展現特有的多重能量。同時,紙作為材料,吸收了周圍環境的光 與色,因溫濕度產生捲曲,擁有一種暫時性的變化,Glajcar 讓紙自由地飛翔在空間中,綻放它的姿態及溫暖

Reinoud Oudshoorn 雷諾・奧德霍恩|G-11|2011|151 x 151 x 76 cm|Iron ( 8 parts leaning )

Reinoud Oudshoorn 雷諾・奧德霍恩(荷蘭, b.1953),以構築空間的極簡雕塑著稱,主張「雕塑應創造比作品本身更大的空間」,「消失點」是每件作品的開端,盡情延伸空間表述的可能,由線延展成面,再由面砌出空間的存在。他關注空間的創作,靈感來源於自己家鄉的氛圍,地景、薄霧、海岸線的形狀,並用中性的牆壁或是地板上作為他創作的空間。 Reinoud Oudshoorn的雕塑作品給予有形物體的有限性或是無形物體的永恆性,整體散發出一種讓人沉思的氛圍及讓人進入到冥想的境界,像雪花般小碎片黏著在窗邊的寧靜。他的作品削弱了現代雕塑的特質-量體感、材質、現實的美,他的計算成了再現與幻覺,企圖在雕塑及非雕塑之間走出一條自己的路。

Marck 馬克|Balance No.2|2021|150x30cm|Ed.10|LCD screen and mixed media

Marck 馬克(瑞士, b.1964),瑞士著名 Videosculpture 錄像雕塑藝術家 Marck以其獨創結合錄像與雕塑手法,巧妙述說女性面臨的社會框架。特殊的表現手法及跨文化的內容,使其展出遍及世界各地,受眾多而廣泛的收藏。 Marck的作品看似以女性為主體,實際上則是以其作為社會縮影的代表,與框架的衝撞更探討著有形與無形的束縛,喚起觀者心中的共鳴。作品無法被單純定義為錄像與雕塑的結合,更像虛實的一體呈現,由出演的排序、影片拍攝的精確定位,「錄像的目的不是敘述一個故事,而是激發觀眾的情緒」,滲入我們習以為常的生活,以動態的畫面觸撥我們觀看雕塑的思維,同時也築起多媒體素材,至動力機械和雕塑的手工製作。錄像雕塑以全新的形式,揉合影像的平面表述與雕塑的空間意義,不僅闢出錄像創作的新道路,也再擴張觀者的感官體驗。此次展出的Balance No.2結合影像與重力裝置,女子在不斷搖擺的屏幕中試圖保持平衡,令觀眾在錯視中引發焦慮不安又好奇不已的情緒。

Willi Siber 威利・希伯|Wood wall object|Dimension variable| Wood, chrome enamel

Willi Siber 威利・希伯(德國, b.1949),創作不僅承襲巴洛克藝術的流動性、戲劇性和華麗的視覺效果,並帶入當代的視角。曾說”我的創作源於改變”的Siber,擅以木質、鋼與環氧樹脂、探索物質可塑性,令他感興趣的非僅材質的美感表現,而是突破媒材設限不停止的研究、驗證與推翻既定的認知,而色彩的玩味更突出其簡練風格。

Hans Kotter 漢斯・卡特|Explosion|60 cm x 60 cm|2014|7_8+2AP|Metal, LED, DMX-Controller and Plexiglas

Angela Glajcar 安格拉・格萊札|Paperwall| 56x54x10cm|2015|Torn 400g paper, screwed and glued

Marck 馬克|Waterfall|2021|65x107x18cm|AP/10|Mixed media

Nick Veasey 尼克・維西|Front Lacing Stay, 1780-1789 from the fashion collection Victoria _Albert Museum|September 2016|Ed.1_25| 841x594mm|Wool Delaine Fabric

Sven Drühl 斯芬・杜爾|SDCGT II black|2019|85 x 60 cm|Lacquer on canvas

Pascal Dombis 帕斯卡爾・多比斯|Image Is Time|110x110cm|2018|Lenticular pirnt aluminum composite

Caro Jost 卡蘿・傑斯特|Ainmillerstrasse 36, München, March 23, 2018 (former studio of Wassily Kandinsky & Gabriele Münter) |2018|60 x 50 x 8 cm|Streetprint on canvas

Jan Kaláb 楊・克拉|South Plasma|140x95cm|2020|acrylic on canvas

Christiane Grimm 克里斯蒂安・格琳|Pearl light I|2021|80x80x10cm|mixed media and acrylic glass

Marck 馬克|Transport Crates(Mini)|2021|17x19x25cm|Ed.288|Mixed-media

Artist


Willi Siber
(German, b. 1949)

Born in Upper Swabia, the center of Baroque art history, Willi Siber studied art history at the University of Stuttgart, Germany. His creations inherited the fluidity, theatricality, and splendid visual effects of Baroque art also incorporated a contemporary perspective. Siber once said "My creations stem from change." Over the long artist career he not only excels in painting, but also known for art objects , installations, sculptures. Using wood, steel, epoxy resin, exploring the malleability of materials, focusing not just on the aesthetic expression of materials he constantly research, validation, and overturning of established perceptions, breaking through the limitations of materials. His playfulness with colors further highlights his concise style. Willi Siber's exhibitions have spanned across Europe and the United States, his works permanently collected by German Federal Parliament, the German Embassy in Argentina, Deutsche Bank, Staatsgalerie Stuttgart, Städtisches Kunstmuseum in Singen, and private art museums Kunstwerk Sammlung Klein, Museum Ritter and private collectors worldwide.

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Reinoud Oudshoorn
(Netherland, b. 1953)

Reinoud Oudshoorn 荷蘭當代極簡藝術家,畢業於荷蘭阿爾特茲藝術大學(AKI),現 居住創作於阿姆斯特丹,執教於荷蘭皇家藝術學院。Reinoud Oudshoorn 以構築空間的極簡雕塑著稱,主張「雕塑應創造比作品本身更大的空間」,「消失點」是每件作品的 開端,盡情延伸空間表述的可能,由線延展成面,再由面砌出空間的存在。展覽經歷遍 及歐美,曾於阿姆斯特丹市立博物館(Stedelijk Museum),佛多爾美術館(Museum Fodor)展出。作品於阿姆斯特丹市立美術館(Stedelijk Musuem Amsterdam)、荷蘭 AkzoNobel Art Foundation、荷蘭銀行(ABN AMRO)、德國私人美術館(Sammlung Schroth)等永久收藏。

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Hans Kotter 漢斯・卡特
(Germany, b. 1966)

出生於德國巴伐利亞邦,就讀紐約藝術學院(Art Students League of New York) 畢業於慕尼黑媒體設計學院。現創作居住於柏林。 2004年被授予「德國巴伐利亞文化獎」Bavarian Culture Award, E-ON藝術建築領域獎項。 Kotter以燈光雕塑裝置創作為人所知。曾任德國斯圖加特國家藝術與設計學院講師,2014年獲得德國國際Unna燈光藝術中心的國際燈光獎項提名。德國著名藝術史學家Kai-Uwe Hemken 評論Hans Kotter 漢斯·卡特作品:「Kotter 卡特為觀者提供了作品的維度,是批判性、自我反省、與洞察導向,同時重新呈現了現代主義的基本烏托邦。」Hans Kotter 漢斯·卡特目前持續在各國博物館展出,包括德國里特博物館、英國倫敦Kinetica博物館、德國科隆應用藝術博物館、德國科隆MAKK博物館..等。作品由意大利TARGETTI光之藝術典藏、德國立陶宛博物館、德國聯邦議會等眾多機構永久收藏。

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Marck
(Switzerland, b. 1964)

nternationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.

Marck 的作品看似以女性為主體,實際上則是以其作為社會縮影的代表,與框架的沖撞更探討著有形與無形的束縛,喚起觀者心中的共鳴。作品無法被單純定義為錄像與雕塑的結合,更像虛實的壹體呈現,由出演的排序、影片拍攝的精確定位,「錄像的目的不是敘述壹個故事,而是激發觀眾的情緒」,滲入我們習以為常的生活,以動態的畫面觸撥我們觀看雕塑的思維,同時也築起多媒體素材,至動力機械和雕塑的手工制作。錄像雕塑以全新的形式,揉合影像的平面表述與雕塑的空間意義,不僅辟出錄像創作的新道路,也再擴張觀者的感官體驗。

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Angela Glajcar
(Germany, b. 1970)

Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.

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Nick Veasey
(British, b. 1962)

Internationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.

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Pascal Dombis
(French, b. 1965)

Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.

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Caro Jost
(German, b. 1965)

Graduated from the Law School and the Art School of Munich University, Caro Jost lives and creates her art in Munich. Every artist has their favorite artists, but Caro Jost takes this admiration to a whole new level, incorporating her love for Munich's abstract expressionism groups into works extensively. Her works revolve around themes of time, space, and events. In the series "Streetprints," where she traveled to over 70 locations worldwide, imprinting traces she collected from the streets onto her canvases. Her artworks were exhibited MoMA, Chelsea Art Museum in New York, and Guggenheim Collection in Venice, permanently collected by the MoMA Library Collection (The archives of MoMA, NY), Chelsea Art Museum (NY), and Museum of the City of Munich.

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Sven Drühl 斯芬・杜爾
(German, b. 1968)

Sven Drühl currently lives and works in Berlin. He studied both in art and mathematics. With a PhD in art theory, he is also an author and editor of publications on contemporary art. Conceptually, Sven Drühl dissects visual shapes and types taken from every era from Romanticism to the present day, re-mounting them and combining them with his own motifs. Drühl reacts to the crisis of expression in post-modern painting with these transformed citations, but has purposefully not ceased to paint. His exploration of art history and his continual questioning of painting as a medium are at the heart of his oeuvre. He became known through his compilations of famous landscape paintings and had been exhibited throughout Europe, Asia and the United States including the St. Matthäuskirche, Berlin, Museum Villa-Rot, Neue Galerie Gladbeck, National Museum of Art of Romania, Bucharest, Kallman-Museum, Ismaning, Museum Haus am Waldsee, Berlin, ZKM | Museum für Neue Kunst, Karlsruhe. His work is in collection of Berlinische Galerie -Museum für moderne Kunst, Berlin, Allianz Forum, Deutsche Bank, E.ON Art Collection, Düsseldorf, Collection Philara, Düsseldorf.

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Desire Obtain Cherish 強納森・保羅
(American, b. 1975)

Desire Obtain Cherish (D.O.C.), a.k.a. Jonathon Paul, is a Los Angeles, USA based artist whose works have attracted an audience worldwide. From early roots in L.A.’s street art scene, his repertoire has grown to encompass major international exhibitions such as the renowned Venice Biennale art festival in 2015. New York’s famous Saks Fifth Avenue in 2016 invited D.O.C. and his iconic Meltdown installations to take part in an art and fashion collaboration. The artist’s unique vision and fresh style have also attracted the eye of respected collectors including New York's Mandarin Oriental Hotel, The Ecclestone Collection, The Feinberg Collection, La Laliberte Collection, American DJ Diplo and NBA player Dirk Nowitzki and Andrei Kirilenko.

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Christiane Grimm
(Germany, b. 1957)

Christiane Grimm has created colour and light spaces ever since the mid-1980s. A major focus of her researches is on colour itself, which she investigates in terms of its luminosity, its wide range of nuances, the ways they can be combined, and also their effect on the viewer.

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Dylan Martinez 迪倫・馬汀尼茲
(USA, b.1985)

美國波爾州立大學藝術碩士,主修玻璃創作。以玻璃探索媒材和視覺互動,透過光、空間與形體的變化衝擊觀者的視覺經驗。榮獲多項國際競賽獎項、米蘭國際藝術玻璃與設計競賽創新獎、匹茲堡玻璃中心首獎等。

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