【Taipei·DunRen】Waltz Group Show 2022.03.05 – 2022.04.24

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Bluerider ART Taipei·DunRen

「Waltz華爾滋」 – 雕塑三人展

Bluerider ART 台北·敦仁將於3月5日推出2022年開春首檔展覽──「Waltz華爾滋」 – 雕塑三人展。在春意盎然、萬物萌芽之初,Bluerider ART以輕盈暢快的Waltz華爾滋為名,介紹三位代理雕塑藝術家,分別以鋼材、紙、壓克力等當代雕塑媒材,遊弋於繪畫限制之外,開啟四季的展覽篇章。華爾滋樂曲生動輕快的旋律,與自由流轉的三拍節奏,猶如立體雕塑作品,創造作品以及作品之外的多層空間,輕快活躍的色彩,流動迴旋的動線,觀者徜徉在春回大地的圓舞曲所呈現的室內室外空間的合奏。

1947年,藝術家Lucio Fontana 提出”Spatialism”(空間主義),以穿破畫布的一刀打開了空間,從此觀者的視野得以無限延展,「空間」成為烏托邦。此次三位藝術家中,西班牙藝術家Teo San Jose特奧.聖荷西,以鋼材創作立體雕塑,卻呈現如中國書法筆法線條般的動態美學平衡,探討柔韌與強度、光影與陰影、動感與寧靜。聖荷西認為雕塑的存在,在於它的力量,而抽象的形態能屏除任何先入為主,因此他透過簡約的抽象線條,呈現「流動的靜物」之美,也為觀者創造了寧靜的空間。另一位曾以紙的個展受到高度關注的德國藝術家Angela Glajcar 安格拉・格萊札,此次展出全新創作,懸掛的紙張連續重疊,透過紙張的重力與輕盈型態造成強烈對比,撕裂痕跡通過層層疊疊的光線折射,光在紙上作畫,產生了戲劇性的光影效果,由光影構築的多重空間,開啟觀者對四度空間的想像。另一位德國藝術家 Tanja Rochelmeyer 坦佳.羅切邁爾的創作,帶有建築性與地景式描繪的作品,基於對空間感的好奇,羅切邁爾逐漸將平面繪畫中的透視轉化,以壓克力玻璃拼貼而成的立體雕塑呈現,打開、探索原來平面圖像中不可見的中介空間。

本次雕塑展展出三位雕塑藝術家一系列精彩作品,巧妙搭配展場內迴旋式的觀展動線,呼應Waltz華爾滋圓舞曲的自由流轉、愉悅奔放的本質。擁有豐富戶外公共藝術收藏資歷的西班牙雕塑家特奧.聖荷西作品,也首度於台北·敦仁登場,由鋼材表現其重量及剛硬,卻以流線彎曲的造型賦予輕盈,提供了觀者嶄新的視覺觀點。作品 Dynamic Balance 以抽象雕塑為觀者構成一個寧靜空間;而Fire Air 則是以垂直的火炬表現空氣的流動上升,延展向上的空間意象,引領觀者想像燃燒火焰間的光與寧靜。聖荷西的雕塑也經常以文字為主題,如:中文、日文、阿拉伯文,認為在二維文字與三維雕塑的轉換間,文字的情感得以被傳遞,透過巨大的雕塑,情感也得以放大。2020年以「Terforation 紙的顛覆與構築」展覽,引起廣大迴響的德國雕塑家安格拉・格萊札,則將帶來2022年最新「MONTCANUS」創作系列。同樣來自藝術家的自創字詞,”MONTCANUS” 一字源自法文與拉丁文的組合:Montagne 山、Vulcan 火山,當紙張水平堆疊起如座山,孔洞卻如火山垂直穿過雕塑,再次以紙張彎曲、吸收光源等媒材特性,透過紙的裂孔表現光影與空間關係。德國藝術家坦佳.羅切邁爾展出雕塑作品O.T.,始於二維畫面上壓縮、拉伸和大膽的方向變動區塊,將繪畫中的透視、空間交錯、旋轉、壓縮,轉化為以一片片獨立的壓克力玻璃拼貼而成的雕塑。畫作的空隙交錯之間、空間背後,被打開並重新探索,最後為平面圖像中不可見的中介空間賦予了形狀,熱熔為一片片柔軟、具流線型的彩色透明壓克力。三位藝術家作品可以被描述為一種空間的視覺動態,包含了色彩、角度、線條、質感、動線的語彙,單色色塊的強大張力,穿插著彩色層次,提供觀者豐富的視角與感知。透過台北.敦化大片窗景及光線,視線由室內展埸延伸至戶外雕塑,與大自然融合,Waltz華爾滋的圓舞曲樂聲中,一場美好安祥而生機盎然的春天饗宴。

展出代理藝術家:

Teo San Jose特奧.聖荷西
Angela Glajcar
Tanja Rochelmeyer  坦佳.羅切邁爾

「Waltz華爾滋」 – 雕塑三人展

展期:2022.3.5 – 2022.4.24
Bluerider ART Taipei · Dunren
Tue.-Sun. 10am-7pm
1F, No.10, Ln. 101, Sec. 1, Daan Rd., Taipei

Bluerider ART 策展理念

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公共藝術

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Artist


Teo San José 特奧·聖荷西
(Spain, b. 1969)

Teo San Jose 特奧.聖荷西,本名為Teodoro San José Aguilar,出生於西班牙華拉杜列,現居住創作於西班牙哥多華及德尼亞。作品曾多次參與國際展覽,包含佛羅倫斯當代藝術雙年展、巴黎當代藝術三年展、倫敦皇家藝術學院夏季展覽、英國皇家雕塑家協會、北約克郡雕塑公園、紐約Paralax展覽,也曾代表西班牙參加倫敦國際建築雙年展。其豐富的得獎經歷包含西班牙國家設計獎、首位獲頒英國皇家雕塑家協會(RBS)公共藝術獎項的西班牙藝術家、英國知名藝術機構ARTOTEQUE榮譽獎項、瓦倫西亞雙年展特別獎,並為英國皇家雕塑家協會(RBS)成員。作品由西班牙瓦爾多雷克斯市政府、Klein-Schereuder基金會、客户教育管理協會(CEdMA)、法國紹萊市政府等機構永久收藏及好萊塢私人收藏。

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Angela Glajcar 安格拉·格拉札
(German, b. 1970)

Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.

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Tanja Rochelmeyer 坦佳·羅切邁爾
(German, b. 1975)

Tanja Rochelmeyer graduated from the Berlin University of Applied Sciences and currently lives in Berlin, Germany. Many of her creations draw inspiration from her engineering background, emphasizing attention to detail and mathematical precision. However, calculations are not the medium of creation but an intermediate step in the creative process. Her training as an engineer has contributed to a perfectionist approach to technology, creating a sharp contrast with the moments of image creation. Ultimately, she positions herself and the subject of her creation within this contrast. "Constructivism and futurism meet the latest architecture and merge into a new language of modern painting." Tanja Rochelmeyer creates maze-like, dispersed spatial configurations, introducing multiple perspectives into the concept of imagery.

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台北·敦仁 作品 Works


Curve time

2021|190x130x112cm|Steel

Fire Air 3

2021|100x40x30cm|Steel

Dynamic Balance 8

2021|32x38x35cm|Steel

Dynamic Balance 3

2021|37x48x35cm|Steel

Dynamic Balance 1

2021|43cm x35cm x 35cm|Steel

Dynamic Balance 7

2021|40cm x 35cm x 35cm|Steel

Montcanus 2022-004

2022|230 x 160 x 64 cm|Torn 400g paper, metal and plastic mount

Terforation

2019|92 x 211 x 27 |Torn 300g paper, metal and plastic mount

Terforation

2020|51 x 60 x 51 cm|Torn 350g paper, metal and plastic mount

Lumen

2018|121×20.5×20.5|6mm acrylic plates screwed conrten steel leminous

Scale Matters

2020|14x13x18c| 200g torned and glued paper

Scale Matters

14x20x27cm|2020| 300g torned and glued paper

O.T. (S0121)

2021|60x45x45cm|Acrylic Glass

O.T. (S0221)

2021|60x35x45cm|Acrylic Glass

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