其他作品

張惠文 Eunice Cheung Wai Man

White Peacock in the Mirror
125x72cm (Framed 130.5×77.5cm)
Ink and colour on silk
2014

White Peacock 
Sebastian Bitticks

Useless legends abound. His skin
bends light. His flesh holds no blemish.
He arrives alone or in the company
of a great bird. He dies the very instant
he’s captured, and silently. Just looking
at a white peacock, just seeing him once,
will bring a person eternal happiness. They
say “look”, but the mind races to ownership.

He cannot recognize herself in a mirror,
so if it’s true, it’s true for everyone but him.
Would he know eternal happiness if he saw it?
His hundred eyes are white. The rods that cut
light’s rainbow came out inwardly bent, meaning
blind. We do not see his lameness, only beauty.
The peacock, sighted, bluffs with crooked fan.


In ancient days, a white peacock meant
the spirits had taken notice. They sent
a snowy heart and we seized it. Today
anything can be purchased. Some people craft
peacock-themed wind chimes and weathervanes.
Some people carry hand fans with a peacock
on its face during nights out. Some people get a tattoo.

The white peacock doesn’t notice. Inwardly bent,
he bluffs and dusts our irises with colors he
never had. Passing his reflection, he pecks
at the eyes of his image, believing himself a rival.

關於藝術家

張惠文 Eunice Cheung Wai Man
( Hong Kong, b.1986 )

張惠文Eunice CHEUNG Wai Man (Hong Kong, b.1986)國立臺灣師範大學美術學系博士就讀中,香港中文大學藝術碩士,主修工筆動物畫創作,「新工筆」繪畫代表人物之一。Eunice CHEUNG Wai Man 張惠文擅長以精細的工筆,描繪動物擬人化的超寫實美學風格,強調花鳥動物保護,尊重萬物生命的創作理念。擁有豐富個展及國際展出經驗,曾於台灣國立故宮博物院,義大利聖十字教堂(Basilica of Santa Croce)展出,2009年入選《香港當代藝術雙年獎》。

👉更多詳細資訊

Scroll to Top