跨足藝術與科技的Pascal Dombis 帕斯卡爾．多比斯，是⼀位研究語⾔、演算法、控制權等領域的視覺藝術家，他有豐富的國際展覽經歷。位於上海陸家嘴濱江金融城的核心的「船廠1862 藝術中心」是由舊廠房轉型的新文化地標，由隈研吾建築都市設計事務所（KKAA）操刀，多比斯則受邀於此創作 ”Double Connection”。
”Double Connection”創作靈感來自「Irrational Geometrics」系列作品，藉由創造成千上萬的線形曲線，產生2種不同的能量流，這些能量流散在周圍的城市空間與遊客互動。多比斯在顏色與線條上隨機創作並施以疊加數百層次，每一層都經由他親手挑選，以在玻璃面板上產生不同的節奏感和平衡度。當線條與色彩隨著步行者的移動而改變，也成為地景藝術。
DÉJÀ VU 似曾相識
– Pascal Dombis帕斯卡爾．多比斯個展
Bluerider ART Taipei·DunRen
展期：2021.11.20 – 2022.1.29
Tue.-Sun., 10am – 7pm
台北市大安路一段101巷10號1樓
Bluerider ART 上海．外灘
展期：2021.11.27 – 2022.1.29
Tue.-Sun., 10am – 7pm
No. 133 Sichuan Middle Rd., Huangpu Dist., Shanghai
Pascal Dombis 帕斯卡爾·多比斯
（French, b. 1965）
Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.
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