跨足藝術與科技的Pascal Dombis 帕斯卡爾．多比斯，是⼀位研究語⾔、演算法、控制權等領域的視覺藝術家，他有豐富的國際展覽經歷。於巴黎皇家宮殿（Palais Royal）展出的作品「Perspectives Inversées」（反轉觀點），以大型印刷玻璃裝置，探索透視、觀點和再現的概念。
「Perspectives Inversées」（反轉觀點）應用了如建築師用來在平面上準確呈現透視、體積和三個維度的玻璃面板，透過鋸齒形狀的重疊排列，卻讓原來簡單而結構化的網格設計，在不同角度的觀看下呈現混亂而交錯的視覺效果。多比斯特別喜歡在戶外裝置作品中使用玻璃作為媒材，因應天氣產生的光影及色彩效果，甚至是與觀者產生的反射倒影，都使得公共藝術作品更具有互動性。
DÉJÀ VU 似曾相識
– Pascal Dombis帕斯卡爾．多比斯個展
Bluerider ART Taipei·DunRen
展期：2021.11.20 – 2022.1.29
Tue.-Sun., 10am – 7pm
台北市大安路一段101巷10號1樓
Bluerider ART 上海．外灘
展期：2021.11.27 – 2022.1.29
Tue.-Sun., 10am – 7pm
No. 133 Sichuan Middle Rd., Huangpu Dist., Shanghai
Pascal Dombis 帕斯卡爾·多比斯
（French, b. 1965）
Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.
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