蛻變四重奏Quartet 各方觀展的來賓涵蓋了老中青三代，感謝大家與我們分享’byU 你的視角’ 觀展心得：
「Caro Jost 的作品意義非凡值得收藏，細細品味」 — 60+ 藏家 Anna
「貝內特的作品，無序見有序」 — 60+ 藝術愛好者 Lee
「一開始看Kari Anne的作品很感興趣，看了藝術家的影片才懂了她想表達的意思，像作品《General People》沒看介紹以為是寵物的衣服，看完後心情變得有點沉重，也覺得跟別人不一樣是真的需要有很多的準備與勇氣。」— 30+ 貿易商陳女士
「巴赫里的作品有社會的縮影，讓人相當有共鳴與共感」— 30+ Natalie
「Kari Anne的作品雖然沒有什麼顏色，但作品上的細節，尤其是《層》這件作品，口袋跟一層層的布料都會讓我很仔細想去知道藝術家到底是如何創作出來的。”— 20+ 學生
「原來Caro Jost 的作品來自我們的生活。白色有著生命的痕跡，不是純白，有著不同的層次」— 30+ Sabrina
「喜歡Jost的作品跟Beñat的作品放在一起，Jost畫上的痕跡就像流水一樣，有著時間的流動性，但又給人柔軟細膩的感覺。而Beñat的作品剛好相反，他作品一樣帶有時間與空間融合在一起的感知，卻像山一樣有著菱角形狀，像是固定在那。兩位藝術家作品相互擺放有種呼應共鳴感。」— 30+ 貿易Melanie
「巴赫里的作品不僅材質，想法也十分有溫度，很有感觸」— 30+ 藏家鄭女士
「喜歡貝納特，更喜歡這種帶一點留白處理，更意識流一些」 — 30+ 媒體可可
「人與布料、衣服的情感連結滿打動我的。之前沒想到過衣服布料也是種階級或情感的象徵。」— 20+ 學生喬女士
「看Caro Jost的作品讓我思考藝術創作是如何誕生的。是有了時間、空間後，產生的速度所留下痕跡的載體，還是她在街上看見人走過所留下的痕跡進而引發她思考創作的。 」— 30+ 建築師周先生
「從Kari Anne的作品裡可以看見藝術家記錄自己，又包含有創新形式與設計。」— 20+ 藝術創作者瑗瑗
「身為歐洲藝術家貝納特並沒有強調西方透視感，反而有中國東方水墨的氣韻聲動」 — 40+ 教授Ruby
「菲利浦的破壞很有特色，這種不太看得到。」— 60+ 藝術愛好者費先生
「Caro Jost 的作品令人有不同維度的穿越」 — 40+ 藝術愛好者Lan
「Philipp的作品很有爆發力，你可以很直接的感覺到他的情感，並感受到他的肢體與畫面的關連性，跟其他的作品不太一樣，很能調動情感。」 — 40+ 藏家黃女士
「覺得Jost畫上痕跡保留了時間遺留物，時代於畫布上交錯的概念看著有點著迷」 — 30+ 設計師 朱先生
「巴赫里的作品裡看到經驗的撞擊，看似規整，但在重複裡看到個性」 — 50+ 張先生
「Philipp的作品好有趣，顛覆對藝術的既定印象」 — 20+ 鍺女士
「衣服對污漬的描寫有趣。和每個人都有關係。」 — 60+ 李先生
Artist
Caro Jost
（Germany, b. 1965）
Graduated from the Law School and the Art School of Munich University, Caro Jost lives and creates her art in Munich. Every artist has their favorite artists, but Caro Jost takes this admiration to a whole new level, incorporating her love for Munich's abstract expressionism groups into works extensively. Her works revolve around themes of time, space, and events. In the series "Streetprints," where she traveled to over 70 locations worldwide, imprinting traces she collected from the streets onto her canvases. Her artworks were exhibited MoMA, Chelsea Art Museum in New York, and Guggenheim Collection in Venice, permanently collected by the MoMA Library Collection (The archives of MoMA, NY), Chelsea Art Museum (NY), and Museum of the City of Munich.
More information
Philipp Donald Göbel 菲利普・唐納德・戈貝爾
(Germany , b. 1966)
Philipp Donald Göbel currently works and resides in Frankfurt, Germany. His early works were predominantly figurative, but upon realising that traditional painting no longer expressed his ideas adequately, he adopted a process of "deconstruction" and "recomposition" of old works to create entirely new and unconventional modes of creation. His exhibition piece, "Untitled," showcases shapes breaking free from the frames, reflecting a transformative process akin to a butterfly emerging from a chrysalis. The destruction symbolises a shift, much like the metamorphosis of a butterfly, bringing art into a new form and aesthetic state.
Beñat Olaberria
(Spain, b.1970)
With a master's degree from the London City Art Institute, Beñat Olaberria currently creates and resides in London. His work, created in a non-impressionistic, non-narrative, and non-reductive manner, explores the unknown realms of form, composition, rhythm, and balance. Olaberria likens his creative process to a "walk," an adventurous journey where the final destination is uncertain. His pencil lines and heavy acrylic pigments present an incomplete and uncertain aspect through abstract compositions. Olaberria opposes predefined visual interpretations of his work, leaving gaps for viewers to interpret based on their experiences, creating multiple ways of understanding. The diverse materials he employs, including pencil, acrylic paint, clay, and charcoal, contribute to the layered and open-ended nature of his works. The exhibition will showcase Olaberria's latest works from 2023, inviting viewers to perceive and fill the gaps between their past experiences and the artwork.
Kari Anne Helleberg Bahri
(Norway, b. 1975)
Departing from typical Norwegian minimalism, Kari Anne Helleberg Bahri explores contemporary societal themes of limitations, expectations, order, and isolation through neutral-coloured textile art. Bahri collects old woven fabrics bearing the shared experiences and sedimentation of time. Using handmade stitching, she explores the details of fibres, utilising natural materials like cotton, linen, and wool as her medium. Through textile art, she liberates the body from constraints, creating unique life stories. Her exhibition will feature several works, including a large collective installation titled "Garment Bags," comprising 80 repurposed garment bags on old hangers. Each piece is manually processed, reinterpreting and reconstructing discarded, flawed, decaying, and imperfect items. This installation prompts viewers to break free from self-imposed circles and reflect objectively on memory and experience.
