藍騎士藝術Bluerider ART 倫敦·梅費爾 “帕斯卡爾·多比斯:藝術末日不是終結”絡繹不絕好評如潮,感謝大家與我們分享 ‘byU 你的視角’ 觀展心得:
“Contemplating the concept of ‘the end’ is intriguing—it’s a canvas where positivity and negativity converge. ”
“Pascal’s works are fascinating, with layers of meaning and a deeply thoughtful creation process.”
“I admire how Pascal integrates a physical human touch into digital art, seamlessly blending the boundaries between traditional and digital mediums.”
“When I entered the exhibition, I was immediately hooked by hundreds of questions. Pascal’s works provoke deep reflection and compel me to explore them further.”
“It’s refreshing to see an artist challenging materials in such an innovative way. I’ve never seen anyone use lenticular to create art like this!”
“This is a beautiful show. Pascal’s works are impressive and stunning.”
“I am fascinated by the effect created by the lenticular lenses. I could spend all day exploring this piece—it’s like a treasure hunt!”
“Many artists focus too much on the concept and forget about the details in their work. I’m delighted to see Pascal’s dedication to creating pieces with such complex details, all supported by a strong concept.”
“I love art, and the interactive lenticular print is extremely interesting!”
“I like art that plays with illusions, it’s art made for a discerning eye.”
“In the current era, we are bombarded with images whether we like it or not, and Pascal has presented this reality in a very clever way.”
“Exploring this well-curated exhibition, I notice that the gallery space enhances my enjoyment. The thoughtful curation and vibrant exciting works blend well together and result in a really immersive experience”
“My father used to say that quoting someone’s words is a way to extend their statements for eternity. Pascal’s works connect the past and the future in this timeless dialogue.”
“I don’t usually dare to touch artworks, but Pascal’s idea of an interactive wall is truly fascinating.”
Artist
Pascal Dombis
(Frence, b. 1965)
Pascal Dombis (France, b.1965), a Paris-based visual artist who focuses as much on language as on perception. He is noted for his excessive use of simple algorithmic rules. It was in the early 90s, while finishing his studies in Boston, that he encountered digital artistic tools, prompting a transition from painting to algorithms upon returning to France. Since then, he has created environments marked by excess, repetition and the unpredictability of technological processes, in which he aims to engage the viewers by questioning perception in relation to space, time and language. He develops multi-referential works which play with spatial environments and promote multiple interpretations. Recent exhibitions include Artists & Robots at the Grand Palais in Paris (2018), Cybernetic Consciousness at Itaú cultural in São Paulo (2017) and the Venice Biennale (2013). In 2020, he achieved the creation of a permanent public artwork, Double Connection, nearly one hundred metres long in the centre of Shanghai. In 2022, he got a monographic exhibition Post-Digital at the Museum of Contemporary Art Sorocaba in Brazil.
Pascal Dombis:THE END OF ART IS NOT THE END-2024 UK first solo exhibition
Exhibition Date: 6th June, 2024 - 25th August, 2024
Bluerider ART London·Mayfair
47 Albemarle St, London, W1S 4JW
Daily, 10:00-18:00
info.uk@blueriderart.com
T:+44 20 3903 7827