【Art Fair】2024 LAPADA Berkeley Square Fair Booth B39

Cao Jigang
(China, b.1955）

Cao Jigang, was graduated from Material Expression Studio of Oil Painting Department of China Central Academy of Fine Arts, also was a professor at Foundation Year Program Department of China Central Academy of Fine Arts. Currently living, working in Beijing, China, and exhibiting widely in museums and curated exhibitions. Cao Jigang received the Silver Prize in The National Exhibition of Fine Arts in 1999. His work is included in public collection including The National Art Museum of China in Beijing, Shanghai Art Museum and New Hall of China International Exhibition Center in Beijing.

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Riera i Aragó

(Spain, b. 1954)

Riera i Aragó (Barcelona 1954) belongs to that generation of artists who in the eighties took up the languages of painting and sculpture, being one of the protagonists of the recovery of the sculptural practice that the avant-garde of the thirties, from of iron, they had begun. After the dematerialization of the work of art that conceptual art entailed, and once pictorial informalism in all its versions had been exhausted, they discovered in the eighties that sculpture unrelated to statuary and naturalism had enormous expressive possibilities and at the same time, he was capable of conversing with the urban scene, the center of modern life. As one of the followers of those avant-garde, in the beginning he maintained a special sensitivity for traditional materials -iron, bronze, wood...-, which, many times, he recovered and recycled to focus all his plastic discourse on the environment of archeology of machinery.

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Carol Prusa
(USA, b. 1956）

Carol Prusa (USA, b.1956), a graduate of Drake University with a Master degree in painting, currently resides and works in North Carolina, USA. Prusa inherits the silverpoint drawing technique from the Renaissance period, delving into astrophysics to interpret the chaotic interactions of cosmic evolution. Through the meticulous and refined grayscale of silverpoint, Prusa intricately incorporates sculpture forms, portraying the beauty of cosmic anomalies, and has gained recognition for her unique artistic expression. She has received the SECAC Artistic Achievement Award and has been invited to exhibit at the prestigious American Academy of Arts and Letters. Her works are featured in several silverpoint history books, permanently housed in over a dozen museums across the United States, including the Perez Museum of Art in Miami, the Museum of Arts and Design in New York, and the Telfair Museums. She has held major solo exhibitions at various institutions, including the Boca Raton Museum of Art and the Norton Museum of Art.

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Angela Glajcar
(Germany, b.1970）

Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.

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Eunice Cheung Wai Man
(Hong Kong, b.1986)

Eunice CHEUNG Wai Man is a Hong Kong artist. Born in 1986, she graduated from The Chinese University of Hong Kong with a Master of Fine Art. She specializes in Chinese gongbi (fine-brush) painting of animals, and her research is about the changing relationships between human and animal throughout the Chinese Art history. She is a frequent participant of different individual and joint exhibitions in Hong Kong and oversea. Her works were exhibited in Art Basel Hong Kong for 4 years. In 2015, Her work is exhibited in National Palace Museum in Taiwan and Basilica of Santa Croce in Florence. One of her work was selected for the exhibition “Hong Kong Contemporary Art Biennial Awards 2009” and many became a part of a private collection.

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Donald & Era Farnsworth
(USA）

The Farnsworths’ collaborative work is in numerous collections nationwide and internationally, including the permanent collections of Loyola University Museum of Art in Chicago; San Antonio Museum of Art; The Art in Embassies program, Department of State, Guangzhou, China Embassy; Sonoma State University; City of Berkeley, and the State of New Mexico Art in Public Places. Their work has been exhibited in museums worldwide, including The Fowler Museum, UCLA; Loyola University Museum of Art in Chicago; Yerba Buena Center for the Arts in San Francisco; Daikanyama in Tokyo, Japan; Frost Art Museum in Miami; Nobel Museum, Stockholm and Nobel Peace Center in Oslo; San Antonio Museum of Art; BOZAR Museum at the Palace of Fine Arts in Brussels, Belgium; Ministry of Culture in Monaco; the Leonardo Museum in Salt Lake City; the Ulrich Museum of Art in Wichita, Kansas.

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