Bluerider ART將於2022年4月14日至17日在台北花博公園爭豔館參展ART SOLO 2022 藝之獨秀藝術博覽會。此次展出三位中生代實力藝術家，包括跳脫萊比錫畫派德國抽象藝術家Peter Krauskopf 彼得．克勞斯科夫、以前衛反諷風格知名的美國藝術家Desire Obtain Cherish 強納森・保羅及以浪漫花卉虛實交錯的瑞士藝術家Thierry Feuz 西瑞・菲茲之精選作品。媒材橫跨繪畫、立體作品、牆上裝置，呼應此次藝博會「以個展形式完整表現藝術家的創作脈絡」的理念，帶領觀者探索更廣而深的藝術層次。
Bluerider ART創辦人Elsa Wang 王薇薇對於此次參展表示：「為支持畫廊協會，舉辦此次” 藝術家個展型”的新型態藝博會，Bluerider ART 特別精選三位實力堅強、處於創作巔峰的中生代代理藝術家參展。透過個展方式，深度展現藝術家個人的概念、媒材、技法等創作脈絡，有別於走馬看花、參觀者可以更深入理解藝術家不同層面。是另一種觀看方式，歡迎大家一起來感受一下。」
Bluerider ART ART SOLO 2022 今年特色：
- Online Viewing Room遠端線上看服務
- Line官方帳號VIP 24小時諮詢服務
Bluerider ART D07、D08、D09, Art Solo 04.15-17
Peter Krauskopf 彼得．克勞斯科夫 「意識驚奇」
Peter Krauskopf 彼得．克勞斯科夫
Peter Krauskopf, born in 1966, currently lives and works in Berlin. He had studied at the Academy of Fine Arts in his birth town Leipzig and later continued as a post-graduate under Arno Rink. He is famous for his break with the figurative tradition of painting in Leipzig. Among other awards Krauskopf received the Falkenrot Prize 2015. His works have been shown in plenty of institutional solo-shows, like at the Mies van der Rohe-Haus, Berlin, the Forum Kunst Rottweil, the Kunsthalle Lingen and Kunsthaus Kaufbeuren. His works have been presented in the collection of the Albertinum in Dresden; the Ludwig Forum in Aachen; the City Museum of Wrocław; the Kunstverein Ludwigshafen; the Museum Schloss Morsbroich in Leverkusen; Kupferstichkabinett and the Galerie Neue Meister in Dresden; Germanisches Nationalmuseum in Nuremberg; Berlinische Galerie; and the Paul-Löbe-Haus for members of the Bundestag in Berlin..
Peter Krauskopf is especially interested in the process of overpainting, which he understands as an overwriting of time. All of his pieces – the intensive colored smaller plates, as well as the big monochrome color gradients – seem to be abstract at first sight. But they are all ‘concretions of a period of time’. On homogeneous, smooth grounds which either consist of an old, former abandoned painting or a monochrome under painting, Krauskopf performs one single intervention to form a new picture. Therefore he uses a scraper or brush to push a flat, consistent color application over an already existing image. This way he creates a symbiosis between a picture of the past and its completion in the present. Peter Krauskopf’s new works can be understood as collages about the phenomenon of time itself.
„Z“, B 281114, Öl/leinen, 130cm x 100cm ,2014, Peter Krauskopf 為2015 年 Falkenrot Prize 當代藝術大獎得主。
Peter Krauskopf – S T R U K T U R at G2 Kunstalle, Leipzig, 2018
“Drift”, 2018 at Kunsthaus Kaufbeuren (德國考夫博伊倫博物館) , Germany
Desire Obtain Cherish 強納森・保羅「 #天啊我愛透了」
Desire Obtain Cherish (D.O.C.), a.k.a. Jonathon Paul, is a Los Angeles, USA based artist whose works have attracted an audience worldwide. From early roots in L.A.’s street art scene, his repertoire has grown to encompass major international exhibitions such as the renowned Venice Biennale art festival in 2015. New York’s famous Saks Fifth Avenue in 2016 invited D.O.C. and his iconic Meltdown installations to take part in an art and fashion collaboration. The artist’s unique vision and fresh style have also attracted the eye of respected collectors including New York's Mandarin Oriental Hotel, The Ecclestone Collection, The Feinberg Collection, La Laliberte Collection, American DJ Diplo and NBA player Dirk Nowitzki and Andrei Kirilenko.
D.O.C 於紐約SAKS 第五大道百貨公司 展出
‘Off-Gassing From the Cloud’ is DOC‘s third solo exhibition with Bluerider ART. The show presents latest series of paintings and a rainbow room implicating the cloud world we live in. DOC describes his mindset as “Off-Gassing From The Cloud”. Off-gassing is commonly referred to as a chemical smell, an invisible gas that is produced from the manufacturing of plastics. It’s that new car smell. The smell of a new toy. The smell that prompts your instincts say hey, something’s not quite right, yet your eyes are screaming yes I want it!
Thierry Feuz 西瑞・菲茲「春城無處不飛花」
Thierry Feuz西瑞．菲茲（瑞士，b. 1968），出⽣於維也納，擁有瑞⼠⽇內瓦藝術與設計⼤學碩⼠ （Haute École d’Art et de Design），⽬前以⽇內瓦為創作據點。在他的藝術世界中，藝術、科學、哲學是相遇的，他關⼼⼈類普世間共有的「存在」(Existence)之意義，並⽤獨有的繪畫技術呈現未曾可⾒之境域。從創作技法及媒材上來說，菲茲是個喜好探索技法的藝術家，他的作品混合多種繪畫基因：古典時期的靜物畫、抽象表現主義的滴流技法及超現實主義的象徵意義，在創作過程中，他也必須精準地在畫⾯上控制每個流體顏料的位置與層次表現。菲茲作品亦獲重要機構與美術館收藏，包含瑞⼠歷史與藝術博物館（Musée d’Art et d’Histoire, Neuchâtel）、新加坡藝術基⾦會（Singapore Art Foundation）、瑞⼠銀⾏（UBS）、美國薩克斯第五⼤道精品百貨（Saks Fifth Avenue）以及微風集團、⽟⼭銀⾏等企業收藏。此次展出作品之一“Golden Winds Amaris”（ 金色微風．希望），特別運用金色為背景，描繪有機物體飄散空中的奇幻畫面，以當代的語彙表現自然界豐富性。
The paintings and objects by Thierry Feuz are a neo-baroque journey in times of post-modern enlightenment. It is neo-baroque because the works are full of opulence, movement, and emotions; it is a journey because the associated themes circle from the universe with stars and galaxies to life-size flowers and zoomed blossoms to micro-cosmoses and nano-worlds.
The perfect and balanced compositions, the thrilling and audacious colour combinations, the use of strong and pure paints, the clarity and cleanness of the structures, the elaborated design of the single painted elements, and the lack of classical perspective, the depth of focus by means of the blurring of some depicted elements are inherent parts of all works. Placing concrete objects between the real and the imagined is precisely what Feuz excels in. Feuz's creative elements combined the delicate still life paintings of Spain's Baroque period, the drip paintings of Jackson Pollock, the surrealism of Joan Miró, and Cy Twombly's classical mythology. Such expression of realms echoes a sort of his radical experiments in which fluid media materials are used, he is able to continue to expand and explore the possibilities of painting.
Selected Collection – Thierry Feuz ‘Breeze’ 六米長作 獲 微風南山 收藏
“Gulfstream Merlin”, 2005, lacquer and acrylic on canvas, 150 x 120 cm,
collection Saks Fifth Avenue Enterprises, New York, NY