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Bluerider ART 藝博 西岸藝術與設計博覽會 B121
Bluerider ART藍騎士藝術空間將於2022年11月10日-13日再度參加西岸藝術與設計博覽會，呈現國內外多位藝術家的重要作品。適逢雷諾．奧德霍恩（Reinoud Oudshoorn）在Bluerider ART上海·外灘舉辦其中國大陸首展，本次博覽會將展出這位荷蘭藝術家的代表性雕塑作品，及德國女性藝術家安格拉．格萊札（Angela Glajcar）的紙張拼貼繪畫作品、研究語言、算法等領域的法國藝術家帕斯卡爾．多比斯（Pascal Dombis）的多媒材作品、瑞士藝術家馬克（Marck）的標誌性錄像雕塑、中國藝術家曹吉岡的坦培拉繪畫作品。其他參展藝術家包括漢斯．卡特（Hans Kotter）、卡蘿．傑斯特（Caro Jost）、迪爾克．薩爾滋（Dirk Salz）、彼得．克勞斯科夫（Peter Krauskopf）、斯芬．杜爾（Sven Drühl）、提姆．弗萊瓦德（Tim Freiwald）、威利．希伯（Willi Siber）、沃夫岡．福拉德（Wolfgang Flad）和安妮特．辛斯邁斯特（Annett Zinsmeister），將共同帶來繪畫、雕塑、裝置等豐富的精選作品。
Bluerider ART創始人王薇薇（Elsa Wang）表示：“藍騎士藝術空間去年以曹吉岡和馬克，一中一西兩位藝術家的‘混生’沖擊作品，首次參展西岸博覽會，取得耀眼成績。今年更上一層樓，將以‘極簡線條’、‘單色媒材’、‘精淮深度’為主題，並推出包括曹吉岡在內的多位東西方國際資深藝術家的精選作品，帶給藏家跳脫出傳統框架的新體驗。“
中國藝術家曹吉岡（Cao Jigang, b.1955）
以古老的坦培拉繪畫技法，經由多層制作打磨過程，借鑒水墨罩染方式，保持間薄余留的痕跡，呈現作品豐富玉質的觸感。藝術家初期以油畫描述歷史長河的生命歷程，在嘗試不同技法並歷經概念創新演變後，形成獨特的個人風格。近年則融合東西方技法對山水進行詮釋，將中國山水文人思想蘊藏在作品中，以有為的留白和極簡畫面，呈現東方的無為之境。
荷蘭藝術家雷諾·奧德霍恩 （Reinoud Oudshoorn，b.1953）
主張“雕塑應創造比作品本身更大的空間”，以“滅點”作為每件作品的開端，由線延展成面，再由面創造充滿詩意的想象空間。
德國女性藝術家安格拉·格萊札 （Angela Glajcar，b.1970）
以紙作為媒材，顛覆傳統，運用深厚的技術和抽象的藝術語言將這一日常材料引領向新的境界，使作品呈現出藝術最原始的美感——純粹與極簡。
法國藝術家帕斯卡爾·多比斯（Pascal Dombis，b.1965）
關注於解放文字，將線性文本隨機切割、重新組合為不可預測和不合邏輯的新文本，強調適當“控制”下的“偶然性”與“隨機性”。
Pascal Dombis ｜Post-Digital Surface (K S5)｜90x120cm｜2019｜ Lenticular print on aluminum composite Pascal Dombis ｜The Limits of Control (B6)｜90x120cm ｜2015｜ Pigment pirnt on archival paper, mounted on aluminum panel
瑞士藝術家馬克 （Marck，b.1946）
作品展現社會各階層的人在熟悉與陌生環境中的生理及心理狀態，和對時間及空間的認同。在各處層層疊疊的限制之下，當代的人們遊走在生存的邊界，並做出身體的回應。馬克將這些問題藉由錄像雕塑（Videosculpture）拋向觀眾，喚起共鳴與想象。
Marck｜Waterfall｜ 2018｜复合媒材 Mixed Media｜65x107x18cm
德國藝術家迪爾克·薩爾茲（Dirk Salz，b. 1962）
以其作品的透明度與反射性著稱，他擅長運用環氧樹脂與層層堆砌的顏料呈現類似於光學幻覺的視覺效果。觀者自身的倒影，以及由觀看環境所形成的漫反射共同構成最終的作品。
Dirk Salz ｜DSA_M 852 no2634｜2020｜100x90x8cm｜ Resinworks, deep dives, pigments and resin on multiplex Dirk Salz ｜DSA_M 852 no2634｜2020｜100x90x8cm｜ Resinworks, deep dives, pigments and resin on multiplex
德國藝術家彼得·克勞斯科夫（Peter Krauskopf，b.1966）
創作以抽象繪畫為主。他在創作時先將流體顏料進行反復塗抹，再用刮刀把顏料刮除，使整個畫面形成層層疊疊的效果。克勞斯科夫對這種“反復繪畫的過程” （process of overpainting）相當感興趣，他認為這是“對時間的反復書寫”(overwriting of time)，在抹去過去回憶後，再塗上一層新的歷史與記憶。
Z, B 150920, 130x80cm, 2020, Oil on linen
德國藝術家斯芬·杜爾（Sven Drühl ，b.1968)
對於藝術史相當著迷，風景一直是他創作的重要主題。他運用顛覆傳統繪畫的手法，利用非傳統的材料如矽氧樹酯、油彩、漆料等不同化學組成的顏料，描繪山景、樹木、火山等多樣的自然景觀。
Sven Drühl｜SDCGT II black｜85 x 60 cm｜2019｜ Lacquer on canvas
德國藝術家提姆·弗萊瓦德（Tim Freiwald，b.1986)
作品在經歷“破壞、分解、重構”的過程後，展現出多層次的空間。在創作中，他對於毀壞的過程“是否仍為美麗的事物”以及“藝術是什麽”等問題，不斷地進行著辯證。
Tim Freiwald｜Single White｜2019｜133 x 107.5 cm｜ Pigment, Binder on Acrylic Glass and Wood
德國藝術家威利·希伯（Willi Siber，b,1949）
擅長利用木頭、鋼與環氧樹脂探索物質的可塑性，令他感興趣的並非只有材質外表的美感，更多的是突破媒材的限制所進行的無盡的探索、驗證與推翻既定認知的過程。他作品所呈現出的色彩的玩味更突出其簡練的風格。
Willi Siber｜Wall object｜2020｜36x29x35cm｜Steel, Chrome enamel
Works
Artist
Cao Jigang
(China, b. 1955）
曹吉岡 Cao Jigang（China, b. 1955）出生於北京，1984年畢業於中央美術學院油畫系，2000 年畢業於中央美術學院油畫系材料表現研修組。曾任教於中央美術學院造型學院基礎部。曹吉岡的作品融合東西方美學，用混生方式表現中國山水畫中的「虛空」。知名中國藝術評論家夏可君教授Ph.D 談論曹吉岡作品 :「曹吉岡的坦培拉作品乃是連接自然與生活，西方古典與中國古典，傳統與當代，現實與夢想之間的仲介，是在趙無極與朱德群的抒情風景抽象之後，華人藝術家所給出的另一個新階段，這就是古典山水畫的歷史記憶與西方古典的手法觸感，經過新的極簡主義與虛薄化轉換，更為具有東方典雅高貴的氣質與生命洗心的精神。」曾多次於中國美術館及海外展出，榮獲第九屆全國美展銀獎(1999)並由中國美術館、 上海美術館…等永久收藏。
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Reinoud Oudshoorn 雷諾‧奧德霍恩
（Netherland, b. 1953）
Reinoud Oudshoorn 荷蘭當代極簡藝術家，畢業於荷蘭阿爾特茲藝術大學(AKI)，現 居住創作於阿姆斯特丹，執教於荷蘭皇家藝術學院。Reinoud Oudshoorn 以構築空間的極簡雕塑著稱，主張「雕塑應創造比作品本身更大的空間」，「消失點」是每件作品的 開端，盡情延伸空間表述的可能，由線延展成面，再由面砌出空間的存在。展覽經歷遍 及歐美，曾於阿姆斯特丹市立博物館(Stedelijk Museum)，佛多爾美術館(Museum Fodor)展出。作品於阿姆斯特丹市立美術館(Stedelijk Musuem Amsterdam)、荷蘭 AkzoNobel Art Foundation、荷蘭銀行(ABN AMRO)、德國私人美術館(Sammlung Schroth)等永久收藏。
Angela Glajcar 安格拉·格拉札
(German, b. 1970）
Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.
Pascal Dombis 帕斯卡爾·多比斯
（French, b. 1965）
Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.
Marck
(Switzerland, b. 1964）
nternationally renowned X-ray artist Nick Veasey reveals the hidden facets beneath the surface using his unique X-ray penetration technique. His work humorously and mischievously explores the essence of people and objects' inner nature. Nick Veasey uses x-ray to strip back the layers and show what it is like under the surface. The technique reveals what, and often how, things are made, which grants his art to penetrate the surface and take us on a journey into a world otherwise hidden and unseen. Veasey has an extensive exhibition experience worldwide, with his artwork featured on the cover of TIME magazine and invited to give a TED talk. In 2018, he held a large-scale exhibition at the renowned Fotografiska museum in Sweden, visited by The Prince and Princess of Wales and the Crown Princess of Sweden. He also photographed important antique costumes for the Victoria and Albert Museum and collaborated with various brands such as Louis Vuitton, United Airlines, Balenciaga and Alexander McQueen. Works collected by the Victoria and Albert Museum, National Science and Media Museum in the UK, the San Francisco Museum of Modern Art, The Museum at FIT in the USA, the BMW Museum in Germany and the Museum of Applied Arts and Design (MUDAC) in Switzerland.
Marck 的作品看似以女性為主體，實際上則是以其作為社會縮影的代表，與框架的沖撞更探討著有形與無形的束縛，喚起觀者心中的共鳴。作品無法被單純定義為錄像與雕塑的結合，更像虛實的壹體呈現，由出演的排序、影片拍攝的精確定位，「錄像的目的不是敘述壹個故事，而是激發觀眾的情緒」，滲入我們習以為常的生活，以動態的畫面觸撥我們觀看雕塑的思維，同時也築起多媒體素材，至動力機械和雕塑的手工制作。錄像雕塑以全新的形式，揉合影像的平面表述與雕塑的空間意義，不僅辟出錄像創作的新道路，也再擴張觀者的感官體驗。
Dirk Salz 迪爾克·薩爾茲
(German, b. 1962）
Dirk Salz lives and works in Cologne. He was born 1962 in Bochum, Germany, to an artistic family. Through his childhood and high school, he grew up painting, drawing, and studying art history. Salz’ artistic work deals in different manners with human perception or rather with the insufficiency of our mind that shapes this perception. His work can be found in a number of private collections, as well as prominent corporate collections, such as the Akzo Nobel Art Foundation.
Peter Krauskopf 彼得.克勞斯科夫
（German, b. 1966)
Peter Krauskopf studied at the Academy of Fine Arts in his birth town Leipzig and later continued as a post-graduate under Arno Rink. Known for his break with the figurative tradition of Leipzig painting, Peter Krauskopf especially interested in the process of overpainting, which he understands as an overwriting of time. All of his pieces – the intensive colored smaller plates, as well as the big monochrome color gradients, seem to be abstract at first sight, but they are all ‘concretions of a period of time’. On homogeneous, smooth grounds which either consist of an old, former abandoned painting or a monochrome under painting, Krauskopf performs one single intervention to form a new picture. In 2015 he received the Falkenrot Prize. His paintings were widely exhibited including the Mies van der Rohe-Haus, Berlin, the Forum Kunst Rottweil, the Kunsthalle Lingen and Kunsthaus Kaufbeuren, works presented in the collection of the Albertinum in Dresden, the Ludwig Forum in Aachen, the City Museum of Wrocław, the Kunstverein Ludwigshafen, the Museum Schloss Morsbroich in Leverkusen, Kupferstichkabinett and the Galerie Neue Meister in Dresden, Germanisches Nationalmuseum in Nuremberg.
Sven Drühl 斯芬・杜爾
(German, b. 1968）
Sven Drühl currently lives and works in Berlin. He studied both in art and mathematics. With a PhD in art theory, he is also an author and editor of publications on contemporary art. Conceptually, Sven Drühl dissects visual shapes and types taken from every era from Romanticism to the present day, re-mounting them and combining them with his own motifs. Drühl reacts to the crisis of expression in post-modern painting with these transformed citations, but has purposefully not ceased to paint. His exploration of art history and his continual questioning of painting as a medium are at the heart of his oeuvre. He became known through his compilations of famous landscape paintings and had been exhibited throughout Europe, Asia and the United States including the St. Matthäuskirche, Berlin, Museum Villa-Rot, Neue Galerie Gladbeck, National Museum of Art of Romania, Bucharest, Kallman-Museum, Ismaning, Museum Haus am Waldsee, Berlin, ZKM | Museum für Neue Kunst, Karlsruhe. His work is in collection of Berlinische Galerie -Museum für moderne Kunst, Berlin, Allianz Forum, Deutsche Bank, E.ON Art Collection, Düsseldorf, Collection Philara, Düsseldorf.
Tim Freiwald 提姆・弗萊瓦德
(German, b.1986）
Graduated from the Fine Arts at the Munich Art Academy, Tim Freiwald now work and live in Berlin. Tim Freiwald's creative process involves "destruction, decomposition, and reconstruction" generating negative spaces in his works, constantly exploring the questions of whether "destruction can still be beautiful" and "what is art." Fragments, fractured lines, and delicate structures, all portrayed through intense colors, define his aesthetic style of destructiveness. Freiwald mentioned “I want the paintings to be on the verge of physical collapse so that they only become stable through the painterly attraction between their elements.” In 2011, Tim Freiwald received the BMW Brilliance Automotive Art Award. In 2014, he became a student of the artist Thomas Scheibitz. In 2018, Tim Freiwald was awarded the New Positions prize at the Art Cologne, a prestigious art exhibition in Cologne. Tim Freiwald has already held significant solo exhibitions at various European venues including Walter Storms Galerie in Munich, exhibited at the Kunsthalle Bremerhaven in Bremen.
Willi Siber
(German, b. 1949）
Born in Upper Swabia, the center of Baroque art history, Willi Siber studied art history at the University of Stuttgart, Germany. His creations inherited the fluidity, theatricality, and splendid visual effects of Baroque art also incorporated a contemporary perspective. Siber once said "My creations stem from change." Over the long artist career he not only excels in painting, but also known for art objects , installations, sculptures. Using wood, steel, epoxy resin, exploring the malleability of materials, focusing not just on the aesthetic expression of materials he constantly research, validation, and overturning of established perceptions, breaking through the limitations of materials. His playfulness with colors further highlights his concise style. Willi Siber's exhibitions have spanned across Europe and the United States, his works permanently collected by German Federal Parliament, the German Embassy in Argentina, Deutsche Bank, Staatsgalerie Stuttgart, Städtisches Kunstmuseum in Singen, and private art museums Kunstwerk Sammlung Klein, Museum Ritter and private collectors worldwide.
Hans Kotter 漢斯・卡特
(Germany, b. 1966）
出生於德國巴伐利亞邦，就讀紐約藝術學院(Art Students League of New York) 畢業於慕尼黑媒體設計學院。現創作居住於柏林。 2004年被授予「德國巴伐利亞文化獎」Bavarian Culture Award, E-ON藝術建築領域獎項。 Kotter以燈光雕塑裝置創作為人所知。曾任德國斯圖加特國家藝術與設計學院講師，2014年獲得德國國際Unna燈光藝術中心的國際燈光獎項提名。德國著名藝術史學家Kai-Uwe Hemken 評論Hans Kotter 漢斯·卡特作品：「Kotter 卡特為觀者提供了作品的維度，是批判性、自我反省、與洞察導向，同時重新呈現了現代主義的基本烏托邦。」Hans Kotter 漢斯·卡特目前持續在各國博物館展出，包括德國里特博物館、英國倫敦Kinetica博物館、德國科隆應用藝術博物館、德國科隆MAKK博物館..等。作品由意大利TARGETTI光之藝術典藏、德國立陶宛博物館、德國聯邦議會等眾多機構永久收藏。
Thierry Feuz西瑞‧菲茲
(Swiss, b. 1968）
Graduated from Geneva University of Art and Design (Haute École d'Art et de Design), Feuz currently lives and works in Geneva. In his artistic realm, art, science, and philosophy converge as he explores the universal meaning of "existence" and presents unseen realms through his unique painting techniques. Thierry Feuz's works have been collected by significant institutions and museums, including Musée d'Art et d'Histoire in Neuchâtel, Singapore Art Foundation, UBS Bank, Saks Fifth Avenue in the United States, as well as the Breeze Crop. and E.Sun Commercial Bank, among other corporate collections.
Caro Jost
(German, b. 1965）
Graduated from the Law School and the Art School of Munich University, Caro Jost lives and creates her art in Munich. Every artist has their favorite artists, but Caro Jost takes this admiration to a whole new level, incorporating her love for Munich's abstract expressionism groups into works extensively. Her works revolve around themes of time, space, and events. In the series "Streetprints," where she traveled to over 70 locations worldwide, imprinting traces she collected from the streets onto her canvases. Her artworks were exhibited MoMA, Chelsea Art Museum in New York, and Guggenheim Collection in Venice, permanently collected by the MoMA Library Collection (The archives of MoMA, NY), Chelsea Art Museum (NY), and Museum of the City of Munich.
Jessica Drenk 潔西卡・准珂
（American, b. 1980)
Jessica Drenk’s work is an inquiry into materiality: what makes up the objects that surround us as well as the composition of the natural world. She is interested in how parts combine to create a whole and the intricacies of shape and texture found in the world on every scale. In treating everyday objects as raw material to sculpt, she practices a form of conceptual alchemy: through physically manipulating these objects their meanings become transmuted. Each piece is a direct response to material—a subversion of the meanings associated with it, and a reference to the life cycle of objects through time.