Exhibition
展場照片
藍色多瑙河再現深圳DnASHENZHEN設計與藝術博覽會
Bluerider ART 藍騎士
展位A11
2022年⾦秋9⽉Bluerider ART藍騎⼠藝術空間將參展2022 DnASHENZHEN設計與藝術博覽會，展位A11。今次展出將特別集結上海展出⼈⼭⼈海的“藍⾊多瑙河 The BlueDanube”群展藝術家代表作品，以「社群、空間、⾃然」 對話，推出代理藝術家 安格拉・格萊札 (Angela Glajcar)、安妮特・⾟斯邁斯特(Annett Zinsmeister)、克⾥斯蒂安・格琳 (Christiane Grimm)、DOC(Desire Obtain Cherish)、張惠⽂(Eunice CHEUNG Wai Man )、 潔⻄卡・德⾥克(Jessica Drenk)、強納森・羅森(Jonathan Rosen)、 帕斯卡爾・多⽐斯 (Pascal Dombis)、淩・波⼉(Rine Boyer)、雷諾・奧德霍恩(Reinoud Oudshoorn)、 提姆・弗萊瓦德(Tim Freiwald)與⻄瑞・菲茲(Thierry Feuz )等精彩作品。 從裝置到光和紙，從繪畫到極簡⿊鐵，將在展場呈現⼀場多元視覺盛宴的感知。
Angela Glajcar 安格拉·格萊札的「空間撕裂」 正在上海熱展中代表作品，透過紙作品本身的質量色系、重新構築光影變化及空間場域氛圍。
Annett Zinsmeister 安妮特・⾟斯邁斯特「真實的記錄」燈箱作品針對特定建築或空間過去的歷史及當下正在進⾏的發展，進⾏關於空間感知和設計的研究。
Christiane Grimm 克⾥斯蒂安・格琳 「不插電的動態光影」研究光線、⾊彩、空間，與特殊玻璃、壓克⼒等材質的特性結合，有系統地、精確地、處理分層感知⾊彩。
Desire Obtain Cherish Meme迷幻作品系列，以傳統油畫對⽐各種可愛惡搞梗圖，表現時下⽹路世界中，資訊快速易破滅，⼈類卻不可⾃拔地沈浸上癮於這樣的⽣存之道。
Eunice CHEUNG Wai Man 張惠⽂仕⼥圖，以傳統⼯筆，突出⻦⽻悲歌象征，表達當代動物保護議題。
Jessica Drenk 潔⻄卡・德⾥克「循環」 透過創作傳遞物質的可塑性，延伸⾃然與⼈造物間循環應⽤的關系，探討物質形變的可能。
Jonathan Rosen 強納森・羅森新媒體數位鏡像裝置作品「我要：夢幻機器」以鏡⾯互動邀請觀眾於鏡前⾃拍，當畫⾯靜⽌出現⽂字，猶如塔羅占⼘直⾯⼼中渴望。
Pascal Dombis 帕斯卡爾・多⽐斯探討解放⽂字，將線性⽂本隨機切割、重新組合為新的、不可預測、不合邏輯的⽂本，表達適當「控制」下的「偶然性」與「隨機性」。
Rine Boyer 淩・波⼉「⽂⻘⽂化」 以個性化圖騰與簡潔的⾊調捕捉極具特⾊的⼈物性格，描繪不拘泥於繁瑣型制下的 Hypster culture ⽂⻘⽂化，展現獨樹⼀幟的群體印象。
Reinoud Oudshoorn 雷諾・奧德霍恩「消失點」 主張「雕塑應創造⽐作品本身更⼤的空間」，極簡的⿊鐵線條是每件作品的開端，由線延展成⾯，再由⾯創造詩意的想像空間。
Tim Freiwald 提姆・弗萊瓦德「蝴蝶」 利⽤破壞、分解、重構的過程，打破藝術傳統框架，開創繪畫作品多層的次空間。
Thierry Feuz ⻄瑞・菲茲「⾬中花園」以虛實結合實的⾊彩繽紛浪漫，實則表達「見⼀花、成就⼀世界」的概念，珍惜⽣命美好瞬間。
Works
Artist
Angela Glajcar 安格拉·格拉札
(German, b. 1970）
Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.
More information
Annett Zinsmeister 安妮特・辛斯邁斯特
(German, b.1967）
Annett Zinsmeister was born in Stuttgart, currently lives and works in Berlin. Annett studied visual arts, architecture, culture and media science in Berlin. Graduation from the Berlin University of Visual Arts + Design. Since 2003 she is professor at divers art schools and universities and is teaching internationally Visual Art, Photography, Design, Architecture, Culture and Media theory. Space and Architecture are central topics, the artist is dealing with in her large-scale installations, photography, drawings, collages and films. She is the author of numerous interdisciplinary books and is known for the combination of diverse disciplines such as architecture, art, and media studies. Her work has been published internationally and are part of exhibitions and art collections worldwide, e.g. at the MoMA Museum of Modern Art in New York.
Christiane Grimm
(German, b. 1957）
畢業於斯圖加特大學（Universität Stuttgart）建築所，Christiane Grimm 的創作由建築觀點出發，結合層次性的幾何與色彩，將偌大空間中光影變化，透過與觀者的互動呈現。現居住創作於德國作品獲德國海德堡市政府、德意志銀行，以及私人美術館 Das Kleine Museum…等永久收藏，並擁有眾多私人藏家。
利用圖形迭合起的不明確性，Grimm 將客觀的構圖移交主觀詮釋，並傳遞幾何擴張而成的漸變美感。過去於金屬、玻璃或紙材上的繪畫，以二維的色彩和結構組織畫面，因油彩的飽和光澤及載體的物理反射特性，曖曖映出空間的深度，鮮活的色彩組合則帶出作品的脈動。近期更將創作層次推向三維的探索，迭合單色或無色的有機玻璃（plexiglass），利落劃分空間的同時也模糊色與色的絕對區隔，作品表面的波狀處理，看似發散了感知的維度，受到環境光影連動，不插電卻為靜態作品添加了動態元素，並建起觀者與作品的鏈接。
Desire Obtain Cherish 強納森・保羅
(American, b. 1975）
Desire Obtain Cherish (D.O.C.), a.k.a. Jonathon Paul, is a Los Angeles, USA based artist whose works have attracted an audience worldwide. From early roots in L.A.’s street art scene, his repertoire has grown to encompass major international exhibitions such as the renowned Venice Biennale art festival in 2015. New York’s famous Saks Fifth Avenue in 2016 invited D.O.C. and his iconic Meltdown installations to take part in an art and fashion collaboration. The artist’s unique vision and fresh style have also attracted the eye of respected collectors including New York's Mandarin Oriental Hotel, The Ecclestone Collection, The Feinberg Collection, La Laliberte Collection, American DJ Diplo and NBA player Dirk Nowitzki and Andrei Kirilenko.
Eunice Cheung Wai Man
( Hong Kong, b.1986 )
Eunice CHEUNG Wai Man is a Hong Kong artist. Born in 1986, she graduated from The Chinese University of Hong Kong with a Master of Fine Art. She specializes in Chinese gongbi (fine-brush) painting of animals, and her research is about the changing relationships between human and animal throughout the Chinese Art history. She is a frequent participant of different individual and joint exhibitions in Hong Kong and oversea. Her works were exhibited in Art Basel Hong Kong for 4 years. In 2015, Her work is exhibited in National Palace Museum in Taiwan and Basilica of Santa Croce in Florence. One of her work was selected for the exhibition “Hong Kong Contemporary Art Biennial Awards 2009” and many became a part of a private collection.
Jan Kaláb楊‧克拉
(Czech Republic, b.1978）
持續走在一條非傳統的藝術家之路的捷克塗鴉界先驅 Jan Kalab，畢業於布拉格 藝術學院(Academy of Fine Arts in Prague)。他的幾何塗鴉壁畫可見於紐約、 布拉格、倫敦、波哥大等城市。Kalab 以點出發，發展幾何圓形形變，以及 3D 塗鴉立體雕塑，從街頭到畫布，塗鴉的概念走入極簡純白的藝廊空間，擦出迷幻 的火花，他擁有在抽象藝術與街頭創作的雙重語彙，創造出充滿能量的抽象作品。 2010 年代表捷克在上海世界博覽會捷克館展出，於歐美有豐富展出經驗，作品 收藏於法國精品 DIOR 德國旗艦店、及眾多名人及私人收藏。
Jonathan Rosen. 強納森・羅森
（USA, b.1927)
Jonathan Rosen畢業於VCU Brandcenter 廣告學系，過去於廣告界擔任創意總監的經歷使他深切地感受到文字、影像和宣傳對人們產生的影響力。現為全職藝術家的他，以概念性的拼貼與挪用藝術手法創造出夢想來揭開每個人深埋心中的渴望。以「I WANT」為主題的系列為Rosen由個人的收集品出發創作，運用大量收集的現成物拼貼與鏤空的現代感字體展現視覺衝擊，將「I WANT」作為可以隨人們慾望不斷擴張的題材，藉由作品呈現脆弱卻真實的自白，為觀者提供一個隱蔽的空間，反思自身渴求，他所收藏的不僅是物品，更是不敢與人分享的企盼。他相信這些慾望如果不被挖掘出來，它們絕不會有力量打破緘默。2015年11月底Jonathan Rosen與巴黎時尚概念品牌Colette合作發表創作，適逢巴黎遭遇恐怖攻擊，他將具有巴黎美好憧憬的明信片作排列，再搭配「I WANT PEACE」呼應巴黎人當下心聲，以創作與時事作連結，塑造成一種無形的力量。
Pascal Dombis 帕斯卡爾·多比斯
（French, b. 1965）
Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.
Rine Boyer 凌.波兒
（American, b. 1982)
芝加哥藝術家凌•波兒（Rine Boyer）擅長以個性化的圖案與簡潔的色調捕捉極具特色的人物性格，不拘泥於繁瑣型制下的人像繪畫傳統，展現獨樹一幟的個體印象。波兒的靈感源自於對生活的細膩觀察，新系列創作不僅延續對圖像、色彩與空間互動的實驗手法，更將描繪主題做進一步的推展，寄附於人與人，以及人與動物之間情感的聯繫上，在看似尋常的互動中卻含藏著真摯不造作的情愫，喚起觀者心中的共鳴。
藝術家以生活中常見的元素和物件作為代表性的圖樣，反覆且大量地運用相同的圖騰作為鋪述，帶出屬於波兒獨有的符號系統，平易的圖像符號讓觀者自由地串起背後蘊含的意義，傳遞無聲的視覺語言，也成功地塑造出人物的性格樣貌。色彩的運用與空間意象的處理同樣也為波兒創作的一大特點，過去以單一色調為基底，輔以經典復古圖像作為筆下人物性格的標誌，闡述現代城市中的次文化；此次則以截然不同的色彩組合，烘托人物的神情表現。另一方面，藝術家也抹除劃分空間界線的生硬線條，取而代之的是純粹的色塊，不但使畫面生動鮮活了起來，也予觀者更多的想像空間。
Reinoud Oudshoorn 雷諾‧奧德霍恩
（Netherland, b. 1953）
Reinoud Oudshoorn 荷蘭當代極簡藝術家，畢業於荷蘭阿爾特茲藝術大學(AKI)，現 居住創作於阿姆斯特丹，執教於荷蘭皇家藝術學院。Reinoud Oudshoorn 以構築空間的極簡雕塑著稱，主張「雕塑應創造比作品本身更大的空間」，「消失點」是每件作品的 開端，盡情延伸空間表述的可能，由線延展成面，再由面砌出空間的存在。展覽經歷遍 及歐美，曾於阿姆斯特丹市立博物館(Stedelijk Museum)，佛多爾美術館(Museum Fodor)展出。作品於阿姆斯特丹市立美術館(Stedelijk Musuem Amsterdam)、荷蘭 AkzoNobel Art Foundation、荷蘭銀行(ABN AMRO)、德國私人美術館(Sammlung Schroth)等永久收藏。
Tim Freiwald 提姆・弗萊瓦德
(German, b.1986）
Graduated from the Fine Arts at the Munich Art Academy, Tim Freiwald now work and live in Berlin. Tim Freiwald's creative process involves "destruction, decomposition, and reconstruction" generating negative spaces in his works, constantly exploring the questions of whether "destruction can still be beautiful" and "what is art." Fragments, fractured lines, and delicate structures, all portrayed through intense colors, define his aesthetic style of destructiveness. Freiwald mentioned “I want the paintings to be on the verge of physical collapse so that they only become stable through the painterly attraction between their elements.” In 2011, Tim Freiwald received the BMW Brilliance Automotive Art Award. In 2014, he became a student of the artist Thomas Scheibitz. In 2018, Tim Freiwald was awarded the New Positions prize at the Art Cologne, a prestigious art exhibition in Cologne. Tim Freiwald has already held significant solo exhibitions at various European venues including Walter Storms Galerie in Munich, exhibited at the Kunsthalle Bremerhaven in Bremen.
Thierry Feuz西瑞‧菲茲
(Swiss, b. 1968）
Graduated from Geneva University of Art and Design (Haute École d'Art et de Design), Feuz currently lives and works in Geneva. In his artistic realm, art, science, and philosophy converge as he explores the universal meaning of "existence" and presents unseen realms through his unique painting techniques. Thierry Feuz's works have been collected by significant institutions and museums, including Musée d'Art et d'Histoire in Neuchâtel, Singapore Art Foundation, UBS Bank, Saks Fifth Avenue in the United States, as well as the Breeze Crop. and E.Sun Commercial Bank, among other corporate collections.