Exhibition
Installation View
Exhibition Video
White Light — Angela Glajcar Large-Scale Paper Sculpture Exhibition
Bluerider ART @ Breeze Center
Bluerider ART
Curatorial Statement
White — the end of all colors, yet the origin of all things! Bluerider ART Taipei·Dunhua is delighted to announce the citywide launch of its curatorial trilogy White Trilogy of Love — White Realm, White Light, and White Jade, on view from December 6, 2025, to February 28, 2026. Across this joyful season — from Christmas to New Year and Lunar New Year — Bluerider ART presents three exhibitions in three distinctive venues, uniting high art × refined taste × exquisite lifestyle into one exceptional experience. Celebrate the festive season of 2025–2026 with a series of thoughtfully curated exhibitions and events, offering memorable moments of beauty and joy — for your family, friends, loved ones, and yourself.
As Nietzsche wrote, “Art is the highest affirmation of life.” Michel Foucault’s concept of the technē of the self posits that one shapes existence through style; Heidegger’s notion of “poetic dwelling” reveals beauty as a mode of being and perceiving. In resonance with these philosophies, the White Trilogy of Love presents three forms of dialogue: White Realm channels the urban pulse through purity and clarity; White Light situates simplicity within the language of luxury; White Jade refines sensibility into the texture of contemporary living. Together, the trilogy articulates three realms of Fine Art — elegance within white, balance within luxury, and nobility through detail.
"White Light — Angela Glajcar Large-Scale Paper Sculpture Exhibition" Bluerider ART @ Breeze Center
Angela Glajcar employs large-scale paper as an architectural vocabulary and light as a conceptual thread, creating walkable spiritual passages that position her as a writer of poetic space. White light breathes through layered paper fibers, revealing multiple dimensions of “white”—pure, translucent, yet profoundly deep. Through a minimalist language, she responds to the modern city’s longing for tranquility, elevating art into a philosophical dimension of contemporary luxurious living.
This exhibition introduces Fine Art into a boutique environment. Breeze Center embodies the rhythm of urban life and the consciousness of refined luxury, becoming a meeting point for elevated taste and contemporary aesthetics. Through the interweaving of paper and light, the everyday is transformed into poetry; visitors walk within white architectural forms as if moving through structures shaped by flowing light—an instant where refined taste resonates with art. Fine Art permeates the fabric of the city, allowing pure aesthetics to become a way of breathing.
Participatipating artists:
Willi Siber
Josep Riera i Aragó
Carol Prusa
Christiane Grimm
Rüdiger Seidt
Nick Veasey
Marck
Pascal Dombis
Thierry Feuz
Susanne Kühn
Angela Glajcar
Desire Obtain Cherish
Jan Kaláb
Janna Watson
Štefan Papčo
Dylan Martinez
Adrian Wald
"White Light — Angela Glajcar Large-Scale Paper Sculpture Exhibition"
Bluerider ART @ Breeze Center
Venue: Breeze Center, 1F, No.39, Sec.1, Fuxing S. Rd., Taipei
Hours: Sun. – Wed. 11:00 – 21:30 | Thu. – Sat.11:00 – 22:00
2025.12.6– 2026.2.28
Works
Artist
Willi Siber
(Germany, b. 1949）
Willi Siber (Germany, b. 1949) graduated from the University of Stuttgart, majoring in Art History. He currently lives and works in Upper Swabia, Germany, and is renowned for his abstract installations. Siber states, "My works are always free and independent objects that do not need to be narratively explained." Drawing from the Baroque art and cultural landscape of southern Germany's Upper Swabia, as well as being surrounded by the boundless natural scenery, Siber transforms and distills the Baroque's opulent colors and rhythms, along with his profound connection to nature, into his abstract works. He continuously explores the plasticity of materials, focusing on shape, color, and texture to overturn viewers' visual perceptions. In 2023, he was awarded Germany's most prestigious cultural honor, the "Oberschwäbischer Kunstpreis." In 2019, he held a retrospective exhibition celebrating 40 years of his work at the Villa Rot Museum in Germany, with his works permanently collected by institutions such as the German Bundestag, the Staatsgalerie Stuttgart, the Städtisches Kunstmuseum Singen, the German Embassy in Argentina, Deutsche Bank, private museums Kunstwerk, and Museum Ritter, among others.
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Josep Riera i Aragó
(Spain , b. 1954)
Josep Riera i Aragó (Spain, b. 1954), a graduate of the Sant Jordi Academy of Fine Arts, is one of Spain’s most internationally renowned contemporary artists. Based in Barcelona, his work explores the themes of “navigation between the sky and the deep sea,” employing symbols such as propellers, submarines, and airplanes to construct a poetic narrative of time, space, and life. His solo exhibitions have been hosted at prestigious European institutions, including the Heilbronn Municipal Museum in Germany, the Van Gogh Foundation in Arles, and the Joan Miró Foundation in Barcelona. His works are included in esteemed permanent collections such as the Van Gogh Foundation, the Joan Miró Foundation, and Boeing in Chicago.
Carol Prusa
(USA, b. 1956）
Carol Prusa (USA, b.1956), a graduate of Drake University with a Master degree in painting, currently resides and works in North Carolina, USA. Prusa inherits the silverpoint drawing technique from the Renaissance period, delving into astrophysics to interpret the chaotic interactions of cosmic evolution. Through the meticulous and refined grayscale of silverpoint, Prusa intricately incorporates sculpture forms, portraying the beauty of cosmic anomalies, and has gained recognition for her unique artistic expression. She has received the SECAC Artistic Achievement Award and has been invited to exhibit at the prestigious American Academy of Arts and Letters. Her works are featured in several silverpoint history books, permanently housed in over a dozen museums across the United States, including the Perez Museum of Art in Miami, the Museum of Arts and Design in New York, and the Telfair Museums. She has held major solo exhibitions at various institutions, including the Boca Raton Museum of Art and the Norton Museum of Art.
Christiane Grimm
(Germany, b. 1957)
Christiane Grimm has created colour and light spaces ever since the mid-1980s. A major focus of her researches is on colour itself, which she investigates in terms of its luminosity, its wide range of nuances, the ways they can be combined, and also their effect on the viewer.
Rüdiger Seidt
(Germany, b. 1958)
Rüdiger Seidt (Germany, b. 1958) currently lives and works in Forbach, Germany. Since 1989, he has been active as a freelance artist both in Germany and on the international art scene. Seidt’s artistic practice focuses primarily on steel as a medium, integrating mathematical structures and natural elements to explore the relationship between form and space. His dynamic and tension-filled works often incorporate tetrahedral structures and are included in permanent collections of major institutions and corporations, such as DaimlerChrysler AG (Germany), Greenpeace Umweltstiftung (Germany), Städtische Galerie Rastatt (Germany), North Shore Sculpture Park in Skokie, Illinois (USA), and the private LeBaron Collection (USA).
Nick Veasey
(UK, b. 1962)
Nick Veasey (UK, b.1962) lives and works in Kent, UK, working primarily with radiography to create his images X-ray images. Through the unique penetration of the X-ray process, Nick Veasey strips back the layers to show what lies beneath the surface, revealing the inner workings behind the subjects facade, playfully and mischievously exploring the essence of objects and human inner desire. Veasey’s worldwide recognition includes; imagery for the front cover of TIME magazine, recent collaborations with Alexander McQueen SS23 and the Victoria and Albert Museum "Balenciaga: shaping fashion" exhibition, a large-scale retrospective at the renowned Fotografiska museum in Sweden, visited by the Prince and Princess of Wales, and the Swedish royalty. Recent shows include “X-ray Men” at the Erarta Museum of Contemporary Art and “APMA chapter 3” at the Amorepacific Museum of Art. Permanently collected in the V&A Museum, the San Francisco Museum of Modern Art, the Museum at the Fashion Institute of Technology in the US, the BMW Museum in Germany, the National Science and Media Museum in the UK, and the Museum of Applied Arts and Design in Switzerland, important collaborations with international brands like Louis Vuitton, United Airlines, Balenciaga, and more.
Marck
(Switzerland, b. 1964）
Marck (Switzerland, b. 1964), a contemporary Swiss artist renowned for Video Sculpture, currently lives and works in Zurich. Marck's unconventional journey led him to enter a prestigious art school at a young age, only to leave due to the inability to tolerate formal education. Subsequently, he engaged in diverse occupations, including auto dismantling, mechanical electrician, rock singer, and tech installation design. Marck's unique life experiences transcend the imagination of conventional academy-trained artists, manifesting in his self-created video sculpture expressions, addressing societal issues through themes of frames, women, viewing, and interaction. in 2019 he was honored with the International Culture Award by Academia Culturale Internazionale Cartagine in Italy. His works have been showcased internationally and collected by significant museums including La Maison Rouge in Paris, St. Petersburg Contemporary Art Museum, the Boston Museum of Fine Arts, Istanbul Modern, and the Karlsruhe Center for Art and Media.
Pascal Dombis
(Frence, b. 1965)
Pascal Dombis (France, b.1965), a Paris-based visual artist who focuses as much on language as on perception. He is noted for his excessive use of simple algorithmic rules. It was in the early 90s, while finishing his studies in Boston, that he encountered digital artistic tools, prompting a transition from painting to algorithms upon returning to France. Since then, he has created environments marked by excess, repetition and the unpredictability of technological processes, in which he aims to engage the viewers by questioning perception in relation to space, time and language. He develops multi-referential works which play with spatial environments and promote multiple interpretations. Recent exhibitions include Artists & Robots at the Grand Palais in Paris (2018), Cybernetic Consciousness at Itaú cultural in São Paulo (2017) and the Venice Biennale (2013). In 2020, he achieved the creation of a permanent public artwork, Double Connection, nearly one hundred metres long in the centre of Shanghai. In 2022, he got a monographic exhibition Post-Digital at the Museum of Contemporary Art Sorocaba in Brazil.
Thierry Feuz
(Swiss, b. 1968)
Graduated from Geneva University of Art and Design (Haute École d'Art et de Design), Feuz currently lives and works in Geneva. In his artistic realm, art, science, and philosophy converge as he explores the universal meaning of "existence" and presents unseen realms through his unique painting techniques. Thierry Feuz's works have been collected by significant institutions and museums, including Musée d'Art et d'Histoire in Neuchâtel, Singapore Art Foundation, UBS Bank, Saks Fifth Avenue in the United States, as well as the Breeze Crop. and E.Sun Commercial Bank, among other corporate collections.
Susanne Kühn
(Germany , b. 1969)
Born in Leipzig, Germany, Susanne Kühn currently lives and works in Freiburg. She studied painting and printmaking at the Academy of Fine Arts in Leipzig, as well as at the School of Visual Arts and Hunter College in New York, and was awarded the Radcliffe Fellowship from the Radcliffe Institute for Advanced Study at Harvard University. Currently, she teaches at the Academy of Fine Arts in Nuremberg. Known for her unique fusion of realism, surrealism, and abstraction, Kühn’s works are dominated by exaggerated plants and fantastical flora juxtaposed with architectural or abstract geometric forms. Her art subtly balances humor with serious themes, exploring the tension between nature and constructed spaces. Her work is included in permanent collections including the Kemper Museum of Contemporary Art (USA), Museum Frieder Burda (Germany), Zabludowicz Art Trust (UK), Schwartz Art Collection of Harvard University (USA), UBS Art Collection, and Deutschen Bundesbank...etc.
Angela Glajcar
(Germany, b.1970）
Born in Mainz, Germany, Angela Glajcar studied sculpture at the Akademie der Bildenden Künste in Nuremberg from 1991 to 1998. Glajcar's work embodies sculpture and installation, it examines the way in which space is experienced using a material that is fragile and light. In the act of ripping and perforating a material that is traditionally used as a two-dimensional support, Glajcar gives paper a strong sculptural presence. Terforation is the title of Angela Glajcar's famous cubic pieces. The staggered arrangement of the vertically hung series of sheets of white paper, with torn edges, produces cave-like recessions. These extend into the depth of the sculpture. The sharp ridges and deep caverns gives viewer a fascinating room of harmony and silence. Glajcar has exhibited extensively and been the recipient of numerous awards and fellowships including Studio Award of the Kunststiftung Erich Hauser, the Asterstein scholarship in 1999 and Vordemberge Gildewart Award in 2004. Glajcar's works have been showcased in various prominent public art exhibitions, including Cologne Cathedral, the Frankfurt Department of Culture, the Jacksonville Museum of Contemporary Art, and the Mainz Gutenberg Museum. Permanent collections of Glajcar's works can be found at the Jacksonville Museum of Contemporary Art in the United States, the Wiesbaden Museum in Germany, the Mainz Arts and Sciences Center in Germany, and the Hanten Schmidt collection in Austria.
Desire Obtain Cherish
(U.S.A, b. 1975）
Desire Obtain Cherish (D.O.C.), a.k.a. Jonathon Paul, is a Los Angeles, USA based artist whose works have attracted an audience worldwide. From early roots in L.A.’s street art scene, his repertoire has grown to encompass major international exhibitions such as the renowned Venice Biennale art festival in 2015. New York’s famous Saks Fifth Avenue in 2016 invited D.O.C. and his iconic Meltdown installations to take part in an art and fashion collaboration. The artist’s unique vision and fresh style have also attracted the eye of respected collectors including New York's Mandarin Oriental Hotel, The Ecclestone Collection, The Feinberg Collection, La Laliberte Collection, American DJ Diplo and NBA player Dirk Nowitzki and Andrei Kirilenko.
Jan Kaláb
（Czech Republic，b. 1978）
Jan Kaláb graduated from the Academy of Fine Arts in Prague, Czech Republic, and currently lives and works in Prague. As a pioneer of Czech graffiti art, Jan Kaláb has been constantly forging a path as a non- traditional artist. He transitioned from street graffiti into pure white spaces, starting with points and developing them into circular transformations and 3D sculptures, condensing the exuberance of the outdoors onto geometrically distorted canvases. He represented the Czech Republic at the Shanghai World Expo in the Czech Pavilion, and his works are held in collections at The National Czech & Slovak Museum & Library (NCSML), National Art Museum of Brazil, Deji Art Museum in China, Daejeon Museum of Art in South Korea, and cooperate with numerous international luxury brands including Dior and Tiffany.
Janna Watson
(Canada, b. 1983)
Janna Watson（Canada, b. 1983）uses abstraction as both an escape from and return to the real. As the world we know dematerializes into paint strokes, so too does her paint take stage as its very own character in a multi-act drama of composition. Bundles of colour, made up of discrete yet inseparable instances of pigment—what Watson refers to as “moments”—are teeming and poised as though caught mid-multiplication. Sweeps of paint re-direct sharply and fold over themselves; thin, rigid ink lines cut into the pictorial field as rudimentary elements in an increasingly complex system of painterly language. All the components play out on a surface of slow, chromatic gradation. Like many of Watson’s players, these backdrops tenderly gesture toward the familiar, stopping just short of representation. The result is a conceptual project (and distinct, stylistic signature) that speaks to a contemporary milieu in which abstract painting is not the retreat of meaning into an unrecognizable realm, but rather the emergence of medium as a “figure” in its own self-inscribed world of feeling and being. Watson does more than reveal paint’s potential to emote—she gives it a space to reveal itself, in its own time.
Štefan Papčo
(Czechoslovakia, b.1983)
Štefan Papčo's aims are the contemporary forms of use of alpine landscape, primarily the mountain climbers' community well known for their readiness to willingly enter bordering life-threatening situation. Thanks to this fact, he thinks of climbing society as worth a long term observation. The artist confronts and reviews the forms of landscape, use with the lands history for the past ages. The space illustration of extreme situations and settings from the mountain climbing environment offers the possibility to grasp the space as a text predetermined for recording of important elements in contemporary development of the society that uses the outdoor space. The strategy of typological investigation of the mounting climbing environment is based on formal minimalization of existential experiences, the process interventions and an active climbing experience.
Dylan Martinez
(USA, b.1985)
Dylan Martinez holds a Master of Fine Arts in Glass Art from Ball State University in the United States. He specializes in glass exploration of medium and visual interaction, impacting viewers' visual experiences through variations in light, space, and form. Dylan has been honored with multiple international competition awards, including the Innovation Prize at the Milan International Art Glass and Design Competition and the First Prize at the Pittsburgh Glass Center.
Adrian Wald
(Germany, b.1986)
Adrian Wald (Germany, b.1986) was born in Bavaria, Germany, currently lives and works in Munich. He studied graphic painting at the Academy of Fine Arts in Munich and the Ecole Mediterraneo des Arts in Marseille, France. In Wald's creative field, there is no clear boundary between "sculpture" and "painting", installation works that combine sculpture and painting are the main forms of creation. He deconstructs objects and embodies the concept of "breaking the way or order of viewing paintings" through his works. Wald has been selected to participate in the artist-in-residence program in Riedenburg, Germany many times, and has received grants from the Bavarian Ministry of Arts and Culture.