Exhibition Tour
Installation
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Day 2
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Day 5
2023 ART TAIPEI
台北國際藝術博覽會
Bluerider ART 藍騎士藝術空間
展位
D07
展期
10月19日 至 10月23日
開放時間
尊貴藏家預覽（僅限邀請）
10月19日 (四) 12:00-21:00
10月20日 (五) 11:00-14:00
公眾日
10月20日 (五) 14:00-19:00
10月21日 (六) 11:00-19:00
10月22日 (日) 11:00-19:00
10月23 (一) 11:00-18:00
展覽地點
台北世界貿易中心 展覽一館
台北市信義區信義路五段 5 號
Bluerider ART 藍騎士藝術空間將於 2023 年 10 月 19 日-10 月 23 日參展 ART TAIPEI 2023 台北國際藝術博覽會，推出多位代理國際藝術家之代表性作品，涵蓋人文、自然、抽象與具像等主題。
Bluerider ART 創辦人也是本屆評審之一的王薇薇(Elsa Wang) 表示：「有別於國際各大藝博，台北藝博30 年，獨特的以台灣北中南畫廊協會成員以及長久耕耘的藏家族群為基礎，自台灣寶島這塊土地上，汲取人文、經濟、美學、對生命熱愛的養份，造就今天遍地開花、生機勃勃、特有原生性美學型態，不論入門或資深藏家、本土或國際 、廣泛的價格區間，得以讓所有進來的參觀者不會空手而歸。面對目前全球經濟不景氣挑戰，相信在台灣實力一、二代藏家傳承支持下，台北藝博30 將再現輝煌！」
這次Bluerider ART 展出作品將囊括東西方抽象組合精彩作品。 包括熱門德國藝術家威利・希伯(Willi Siber)呈現突破媒介的限制所進行的自然抽象探索；中國藝術家曹吉岡(Cao Jigang)以西方坦培拉媒介呈現東方山水的極簡之境；德國藝術家魯普雷希特・馮・考夫曼(Ruprecht von Kaufmann)以反復被厚塗消失模糊的面孔表現非傳統「肖像畫」的當代群像；西班牙藝術家貝納特・奧拉貝里亞(Beñat Olaberria )以鉛筆、壓克力顏料、泥土、炭筆等多元媒介抽像作品探索思想的未知領域；加拿大藝術家珍娜・華生(Janna Watson)以抽象繪畫作為逃避及回歸現實的方式，以鮮明的構圖與色彩喚起觀者的情感。 藝術家們將對大自然色彩、紋理、光影的感知以及人文哲思融入作品，以多元方式探索當下時代議題並展現當代藝術的多種形態。
Exhibiting artists:
Cao Jigang
威利・希伯Willi Siber
雷諾・奧德霍恩Reinoud Oudshoorn
魯普雷希特・馮・考夫曼 Ruprecht von Kaufmann
迪爾克・薩爾茲 Dirk Salz
馬克Marck
Pascal Dombis
彼得・克勞斯科夫 Peter Krauskopf
斯芬・杜爾 Sven Drühl
克里斯蒂安・格琳 Christiane Grimm
Beñat Olaberria
布萊恩・伊達Bryan Ida
Jan Kaláb
珍娜・華生 Janna Watson
邁可・克雷克 Michael Craik
Thierry Feuz
路易莎・扎伊Luisa Zay
阿慕黛娜・品塔多Almudena Pintado
佩爾・阿道夫森Per Adolfsen
霍根・布朗 Hogan Brown
桑德拉・亞克曼Sandra Ackermann
拉米羅・史密斯・埃斯特拉達 Ramiro Smith Estrada
Adrian Wald
Cao Jigang
(China, b.1955）
Cao Jigang, was graduated from Material Expression Studio of Oil Painting Department of China Central Academy of Fine Arts, also was a professor at Foundation Year Program Department of China Central Academy of Fine Arts. Currently living, working in Beijing, China, and exhibiting widely in museums and curated exhibitions. Cao Jigang received the Silver Prize in The National Exhibition of Fine Arts in 1999. His work is included in public collection including The National Art Museum of China in Beijing, Shanghai Art Museum and New Hall of China International Exhibition Center in Beijing.
More information
Willi Siber
(Germany, b. 1949）
Born in Upper Swabia, the center of Baroque art history, Willi Siber studied art history at the University of Stuttgart, Germany. His creations inherited the fluidity, theatricality, and splendid visual effects of Baroque art also incorporated a contemporary perspective. Siber once said "My creations stem from change." Over the long artist career he not only excels in painting, but also known for art objects , installations, sculptures. Using wood, steel, epoxy resin, exploring the malleability of materials, focusing not just on the aesthetic expression of materials he constantly research, validation, and overturning of established perceptions, breaking through the limitations of materials. His playfulness with colors further highlights his concise style. Willi Siber's exhibitions have spanned across Europe and the United States, his works permanently collected by German Federal Parliament, the German Embassy in Argentina, Deutsche Bank, Staatsgalerie Stuttgart, Städtisches Kunstmuseum in Singen, and private art museums Kunstwerk Sammlung Klein, Museum Ritter and private collectors worldwide.
Reinoud Oudshoorn
(Netherland, b. 1953)
Reinoud Oudshoorn is a contemporary minimalist artist from the Netherlands. He graduated from the AKI Art Academy in the Netherlands and currently lives and works in Amsterdam, where he used to teach at the KABK (Koninklijke Academie van Beeldende Kunsten). Reinoud Oudshoorn is renowned for his minimalist sculptures focus on "Vanishing Point" to construct three dimentional spaces: physical space, invisible space and poetic imagination space. He advocates that "sculpture should create space larger than the work itself" . His exhibitions across Europe, America, and Asia, exhibited at the Stedelijk Museum and Museum Fodor in Amsterdam..etc. Works permanently collected by the Stedelijk Museum Amsterdam, the AkzoNobel Art Foundation in the Netherlands, ABN AMRO Bank in the Netherlands, and the private art museum Sammlung Schroth in Germany..etc.
Ruprecht von Kaufmann 魯普雷希特．馮．考夫曼
(Germany , b. 1974)
Ruprecht von Kaufmann 魯普雷希特．馮．考夫曼 (德，b. 1974) 出生於德國慕尼黑，BFA洛杉磯藝術中心設計學院畢，曾任教柏林藝術大學、漢堡應用科學大學和萊比錫美術學院，現居住創作於柏林。作為一位突出的圖像敘事藝術創作者，他選擇研究圍繞著人的各種層面，利用當代繪畫的視覺語言，展現批判敘事與平行現實幻境。於歐洲各大城市倫敦、柏林、斯圖加特、奧斯陸、紐約展出；作品獲紐約知名收藏家族(Hort Family)、德國 Sammlung Philara 博物館、德國法蘭克福德意志聯邦共和國國家銀行等，眾多公私立機構永久收藏。
Dirk Salz
(Germany, b. 1962）
Dirk Salz lives and works in Cologne. He was born 1962 in Bochum, Germany, to an artistic family. Through his childhood and high school, he grew up painting, drawing, and studying art history. Salz’ artistic work deals in different manners with human perception or rather with the insufficiency of our mind that shapes this perception. His work can be found in a number of private collections, as well as prominent corporate collections, such as the Akzo Nobel Art Foundation.
Marck
(Switzerland, b. 1964）
Marck 馬克（Switzerland, b. 1964），瑞士當代藝術家以錄像雕塑（Video Sculpture）聞名，現生活和工作於蘇黎士。馬克Marck是一名非典型的藝術家，年輕時自我叛逆，縱使才華洋溢進入知名藝術學府，卻因無法忍受制式教育而半途輟學，從事汽車拆解、機械電工、搖滾歌手、設計傢俱及科技影音裝置等。馬克Marck異類豐富的人生體驗，顛覆一般人對學院藝術家的想像，自行創造的錄像雕塑獨特的語言表現型式，木箱框架、女性、膚色等議題深入人心，終究讓他走回專職藝術家的道路。馬克Marck受邀於歐美各大畫廊及藝博會展出，並由Bluerider ART介紹至亞洲。2019年獲義大利Academia Culturale Internazionale Cartagine頒發International Culture Award獎項，作品於國際重要展覽展出，包含拉珀斯維爾藝術中心（Kunstzeug-haus IG Halle Rapperswil）、瓦爾登堡雙年展（Ville des Arts Biennale）、聖彼德堡當代美術館（Museum Erarta）等，並由波士頓藝術博物館（Museum of Fine Arts, Boston）、伊斯坦布爾藝術中心（The Art Center Istanbul）、韓國斗山藝術中心（Doosan Art Center, Korea）、卡爾斯魯厄多藝術與媒體中心（Zentrum für Kunst und Medien, Karlsruhe）等重要國際機構收藏。
Pascal Dombis
(Frence, b. 1965)
Graduated from Tufts University computer art and Insa University in Lyon, France. Digital artist Pascal Dombis currently lives and works in Paris. His focus involves the exploration of language, noise, control, and irrationality. Dombis has been using computers and algorithms to generate and elaborate repetitions of simple processes, which computationally reproduce geometric or typographical signs. Started as a painter, Dombis notes that his encounter with William Burroughs’s art was a key moment for his new investigations into digital art. Dombis uses optical materials such as lenticular plates to revisit the way viewers look at things, and to question the very nature of images in the broad sense of the word. By using lenticular, allows him to play with the viewer’s gaze. The incessant circulation of images has made the way of looking at things more dynamic. Moreover, the lenticular material questions this new reading paradigm and brings about a physical and time-related experience. Over the years he created monumental public works for the City of Perth, Australia, the Ministry of Culture in France, and an 8 meter long outdoor sculpture installation along the River bank in Shanghai, China. His art exhibited around the world including Musée en Herbe in France, Museum Kunstpalast in Denmark, Velchev Art Museum in Bulgaria, and the University of Georgia in the USA.
Peter Krauskopf
(Germany, b. 1966)
Peter Krauskopf studied at the Academy of Fine Arts in his birth town Leipzig and later continued as a post-graduate under Arno Rink. Known for his break with the figurative tradition of Leipzig painting, Peter Krauskopf especially interested in the process of overpainting, which he understands as an overwriting of time. All of his pieces – the intensive colored smaller plates, as well as the big monochrome color gradients, seem to be abstract at first sight, but they are all ‘concretions of a period of time’. On homogeneous, smooth grounds which either consist of an old, former abandoned painting or a monochrome under painting, Krauskopf performs one single intervention to form a new picture. In 2015 he received the Falkenrot Prize. His paintings were widely exhibited including the Mies van der Rohe-Haus, Berlin, the Forum Kunst Rottweil, the Kunsthalle Lingen and Kunsthaus Kaufbeuren, works presented in the collection of the Albertinum in Dresden, the Ludwig Forum in Aachen, the City Museum of Wrocław, the Kunstverein Ludwigshafen, the Museum Schloss Morsbroich in Leverkusen, Kupferstichkabinett and the Galerie Neue Meister in Dresden, Germanisches Nationalmuseum in Nuremberg.
Sven Drühl
(Germany, b. 1968）
Sven Drühl currently lives and works in Berlin. He studied both in art and mathematics. With a PhD in art theory, he is also an author and editor of publications on contemporary art. Conceptually, Sven Drühl dissects visual shapes and types taken from every era from Romanticism to the present day, re-mounting them and combining them with his own motifs. Drühl reacts to the crisis of expression in post-modern painting with these transformed citations, but has purposefully not ceased to paint. His exploration of art history and his continual questioning of painting as a medium are at the heart of his oeuvre. He became known through his compilations of famous landscape paintings and had been exhibited throughout Europe, Asia and the United States including the St. Matthäuskirche, Berlin, Museum Villa-Rot, Neue Galerie Gladbeck, National Museum of Art of Romania, Bucharest, Kallman-Museum, Ismaning, Museum Haus am Waldsee, Berlin, ZKM | Museum für Neue Kunst, Karlsruhe. His work is in collection of Berlinische Galerie -Museum für moderne Kunst, Berlin, Allianz Forum, Deutsche Bank, E.ON Art Collection, Düsseldorf, Collection Philara, Düsseldorf.
Christiane Grimm
(Germany, b. 1957)
克里斯蒂安．格琳 Christiane Grimm (German, b. 1957) 畢業於斯圖加特大學Universität Stuttgart建築所。她的創作被稱為「不插電的動態光影」。多年來她持續實驗研究光線、色彩、空間，與特殊玻璃、壓克力等材質的特性結合，有系統地、精確地、處理分層感知色彩，讓物理光線影響著圖像的具體性，作品隨著光線變化、觀看位置不同，顯示立體漸層以光作畫。作品於德國 Museum Ritter、Wilhelm Hack Museum 展出並獲頒 The public’s choice award 獎項。獲德國海德堡市政府、德意志銀行，以及眾多私人美術館Das Kleine Museum、 Kunsthalle Würth、私人機構PwC資誠聯合會計事務所…等永久收藏。
Beñat Olaberria
(Spain, b.1970)
With a master's degree from the London City Art Institute, Beñat Olaberria currently creates and resides in London. His work, created in a non-impressionistic, non-narrative, and non-reductive manner, explores the unknown realms of form, composition, rhythm, and balance. Olaberria likens his creative process to a "walk," an adventurous journey where the final destination is uncertain. His pencil lines and heavy acrylic pigments present an incomplete and uncertain aspect through abstract compositions. Olaberria opposes predefined visual interpretations of his work, leaving gaps for viewers to interpret based on their experiences, creating multiple ways of understanding. The diverse materials he employs, including pencil, acrylic paint, clay, and charcoal, contribute to the layered and open-ended nature of his works. The exhibition will showcase Olaberria's latest works from 2023, inviting viewers to perceive and fill the gaps between their past experiences and the artwork.
Bryan Ida
(USA, b.1963)
布萊恩．伊達(Bryan Ida，美國，1963年生)現居住及創作於美國洛杉磯，以壓克力結合環氧樹脂(Epoxy)與聚酯纖維(Polyester)的堆疊層次進行創作，由多樣的視角、色彩與城市和自然進行對話。曾多次於美國知名博物館及美術館舉辦展覽，包含蘭開斯特藝術與歷史博物館(Lancaster Museum of Art and History) 、河濱市美術館 (Riverside Art Museum)、托倫斯藝術博物館 (Torrance Art Museum)、長灘美術館 (Long Beach Museum of Art) 、洛杉磯當代藝術美術館 (Museum of Contemporary Art, Los Angeles)等。作品收藏於微軟(Microsoft)與杜邦旗下杰能科(DuPont™ Genencor® Science)等矽谷高科技產業公司。
Jan Kaláb
(Czech Republic, b.1978）
Jan Kaláb graduated from the Academy of Fine Arts in Prague, Czech Republic, and currently lives and works in Prague. As a pioneer of Czech graffiti art, Jan Kaláb has been constantly forging a path as a non- traditional artist. He transitioned from street graffiti into pure white spaces, starting with points and developing them into circular transformations and 3D sculptures, condensing the exuberance of the outdoors onto geometrically distorted canvases. He represented the Czech Republic at the Shanghai World Expo in the Czech Pavilion and his works are held in collections at The National Czech & Slovak Museum & Library (NCSML), National Art Museum of Brazil, Deji Art Museum in China, Daejeon Museum of Art in South Korea, and cooperate with numerous international luxury brands including Dior and Tiffany.
Janna Watson
(Canada, b. 1983)
Janna Watson（Canada, b. 1983）uses abstraction as both an escape from and return to the real. As the world we know dematerializes into paint strokes, so too does her paint take stage as its very own character in a multi-act drama of composition. Bundles of colour, made up of discrete yet inseparable instances of pigment—what Watson refers to as “moments”—are teeming and poised as though caught mid-multiplication. Sweeps of paint re-direct sharply and fold over themselves; thin, rigid ink lines cut into the pictorial field as rudimentary elements in an increasingly complex system of painterly language. All the components play out on a surface of slow, chromatic gradation. Like many of Watson’s players, these backdrops tenderly gesture toward the familiar, stopping just short of representation. The result is a conceptual project (and distinct, stylistic signature) that speaks to a contemporary milieu in which abstract painting is not the retreat of meaning into an unrecognizable realm, but rather the emergence of medium as a “figure” in its own self-inscribed world of feeling and being. Watson does more than reveal paint’s potential to emote—she gives it a space to reveal itself, in its own time.
Michael Craik 邁可．克雷克
(Scotland, b.1972)
邁可．克雷克Michael Craik（Scotland, b.1972）出生於愛丁堡，現居住與創作於蘇格蘭法夫。擁有溫徹斯特藝術學院美術碩士與阿伯丁格雷藝術學院美術榮譽學士學位。透過疊加顏料並打磨畫面，創造展現時間流逝感的簡約色塊。在超過25年的藝術家生涯中，作品於蘇格蘭、荷蘭、西班牙、美國等地展出，並永久收藏於愛丁堡藝術中心、蒙特婁銀行、蘇格蘭皇家銀行等。
Thierry Feuz
(Switzerland, b. 1968）
Graduated from Geneva University of Art and Design (Haute École d'Art et de Design), Feuz currently lives and works in Geneva. In his artistic realm, art, science, and philosophy converge as he explores the universal meaning of "existence" and presents unseen realms through his unique painting techniques. Thierry Feuz's works have been collected by significant institutions and museums, including Musée d'Art et d'Histoire in Neuchâtel, Singapore Art Foundation, UBS Bank, Saks Fifth Avenue in the United States, as well as the Breeze Crop. and E.Sun Commercial Bank, among other corporate collections.
Luisa Zay 路易莎．扎伊
(Germany, b. 1990)
Luisa Zay路易莎．扎伊 (Germany, b. 1990)出生德國，現創作與居住於科隆。曾在位於柏林的插畫設計學院(The AID in Berlin)專攻繪畫學習。Luisa Zay 路易莎．扎伊描繪帶有包裝的商品靜物為題，由特殊的視角觀看並展示當今的社會。自2018年起以藝術家和插畫家的身份在柏林、哥本哈根生活與工作，展出經歷包含科隆、波恩等地。
Almudena Pintado 阿慕黛娜．品塔多
(Spain , b. 1969）
Almudena Pintado, born in Spain, currently creates and resides in Switzerland. She has participated in numerous international exhibitions and art fairs, spanning countries such as Spain, Switzerland, France, Belgium, Italy, Colombia, Mexico, Argentina, the United States, Iran, Singapore, and Brazil. Her exhibition experience includes prestigious venues like the Louvre Museum's Carrousel Museum in Paris and the Museum of the Americas in Mexico. She has also been invited to participate in art projects at the Tijuana Cultural Center of the Mexican Consulate in California. Pintado's rich list of awards includes honors from the National Academy of Fine Arts in Brazil, awards from the National Arts Organization in Paris, a bronze award from the Paris Academy of Fine Arts, and the first international art award from the Cordoba Alliance in Spain.
Per Adolfsen 佩爾．阿道夫森
(Denmark b. 1964)
佩爾．阿道夫森 Per Adolfsan（Denmark, b. 1964）出生於丹麥，現居住與創作於丹麥奧登斯。他對風景之美有著敏銳的眼光，以鉛筆和蠟筆畫為主要創作媒材。受到愛德華．蒙克（Edvard Munch）表現主義風格的影響，佩爾．阿道夫森 Per Adolfsan 的作品經常呈現特殊的色彩、紋理，創造出充滿能量的幻覺圖像。作品於丹麥以及紐約、巴黎、杜塞道夫和上海等地的群展和個展中展出。
Hogan Brown霍根・布朗
(UK, b. 1966）
藝術家霍根．布朗以當代油彩繪畫著稱，現居住與創作於倫敦，於歐美擁有豐富的個展與群展經歷。布朗的創作擅以細膩的筆觸繪出人物與場域微妙的關係，故事性地架起畫面空間，同時也讓觀者的想像與詮釋住進留白之中。
Sandra Ackermann
(Germany, b. 1974）
Sandra Ackermann lives and works in rural Germany and London UK. She studied fine art at Staatliche Hochschule for Bildende Künste – Städelschule Frankfurt am Main. In her work she combines the interest in the human appearance with the observation of the newly appearing digital image culture and the way it changes the perception we have about ourselves. Ackermann understands her work as an ongoing project of cultural observational studies from a female perspective, interlacing political and emotional movements of society into poetic paintings. Her work has been shown internationally in Europe and Asia in Galleries and Museums, including Royal Opera Arcade, Städel Museumm, Städtisches Museum Engen, etc. Her work is present in private and public collections, including art collection of Rhineland Palatinate, Germany.
Ramiro Smith Estrada 拉米羅． 史密斯．埃斯特拉達
(Argentina, b.1984)
阿根廷社會博物館德爾大學藝術學士，目前在阿根廷布宜諾斯艾利斯生活創作。專注於人物油畫創作，運用鮮豔色彩及清晰的輪廓線條，概念圍繞的元素包括網路社群的社會、政治、身份…議題，以一種華麗、街頭、刺青、圖騰、壁紙式的「憤青美學」方式呈現，探討在文化社交壓力下的衝突。多次入選阿根廷國家藝術展，2012年獲得威廉姆斯獎(Williams Award)，並於阿根廷舉辦個展、參與國際駐地計畫，包括美國丹佛RedLine當代藝術中心駐地計劃、阿根廷布宜諾斯艾利斯 Panal 駐地計劃、比利時布魯塞爾La Vallee駐村藝術家。作品由眾多私人藏家收藏。
Adrian Wald 阿德里安・沃爾德
(Germany, b.1986)
Adrian Wald (Germany, b.1986) was born in Bavaria, Germany, currently lives and works in Munich. He studied graphic painting at the Academy of Fine Arts in Munich and the Ecole Mediterraneo des Arts in Marseille, France. In Wald's creative field, there is no clear boundary between "sculpture" and "painting", installation works that combine sculpture and painting are the main forms of creation. He deconstructs objects and embodies the concept of "breaking the way or order of viewing paintings" through his works. Wald has been selected to participate in the artist-in-residence program in Riedenburg, Germany many times, and has received grants from the Bavarian Ministry of Arts and Culture.
Dylan Martinez 迪倫・馬汀尼茲
(USA, b.1985)
美國波爾州立大學藝術碩士，主修玻璃創作。以玻璃探索媒材和視覺互動，透過光、空間與形體的變化衝擊觀者的視覺經驗。榮獲多項國際競賽獎項、米蘭國際藝術玻璃與設計競賽創新獎、匹茲堡玻璃中心首獎等。